第 1/1 張圖片
Paris in the Dark: Going to the Movies in the City of Light, 1930-1950: New
狀況:
運費:
所在地:Sparks, Nevada, 美國
送達日期:
估計於 6月22日, 六至 6月27日, 四之間送達 運送地點 43230
退貨:
保障:
請參閱物品說明或聯絡賣家以取得詳細資料。閱覽全部詳情查看保障詳情
(不符合「eBay 買家保障方案」資格)
物品細節
- 物品狀況
- 全新: 全新,未閱讀過和使用過的書籍,狀況完好,不存在缺頁或內頁受損。 查看所有物品狀況定義會在新視窗或分頁中開啟
- Book Title
- Paris in the Dark: Going to the Movies in the City of Light, 1930
- Publication Date
- 2020-03-27
- Pages
- 224
- ISBN
- 9781478006923
- Subject Area
- Performing Arts, History
- Publication Name
- Paris in the Dark : Going to the Movies in the City of Light, 1930-1950
- Publisher
- Duke University Press
- Item Length
- 9 in
- Subject
- Film / General, Europe / France, Film / History & Criticism
- Publication Year
- 2020
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.4 in
- Item Weight
- 11.2 Oz
- Item Width
- 6 in
- Number of Pages
- 224 Pages
關於產品
Product Identifiers
Publisher
Duke University Press
ISBN-10
1478006927
ISBN-13
9781478006923
eBay Product ID (ePID)
24038370895
Product Key Features
Number of Pages
224 Pages
Language
English
Publication Name
Paris in the Dark : Going to the Movies in the City of Light, 1930-1950
Subject
Film / General, Europe / France, Film / History & Criticism
Publication Year
2020
Type
Textbook
Subject Area
Performing Arts, History
Format
Trade Paperback
Dimensions
Item Height
0.4 in
Item Weight
11.2 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2019-032714
Reviews
Relying primarily on magazines, newspapers, and movie listings, Smoodin offers a different approach to conceptualizing French cinema from the beginning of the spoken era until just after Liberation. . . . [ Paris in the Dark ] offers an engaging perspective on Parisian filmgoing habits of the era., Eric Smoodin is a delightful guide to Parisian movie theaters as they shaped the filmgoing experience in the decades of the 1930s and 1940s, from the coming of sound to the somber years of the German Occupation to the postwar efforts to rebuild film culture. Paris in the Dark is an outstanding study of the spaces and places of Parisian filmgoing and a major contribution to French film studies., Smoodin has a dazzling grasp of French film history and its political underpinnings, and thus he gives us an astute social and historical analysis of the formation of cultural identity through film and its audiences, and he does it in a disarmingly casual style., Smoodin's work is an inspiring model of historical exhibition study. Future scholarship would do well to return to this trove of newly digitized primary material to continue unspooling these golden threads., This meticulously researched study of French film exhibition charts the shifts in film culture during the early sound period, the German Occupation, and the postwar reconstruction. Eric Smoodin crafts a fascinating, street-level history of film culture through a savvy use of primary sources, industry surveys of spectators, and government studies. Enriched with case studies about stardom, ciné-clubs, and the rise of fascist violence, this book reminds us of the vitality and fragility of French film culture., Through presenting incredibly meticulous research, which comes as the sum total of a forty-year pursuit of better understanding Paris' film culture, this work fills an essential gap in understanding the history of Parisian film exhibition by tracing the dimensions of moviegoing at the beginning of the sound era on through to the first films of the French New Wave. In addition to presenting a needed bridge between the Classical French Cinema and the New Wave, Paris in the Dark can be seen as an essential case study in the ongoing effort within the film studies discipline to redefine national cinema., [ Paris in the Dark ] takes the reader on a series of illuminating voyages through Parisian film culture in this eventful period. Despite its modest length, it covers considerable ground in hitherto largely uncharted territory., Smoodin has written an immaculately researched tome.... His passion combined with his thorough ressearch present a truly unique and special examination of how people, culture, and space intersect.
Table Of Content
Acknowledgments ix Introduction. A Walking Tour: 1930-1981 1 1. The Cinemas and the Films: 1931-1933 21 2. The Ciné-Clubs: 1930-1944 41 3. Chevalier and Dietrich: 1929-1935 60 4. Violence at the Cinema: 1930-1944 76 5. Occupied Paris: 1939-1944, 2009 99 6. Liberation Cinema, Postwar Cinema: 1944-1949 122 Conclusion. A Final Stroll, 1948-1954: 1980-2016 147 Notes 157 Bibliography 181 Index 189
Synopsis
Eric Smoodin takes readers on a journey through the streets, cinemas, and theaters of Paris to sketch a comprehensive picture of French film culture during the 1930s and 1940s., In Paris in the Dark Eric Smoodin takes readers on a journey through the streets, cinemas, and theaters of Paris to sketch a comprehensive picture of French film culture during the 1930s and 1940s. Drawing on a wealth of journalistic sources, Smoodin recounts the ways films moved through the city, the favored stars, and what it was like to go to the movies in a city with hundreds of cinemas. In a single week in the early 1930s, moviegoers might see Hollywood features like King Kong and Frankenstein , the new Marlene Dietrich and Maurice Chevalier movies, and any number of films from Italy, Germany, and Russia. Or they could frequent the city's ciné-clubs, which were hosts to the cinéphile subcultures of Paris. At other times, a night at the movies might result in an evening of fascist violence, even before the German Occupation of Paris, while after the war the city's cinemas formed the space for reconsolidating French film culture. In mapping the cinematic geography of Paris, Smoodin expands understandings of local film exhibition and the relationships of movies to urban space., In Paris in the Dark Eric Smoodin takes readers on a journey through the streets, cinemas, and theaters of Paris to sketch a comprehensive picture of French film culture during the 1930s and 1940s. Drawing on a wealth of journalistic sources, Smoodin recounts the ways films moved through the city, the favored stars, and what it was like to go to the movies in a city with hundreds of cinemas. In a single week in the early 1930s, moviegoers might see Hollywood features like King Kong and Frankenstein , the new Marlene Dietrich and Maurice Chevalier movies, and any number of films from Italy, Germany, and Russia. Or they could frequent the city's cin -clubs, which were hosts to the cin phile subcultures of Paris. At other times, a night at the movies might result in an evening of fascist violence, even before the German Occupation of Paris, while after the war the city's cinemas formed the space for reconsolidating French film culture. In mapping the cinematic geography of Paris, Smoodin expands understandings of local film exhibition and the relationships of movies to urban space.
LC Classification Number
PN1993.5.F7S66 2020
ebay_catalog_id
4
Copyright Date
2020
賣家提供的物品說明
運費與處理費
物品所在地:
Sparks, Nevada, 美國
運送地點
不丹, 中國, 中國台灣, 中國澳門, 中國香港, 中非共和國, 丹麥, 乍德, 也門, 亞塞拜疆共和國, 亞美尼亞, 以色列, 伯利茲, 佛得角群島, 保加利亞, 克羅地亞共和國, 冰島, 列支敦士登, 剛果共和國, 剛果民主共和國, 加拿大, 加納, 加蓬共和國, 匈牙利, 南非, 南韓, 博茨瓦納, 卡塔爾, 印尼, 印度, 危地馬拉, 厄瓜多爾, 厄立特里亞, 吉布提, 吉爾吉斯, 哈薩克, 哥倫比亞, 哥斯達黎加, 喀麥隆, 土庫斯安德凱科斯群島, 土庫曼, 土耳其, 圭亞那, 坦桑尼亞, 埃及, 埃塞俄比亞, 基里巴斯, 塔吉克, 塞內加爾, 塞拉利昂, 塞浦路斯, 塞爾維亞, 塞舌爾, 墨西哥, 多哥, 多明尼加共和國, 奧地利, 孟加拉, 安哥拉, 安圭拉島, 安提瓜和巴布達, 安道爾, 寮國, 尼加拉瓜, 尼日爾, 尼泊爾, 巴哈馬, 巴基斯坦, 巴布亞新畿內亞, 巴拉圭, 巴拿馬, 巴林, 布基納法索, 布隆迪, 希臘, 幾內亞, 德國, 意大利, 愛沙尼亞, 愛爾蘭, 所羅門群島, 拉脫維亞, 挪威, 捷克共和國, 摩洛哥, 摩爾多瓦, 摩納哥, 斐濟, 斯威士蘭, 斯洛伐克, 斯洛文尼亞, 斯里蘭卡, 新加坡, 日本, 智利, 柬埔寨, 格陵蘭, 格雷納達, 格魯吉亞, 梵蒂岡, 比利時, 毛里求斯, 汶萊, 沙特阿拉伯, 法國, 波斯尼亞和黑塞哥維那, 波蘭, 泰國, 津巴布韋, 洪都拉斯, 海地, 湯加, 澳洲, 烏干達, 烏拉圭, 烏茲別克, 牙買加, 特里尼達和多巴哥, 玻利維亞, 瑙魯, 瑞典, 瑞士, 瓦利斯和富圖納群島, 瓦努阿圖, 甘比亞, 百慕達群島, 盧旺達, 盧森堡, 直布羅陀, 科威特, 科特迪瓦(象牙海岸), 秘魯, 突尼斯, 立陶宛, 約旦, 納米比亞, 紐西蘭, 羅馬尼亞, 美國, 聖基茨-尼維斯, 聖文森和格瑞那丁, 聖盧西亞, 聖馬力諾, 肯亞, 芬蘭, 英國, 茅利塔尼亞, 荷蘭, 莫桑比克, 菲律賓, 萊索托, 葡萄牙, 蒙古, 蒙特色拉特島, 薩爾瓦多, 蘇里南, 西班牙, 西薩摩亞, 貝寧, 贊比亞, 赤道幾內亞, 越南, 開曼群島, 阿拉伯聯合酋長國, 阿曼, 阿根廷, 阿爾巴尼亞, 阿魯巴, 馬來西亞, 馬其頓, 馬拉維, 馬爾代夫, 馬耳他, 馬達加斯加, 馬里, 黎巴嫩, 黑山
排除:
APO/FPO, 伊拉克, 俄羅斯聯邦, 利比亞, 利比利亞, 委內瑞拉, 尼日利亞, 巴西, 巴貝多, 幾內亞比索, 新喀里多尼亞, 法屬圭亞那, 法屬玻里尼西亞, 烏克蘭, 瓜德羅普島, 留尼汪島, 白俄羅斯, 美國領地, 阿富汗, 阿拉斯加/夏威夷, 阿爾及利亞, 馬提尼克島
運費與處理費 | 運送地點 | 運送方式 | 運送*查看送達備註 |
---|---|---|---|
免運費 | 美國 | Standard Shipping | 估計於 6月22日, 六至 6月27日, 四之間送達 運送地點 43230 |
US $5.50(大約 HK$ 42.96) | 美國 | Expedited Shipping | 估計於 6月25日, 二至 6月29日, 六之間送達 運送地點 43230 |
處理時間 |
---|
通常會在收到所有款項後的 2 個工作日內發貨。 |
稅項 |
---|
賣家將對以下州別的買家收取銷售稅: |
物品編號 284842165949 的銷售稅
物品編號 284842165949 的銷售稅
賣家會對寄往以下各州的物品收取銷售稅:
州/省 | 銷售稅稅率 |
---|
退貨政策
收到物品後聯絡賣家的期限: | 退款方式 |
---|---|
30 日 | 退款 |
買家負責支付退貨運費。
賣家信用評價 (462,795)
j***n (616)- 買家留下的信用評價。
過去 1 個月
購買已獲認證
good reference book Quick shipping good product and seller Thanks
r***y (149)- 買家留下的信用評價。
過去 1 個月
購買已獲認證
Quick shipping, much appreciated!
b***1 (1056)- 買家留下的信用評價。
過去 1 個月
購買已獲認證
Fast shipping