第 1/1 張圖片
Charles Munch by D Kern Holoman: Used
狀況：
運費：
所在地：Sparks, Nevada, 美國
送達日期：
估計於 6月22日, 六至 6月27日, 四之間送達 運送地點 43230
退貨：
保障：
請參閱物品說明或聯絡賣家以取得詳細資料。閱覽全部詳情查看保障詳情
（不符合「eBay 買家保障方案」資格）
物品細節
- 物品狀況
- Publication Date
- 2012-01-19
- Pages
- 352
- ISBN
- 9780199772704
- Book Title
- Charles Munch
- Publisher
- Oxford University Press, Incorporated
- Item Length
- 6.1 in
- Publication Year
- 2012
- Format
- Hardcover
- Language
- English
- Illustrator
- Yes
- Item Height
- 1.3 in
- Genre
- Biography & Autobiography
- Topic
- Composers & Musicians, Entertainment & Performing Arts
- Item Weight
- 21.6 Oz
- Item Width
- 9.3 in
- Number of Pages
- 352 Pages
關於產品
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0199772703
ISBN-13
9780199772704
eBay Product ID (ePID)
109334408
Product Key Features
Book Title
Charles Munch
Number of Pages
352 Pages
Language
English
Topic
Composers & Musicians, Entertainment & Performing Arts
Publication Year
2012
Illustrator
Yes
Genre
Biography & Autobiography
Format
Hardcover
Dimensions
Item Height
1.3 in
Item Weight
21.6 Oz
Item Length
6.1 in
Item Width
9.3 in
Additional Product Features
Intended Audience
Trade
LCCN
2011-004243
Reviews
"A fascinating read. Holoman's passion for and knowledge of his subject is quite compelling. In contemporary discussions of the great conductors of that era, Munch tends to be relatively overlooked. Holoman makes a persuasive historical case for Munch's importance, both to musical life in France and to the evolution of the Boston Symphony. Along the way, he also provides a detailed look at what life was like for conductors (and orchestras) in the middle part ofthe twentieth century." --Aaron Sherber, Music Director and Conductor, Martha Graham Dance Company"A joy to read: well-conceived, well-executed, well-written. Holoman's combination of musical and literary skill brings twentieth-century culture to life throughout, on both sides of the Atlantic. 'Ah, qu'il était beau!' and he still is, in Holoman's vivid biography." --Thomas Kelly, Harvard University"Charles Munch--the musical icon. When you played a concert with Charles Munch or attended one of his performances as a listener, it was not just a concert. It was an event. He never used the same palette twice. As a player, you had to give 110% of yourself, or be left out of the music. This book is an excellent portrayal of this musical phenomenon!" --Vic Firth"The qualities that marked D. Kern Holoman's biography of Berlioz and his epic The Société des Concerts du Conservatoire--the grand sweep combined with the minute attention to detail, the narrative flair, the breadth of human sympathy, the evocation of the musician's existence, which, as himself a conductor and organiser of concerts, he understands so well--shine out in this new book. Charles Munch's life, spanning three continents andtwo world wars, raises fascinating issues--personal, social, political, as well as musical. Reading it, we learn both about the teeming, intricate world of mid-twentieth-century music and about the struggles and achievementsof one of its best-loved and most committed practitioners. Holoman has a remarkable story to tell and he tells it superbly." --David Cairns"Among its other virtues, D. Kern Holoman's warmly sympathetic new biography sheds necessary light on an already forgotten chapter from the history of the Boston Symphony Orchestra. Few readers of this book will be prepared to discover what was expected of a Boston Symphony music director as of 1949, when Charles Munch took over from Serge Koussevitzky--Munch was to stay put in Boston; guest conductors were a rarity. And there was new music on virtually everysubscription concert. A lot has changed since then." --Joseph Horowitz, author of Classical Music in America: A History"A book such as this has been needed for quite a while...Very strongly recommended: it is a masterly study." --Musical Opinion"Beautifully written and arranged in every respect...Accessible to a wide audience...Recommended." --Choice, Not only does Holoman weave the events of Munch's life into an interesting, elegantly written narrative, he penetrates the man's psychology (no easy task for one so reclusive and private) and shows us how that impacted on his performances ... I cannot recommend it too highly., A book such as this has been needed for quite a while ... I enjoyed this book very much ... This book is very strongly recommended: it is a masterly study., Holoman, a professor of music and conductor at the University of California Davis, provides not just a colorful and warmly affectionate account of the life and career of le beau Charles, but also brings context to the major institutional changes that took place during his tenure, a pivotal period in American orchestral life., "A fascinating read. Holoman's passion for and knowledge of his subject is quite compelling. In contemporary discussions of the great conductors of that era, Munch tends to be relatively overlooked. Holoman makes a persuasive historical case for Munch's importance, both to musical life in France and to the evolution of the Boston Symphony. Along the way, he also provides a detailed look at what life was like for conductors (and orchestras) in the middle part of the twentieth century." --Aaron Sherber, Music Director and Conductor, Martha Graham Dance Company "A joy to read: well-conceived, well-executed, well-written. Holoman's combination of musical and literary skill brings twentieth-century culture to life throughout, on both sides of the Atlantic. 'Ah, qu'il était beau!' and he still is, in Holoman's vivid biography." --Thomas Kelly, Harvard University "Charles Munch--the musical icon. When you played a concert with Charles Munch or attended one of his performances as a listener, it was not just a concert. It was an event. He never used the same palette twice. As a player, you had to give 110% of yourself, or be left out of the music. This book is an excellent portrayal of this musical phenomenon!" --Vic Firth "The qualities that marked D. Kern Holoman's biography of Berlioz and his epic The Société des Concerts du Conservatoire--the grand sweep combined with the minute attention to detail, the narrative flair, the breadth of human sympathy, the evocation of the musician's existence, which, as himself a conductor and organiser of concerts, he understands so well--shine out in this new book. Charles Munch's life, spanning three continents and two world wars, raises fascinating issues--personal, social, political, as well as musical. Reading it, we learn both about the teeming, intricate world of mid-twentieth-century music and about the struggles and achievements of one of its best-loved and most committed practitioners. Holoman has a remarkable story to tell and he tells it superbly." --David Cairns "Among its other virtues, D. Kern Holoman's warmly sympathetic new biography sheds necessary light on an already forgotten chapter from the history of the Boston Symphony Orchestra. Few readers of this book will be prepared to discover what was expected of a Boston Symphony music director as of 1949, when Charles Munch took over from Serge Koussevitzky--Munch was to stay put in Boston; guest conductors were a rarity. And there was new music on virtually every subscription concert. A lot has changed since then." --Joseph Horowitz, author of Classical Music in America: A History "A book such as this has been needed for quite a while...Very strongly recommended: it is a masterly study." --Musical Opinion "Beautifully written and arranged in every respect...Accessible to a wide audience...Recommended." --Choice, "A fascinating read. Holoman's passion for and knowledge of his subject is quite compelling. In contemporary discussions of the great conductors of that era, Munch tends to be relatively overlooked. Holoman makes a persuasive historical case for Munch's importance, both to musical life in France and to the evolution of the Boston Symphony. Along the way, he also provides a detailed look at what life was like for conductors (and orchestras) in the middle part of the twentieth century." --Aaron Sherber, Music Director and Conductor, Martha Graham Dance Company "A joy to read: well-conceived, well-executed, well-written. Holoman's combination of musical and literary skill brings twentieth-century culture to life throughout, on both sides of the Atlantic. 'Ah, qu'il tait beau!' and he still is, in Holoman's vivid biography." --Thomas Kelly, Harvard University "Charles Munch--the musical icon. When you played a concert with Charles Munch or attended one of his performances as a listener, it was not just a concert. It was an event. He never used the same palette twice. As a player, you had to give 110% of yourself, or be left out of the music. This book is an excellent portrayal of this musical phenomenon!" --Vic Firth "The qualities that marked D. Kern Holoman's biography of Berlioz and his epic The Socit des Concerts du Conservatoire--the grand sweep combined with the minute attention to detail, the narrative flair, the breadth of human sympathy, the evocation of the musician's existence, which, as himself a conductor and organiser of concerts, he understands so well--shine out in this new book. Charles Munch's life, spanning three continents and two world wars, raises fascinating issues--personal, social, political, as well as musical. Reading it, we learn both about the teeming, intricate world of mid-twentieth-century music and about the struggles and achievements of one of its best-loved and most committed practitioners. Holoman has a remarkable story to tell and he tells it superbly." --David Cairns "Among its other virtues, D. Kern Holoman's warmly sympathetic new biography sheds necessary light on an already forgotten chapter from the history of the Boston Symphony Orchestra. Few readers of this book will be prepared to discover what was expected of a Boston Symphony music director as of 1949, when Charles Munch took over from Serge Koussevitzky--Munch was to stay put in Boston; guest conductors were a rarity. And there was new music on virtually every subscription concert. A lot has changed since then." --Joseph Horowitz, author of Classical Music in America: A History "A book such as this has been needed for quite a while...Very strongly recommended: it is a masterly study." --Musical Opinion "Beautifully written and arranged in every respect...Accessible to a wide audience...Recommended." --Choice, "A fascinating read. Holoman's passion for and knowledge of his subject is quite compelling. In contemporary discussions of the great conductors of that era, Munch tends to be relatively overlooked. Holoman makes a persuasive historical case for Munch's importance, both to musical life in France and to the evolution of the Boston Symphony. Along the way, he also provides a detailed look at what life was like for conductors (and orchestras) in the middle part of the twentieth century." --Aaron Sherber, Music Director and Conductor, Martha Graham Dance Company "A joy to read: well-conceived, well-executed, well-written. Holoman's combination of musical and literary skill brings twentieth-century culture to life throughout, on both sides of the Atlantic.'Ah, qu'il était beau!'and he still is, in Holoman's vivid biography." --Thomas Kelly, Harvard University "Charles Munch--the musical icon. When you played a concert with Charles Munch or attended one of his performances as a listener, it was not just a concert. It was an event. He never used the same palette twice. As a player, you had to give 110% of yourself, or be left out of the music. This book is an excellent portrayal of this musical phenomenon!" --Vic Firth "The qualities that marked D. Kern Holoman's biography of Berlioz and his epicThe Société des Concerts du Conservatoire--the grand sweep combined with the minute attention to detail, the narrative flair, the breadth of human sympathy, the evocation of the musician's existence, which, as himself a conductor and organiser of concerts, he understands so well--shine out in this new book. Charles Munch's life, spanning three continents and two world wars, raises fascinating issues-personal, social, political, as well as musical. Reading it, we learn both about the teeming, intricate world of mid-twentieth-century music and about the struggles and achievements of one of its best-loved and most committed practitioners. Holoman has a remarkable story to tell and he tells it superbly." --David Cairns "Among its other virtues, D. Kern Holoman's warmly sympathetic new biography sheds necessary light on an already forgotten chapter from the history of the Boston Symphony Orchestra. Few readers of this book will be prepared to discover what was expected of a Boston Symphony music director as of 1949, when Charles Munch took over from Serge Koussevitzky--Munch was to stay put in Boston; guest conductors were a rarity. And there was new music on virtually every subscription concert. A lot has changed since then." --Joseph Horowitz, author ofClassical Music in America: A History, "A fascinating read. Holoman's passion for and knowledge of his subject is quite compelling. In contemporary discussions of the great conductors of that era, Munch tends to be relatively overlooked. Holoman makes a persuasive historical case for Munch's importance, both to musical life in France and to the evolution of the Boston Symphony. Along the way, he also provides a detailed look at what life was like for conductors (and orchestras) in the middle part of the 20th century." --Aaron Sherber, conductor "A joy to read: well-conceived, well-executed, well-written. Holoman's combination of musical and literary skill brings twentieth-century culture to life through, on both sides of the Atlantic. 'Ah, qu'il tait beau!' and he still is, in Holoman's vivid biography." --Thomas Kelly, Harvard University "Charles Munch--the musical icon. When you played a concert with Charles Munch or attended one of his performances as a listener, it was not just a concert. It was an event. He never used the same palette twice. As a player, you had to give 110% of yourself, or be left out of the music. This book is an excellent portrayal of this musical phenomenon!" --Vic Firth "The qualities that marked D. Kern Holoman's biography of Berlioz and his epicThe Soci t des Concerts du Conservatoire--the grand sweep combined with the minute attention to detail, the narrative flair, the breadth of human sympathy, the evocation of the musician's existence, which, as himself a conductor and organiser of concerts, he understands so well--shine out in this new book. Charles Munch's life, spanning three continents and two world wars, raises fascinating issues--personal, social, political, as well as musical. Reading it, we learn both about the teeming, intricate world of mid-twentieth-century music and about the struggles and achievements of one of its best-loved and most committed practitioners. Holoman has a remarkable story to tell and he tells it superbly." --David Cairns "Among its other virtues, D. Kern Holoman's warmly sympathetic new biography sheds necessary light on an already forgotten chapter from the history of the Boston Symphony Orchestra. Few readers of this book will be prepared to discover what was expected of a Boston Symphony music director as of 1949, when Charles Munch took over from Serge Koussevitzky--Munch was to stay put in Boston; guest conductors were a rarity. And there was new music on virtually every subscription concert. A lot has changed since then." -- Joseph Horowitz, author ofClassical Music in America: A History, "A fascinating read. Holoman's passion for and knowledge of his subject is quite compelling. In contemporary discussions of the great conductors of that era, Munch tends to be relatively overlooked. Holoman makes a persuasive historical case for Munch's importance, both to musical life in France and to the evolution of the Boston Symphony. Along the way, he also provides a detailed look at what life was like for conductors (and orchestras) in the middle part of the twentieth century." --Aaron Sherber, Music Director and Conductor, Martha Graham Dance Company "A joy to read: well-conceived, well-executed, well-written. Holoman's combination of musical and literary skill brings twentieth-century culture to life throughout, on both sides of the Atlantic. 'Ah, qu'il tait beau!' and he still is, in Holoman's vivid biography." --Thomas Kelly, Harvard University "Charles Munch--the musical icon. When you played a concert with Charles Munch or attended one of his performances as a listener, it was not just a concert. It was an event. He never used the same palette twice. As a player, you had to give 110% of yourself, or be left out of the music. This book is an excellent portrayal of this musical phenomenon!" --Vic Firth "The qualities that marked D. Kern Holoman's biography of Berlioz and his epic The Socitdes Concerts du Conservatoire--the grand sweep combined with the minute attention to detail, the narrative flair, the breadth of human sympathy, the evocation of the musician's existence, which, as himself a conductor and organiser of concerts, he understands so well--shine out in this new book. Charles Munch's life, spanning three continents and two world wars, raises fascinating issues--personal, social, political, as well as musical. Reading it, we learn both about the teeming, intricate world of mid-twentieth-century music and about the struggles and achievements of one of its best-loved and most committed practitioners. Holoman has a remarkable story to tell and he tells it superbly." --David Cairns "Among its other virtues, D. Kern Holoman's warmly sympathetic new biography sheds necessary light on an already forgotten chapter from the history of the Boston Symphony Orchestra. Few readers of this book will be prepared to discover what was expected of a Boston Symphony music director as of 1949, when Charles Munch took over from Serge Koussevitzky--Munch was to stay put in Boston; guest conductors were a rarity. And there was new music on virtually every subscription concert. A lot has changed since then." --Joseph Horowitz, author of Classical Music in America: A History "A book such as this has been needed for quite a while...Very strongly recommended: it is a masterly study." --Musical Opinion "Beautifully written and arranged in every respect...Accessible to a wide audience...Recommended." --Choice, "A fascinating read. Holoman's passion for and knowledge of his subject is quite compelling. In contemporary discussions of the great conductors of that era, Munch tends to be relatively overlooked. Holoman makes a persuasive historical case for Munch's importance, both to musical life in France and to the evolution of the Boston Symphony. Along the way, he also provides a detailed look at what life was like for conductors (and orchestras) in the middle part of the twentieth century." --Aaron Sherber, Music Director and Conductor, Martha Graham Dance Company "A joy to read: well-conceived, well-executed, well-written. Holoman's combination of musical and literary skill brings twentieth-century culture to life throughout, on both sides of the Atlantic.'Ah, qu'il tait beau!'and he still is, in Holoman's vivid biography." --Thomas Kelly, Harvard University "Charles Munch--the musical icon. When you played a concert with Charles Munch or attended one of his performances as a listener, it was not just a concert. It was an event. He never used the same palette twice. As a player, you had to give 110% of yourself, or be left out of the music. This book is an excellent portrayal of this musical phenomenon!" --Vic Firth "The qualities that marked D. Kern Holoman's biography of Berlioz and his epicThe Socit des Concerts du Conservatoire--the grand sweep combined with the minute attention to detail, the narrative flair, the breadth of human sympathy, the evocation of the musician's existence, which, as himself a conductor and organiser of concerts, he understands so well--shine out in this new book. Charles Munch's life, spanning three continents and two world wars, raises fascinating issues-personal, social, political, as well as musical. Reading it, we learn both about the teeming, intricate world of mid-twentieth-century music and about the struggles and achievements of one of its best-loved and most committed practitioners. Holoman has a remarkable story to tell and he tells it superbly." --David Cairns "Among its other virtues, D. Kern Holoman's warmly sympathetic new biography sheds necessary light on an already forgotten chapter from the history of the Boston Symphony Orchestra. Few readers of this book will be prepared to discover what was expected of a Boston Symphony music director as of 1949, when Charles Munch took over from Serge Koussevitzky--Munch was to stay put in Boston; guest conductors were a rarity. And there was new music on virtually every subscription concert. A lot has changed since then." --Joseph Horowitz, author ofClassical Music in America: A History "A book such as this has been needed for quite a while...Very strongly recommended: it is a masterly study." --Musical Opinion "Beautifully written and arranged in every respect...Accessible to a wide audience...Recommended." --Choice, Holoman writes with enormous sensitivity ... he is especially articulate in connecting Munch's elusive and enigmatic personal life to a noticeably more extroverted approach to music making ... Holoman's admirably elegant interrogation of the dichotomy of Munch's on- and off-stage personality is sympathetically handled and proves to be both insightful and informative., "A fascinating read. Holoman's passion for and knowledge of his subject is quite compelling. In contemporary discussions of the great conductors of that era, Munch tends to be relatively overlooked. Holoman makes a persuasive historical case for Munch's importance, both to musical life in France and to the evolution of the Boston Symphony. Along the way, he also provides a detailed look at what life was like for conductors (and orchestras) in the middle part of the twentieth century." --Aaron Sherber, Music Director and Conductor, Martha Graham Dance Company"A joy to read: well-conceived, well-executed, well-written. Holoman's combination of musical and literary skill brings twentieth-century culture to life throughout, on both sides of the Atlantic. 'Ah, qu'il était beau!' and he still is, in Holoman's vivid biography." --Thomas Kelly, Harvard University"Charles Munch--the musical icon. When you played a concert with Charles Munch or attended one of his performances as a listener, it was not just a concert. It was an event. He never used the same palette twice. As a player, you had to give 110% of yourself, or be left out of the music. This book is an excellent portrayal of this musical phenomenon!" --Vic Firth"The qualities that marked D. Kern Holoman's biography of Berlioz and his epic The Société des Concerts du Conservatoire--the grand sweep combined with the minute attention to detail, the narrative flair, the breadth of human sympathy, the evocation of the musician's existence, which, as himself a conductor and organiser of concerts, he understands so well--shine out in this new book. Charles Munch's life, spanning three continents and two world wars, raises fascinating issues--personal, social, political, as well as musical. Reading it, we learn both about the teeming, intricate world of mid-twentieth-century music and about the struggles and achievements of one of its best-loved and most committed practitioners. Holoman has a remarkable story to tell and he tells it superbly." --David Cairns"Among its other virtues, D. Kern Holoman's warmly sympathetic new biography sheds necessary light on an already forgotten chapter from the history of the Boston Symphony Orchestra. Few readers of this book will be prepared to discover what was expected of a Boston Symphony music director as of 1949, when Charles Munch took over from Serge Koussevitzky--Munch was to stay put in Boston; guest conductors were a rarity. And there was new music on virtually every subscription concert. A lot has changed since then." --Joseph Horowitz, author of Classical Music in America: A History"A book such as this has been needed for quite a while...Very strongly recommended: it is a masterly study." --Musical Opinion"Beautifully written and arranged in every respect...Accessible to a wide audience...Recommended." --Choice
Dewey Edition
22
Number of Volumes
1 vol.
Dewey Decimal
784.2092 B
Table Of Content
IntroductionAcknowledgmentsList of Illustrations1. Strasbourg, Paris, Leipzig : September 1891 - October 19322. Paris : November 1932 - May 19383. The Societe des Concerts : June 1938 - May 19454. Leaving France : June 1945 - September 19495. Winning Boston : October 1949 - June 19516. Boston after Koussevitzsky : July 1951 - July 19567. The Iron Curtain and Beyond : August 1956 - August 19588. Shifting Perspectives in Boston : September 1958 - April 19629. Paris, Again : May 1962 - August 196610. The Orchestre de Paris : September 1966 - November 196811. An Eternal SmileNotesSources
Synopsis
A mesmerizing figure in concert, Charles Munch was celebrated for his electrifying public performances. He was a pioneer in many arenas of classical music - establishing Berlioz in the canon, perfecting the orchestral work of Debussy and Ravel, and leading the world to Roussel, Honegger, and Dutilleux. A pivotal figure, his accomplishments put him on a par with Arturo Toscanini and Leonard Bernstein.In Charles Munch, D. Kern Holoman provides the first full biography of this giant of twentieth-century music, tracing his dramatic survival in occupied Paris, his triumphant arrival at the Boston Symphony Orchestra, and his later years, when he was a leading cultural figure in the United States, a man known and admired by Presidents Truman, Eisenhower, and Kennedy. He turned to conducting only in middle age, after two decades as a violinist and concertmaster, a background which gave him special insight into the relationship between conductor and orchestra. At the podium, his bond with his musicians unleashed something in them and in himself. "A certain magic took wing that amounts to the very essence of music in concert," the author writes, as if "public performance loosed the facets of character and artistry and poetry otherwise muffled by his timidity and simple disinclination to say much." In concert, Munch was arresting, even seductive, sweeping his baton in an enormous arch from above his head down to his knee. Yet as Holoman shows, he remained a lonely, even sad figure, a widower with no children, a man who fled admirers and avoided reporters. With groundbreaking research and sensitive, lyrical writing, Charles Munch penetrates the enigma to capture this elusive musical titan., Charles Munch (1891-1968) was a conductor and music director with stature and influence on par with that of Toscanini and Bernstein. A pivotal figure in many arenas of classical music, Munch almost single-handedly established Berlioz in the canon, perfected the orchestral work of Debussy and Ravel, led the world to Honegger, Poulenc and Dutilleux, shepherded the Paris Conservatoire Orchestra past the Nazi Occupation and on to its re-emergence as today's Orchestre de Paris, proved beyond doubt that there could be a vibrant Boston Symphony Orchestra after Koussevitzky, and created still unrivaled recordings on RCA Living Stereo., A mesmerizing figure in concert, Charles Munch was celebrated for his electrifying public performances. He was a pioneer in many arenas of classical music--establishing Berlioz in the canon, perfecting the orchestral work of Debussy and Ravel, and leading the world to Roussel, Honegger, and Dutilleux. A pivotal figure, his accomplishments put him on a par with Arturo Toscanini and Leonard Bernstein. In Charles Munch , D. Kern Holoman provides the first full biography of this giant of twentieth-century music, tracing his dramatic survival in occupied Paris, his triumphant arrival at the Boston Symphony Orchestra, and his later years, when he was a leading cultural figure in the United States, a man known and admired by Presidents Truman, Eisenhower, and Kennedy. He turned to conducting only in middle age, after two decades as a violinist and concertmaster, a background which gave him special insight into the relationship between conductor and orchestra. At the podium, his bond with his musicians unleashed something in them and in himself. "A certain magic took wing that amounts to the very essence of music in concert," the author writes, as if "public performance loosed the facets of character and artistry and poetry otherwise muffled by his timidity and simple disinclination to say much." In concert, Munch was arresting, even seductive, sweeping his baton in an enormous arch from above his head down to his knee. Yet as Holoman shows, he remained a lonely, even sad figure, a widower with no children, a man who fled admirers and avoided reporters. With groundbreaking research and sensitive, lyrical writing, Charles Munch penetrates the enigma to capture this elusive musical titan., A mesmerizing figure in concert, Charles Munch was celebrated for his electrifying public performances. He was a pioneer in many arenas of classical music--establishing Berlioz in the canon, perfecting the orchestral work of Debussy and Ravel, and leading the world to Roussel, Honegger, and Dutilleux. A pivotal figure, his accomplishments put him on a par with Arturo Toscanini and Leonard Bernstein. In Charles Munch, D. Kern Holoman provides the first full biography of this giant of twentieth-century music, tracing his dramatic survival in occupied Paris, his triumphant arrival at the Boston Symphony Orchestra, and his later years, when he was a leading cultural figure in the United States, a man known and admired by Presidents Truman, Eisenhower, and Kennedy. He turned to conducting only in middle age, after two decades as a violinist and concertmaster, a background which gave him special insight into the relationship between conductor and orchestra. At the podium, his bond with his musicians unleashed something in them and in himself. "A certain magic took wing that amounts to the very essence of music in concert," the author writes, as if "public performance loosed the facets of character and artistry and poetry otherwise muffled by his timidity and simple disinclination to say much." In concert, Munch was arresting, even seductive, sweeping his baton in an enormous arch from above his head down to his knee. Yet as Holoman shows, he remained a lonely, even sad figure, a widower with no children, a man who fled admirers and avoided reporters. With groundbreaking research and sensitive, lyrical writing, Holoman penetrates the enigma to capture this elusive musical titan.
LC Classification Number
ML422.M9H65 2011
Copyright Date
2011
ebay_catalog_id
4
賣家提供的物品說明
運費與處理費
物品所在地：
Sparks, Nevada, 美國
運送地點
不丹, 中國, 中國台灣, 中國澳門, 中國香港, 中非共和國, 丹麥, 乍德, 也門, 亞塞拜疆共和國, 亞美尼亞, 以色列, 伯利茲, 佛得角群島, 保加利亞, 克羅地亞共和國, 冰島, 列支敦士登, 剛果共和國, 剛果民主共和國, 加拿大, 加納, 加蓬共和國, 匈牙利, 南非, 南韓, 博茨瓦納, 卡塔爾, 印尼, 印度, 危地馬拉, 厄瓜多爾, 厄立特里亞, 吉布提, 吉爾吉斯, 哈薩克, 哥倫比亞, 哥斯達黎加, 喀麥隆, 土庫斯安德凱科斯群島, 土庫曼, 土耳其, 圭亞那, 坦桑尼亞, 埃及, 埃塞俄比亞, 基里巴斯, 塔吉克, 塞內加爾, 塞拉利昂, 塞浦路斯, 塞爾維亞, 塞舌爾, 墨西哥, 多哥, 多明尼加共和國, 奧地利, 孟加拉, 安哥拉, 安圭拉島, 安提瓜和巴布達, 安道爾, 寮國, 尼加拉瓜, 尼日爾, 尼泊爾, 巴哈馬, 巴基斯坦, 巴布亞新畿內亞, 巴拉圭, 巴拿馬, 巴林, 布基納法索, 布隆迪, 希臘, 幾內亞, 德國, 意大利, 愛沙尼亞, 愛爾蘭, 所羅門群島, 拉脫維亞, 挪威, 捷克共和國, 摩洛哥, 摩爾多瓦, 摩納哥, 斐濟, 斯威士蘭, 斯洛伐克, 斯洛文尼亞, 斯里蘭卡, 新加坡, 日本, 智利, 柬埔寨, 格陵蘭, 格雷納達, 格魯吉亞, 梵蒂岡, 比利時, 毛里求斯, 汶萊, 沙特阿拉伯, 法國, 波斯尼亞和黑塞哥維那, 波蘭, 泰國, 津巴布韋, 洪都拉斯, 海地, 湯加, 澳洲, 烏干達, 烏拉圭, 烏茲別克, 牙買加, 特里尼達和多巴哥, 玻利維亞, 瑙魯, 瑞典, 瑞士, 瓦利斯和富圖納群島, 瓦努阿圖, 甘比亞, 百慕達群島, 盧旺達, 盧森堡, 直布羅陀, 科威特, 科特迪瓦（象牙海岸）, 秘魯, 突尼斯, 立陶宛, 約旦, 納米比亞, 紐西蘭, 羅馬尼亞, 美國, 聖基茨-尼維斯, 聖文森和格瑞那丁, 聖盧西亞, 聖馬力諾, 肯亞, 芬蘭, 英國, 茅利塔尼亞, 荷蘭, 莫桑比克, 菲律賓, 萊索托, 葡萄牙, 蒙古, 蒙特色拉特島, 薩爾瓦多, 蘇里南, 西班牙, 西薩摩亞, 貝寧, 贊比亞, 赤道幾內亞, 越南, 開曼群島, 阿拉伯聯合酋長國, 阿曼, 阿根廷, 阿爾巴尼亞, 阿魯巴, 馬來西亞, 馬其頓, 馬拉維, 馬爾代夫, 馬耳他, 馬達加斯加, 馬里, 黑山
排除：
APO/FPO, 伊拉克, 俄羅斯聯邦, 利比亞, 利比利亞, 委內瑞拉, 尼日利亞, 巴西, 巴貝多, 幾內亞比索, 新喀里多尼亞, 法屬圭亞那, 法屬玻里尼西亞, 烏克蘭, 瓜德羅普島, 留尼汪島, 白俄羅斯, 美國領地, 阿富汗, 阿拉斯加／夏威夷, 阿爾及利亞, 馬提尼克島
| 運費與處理費 | 運送地點 | 運送方式 | 運送*查看送達備註 |
|---|---|---|---|
| 免運費 | 美國 | Standard Shipping | 估計於 6月22日, 六至 6月27日, 四之間送達 運送地點 43230 |
| US $5.50（大約 HK$ 42.96） | 美國 | Expedited Shipping | 估計於 6月24日, 一至 6月28日, 五之間送達 運送地點 43230 |
| 處理時間 |
|---|
| 通常會在收到所有款項後的 2 個工作日內發貨。 |
| 稅項 |
|---|
| 賣家將對以下州別的買家收取銷售稅： |
物品編號 285840227375 的銷售稅
物品編號 285840227375 的銷售稅
賣家會對寄往以下各州的物品收取銷售稅：
| 州／省 | 銷售稅稅率 |
|---|
退貨政策
| 收到物品後聯絡賣家的期限： | 退款方式 |
|---|---|
| 30 日 | 退款 |
買家負責支付退貨運費。
賣家信用評價 （462,718）
8***s (313)- 買家留下的信用評價。
過去 1 個月
購買已獲認證
The item was as advertised. Thanks!
a***s (4574)- 買家留下的信用評價。
過去 1 個月
購買已獲認證
I love this book. Thanks for great service.
a***s (4574)- 買家留下的信用評價。
過去 1 個月
購買已獲認證
This is a great book. Thanks for great service.