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EXCELLENT 1st Edition of Don Delillo’s “Zero K” hardcover w/dust jacket

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Features
Dust Jacket
Type
Novel
Narrative Type
Fiction
Original Language
English
Country/Region of Manufacture
United States
Intended Audience
Adults
Edition
First Edition
ISBN
9781501135392
Book Title
Zero K : a Novel
Item Length
9in
Publisher
Scribner
Publication Year
2016
Format
Hardcover
Language
English
Item Height
1in
Author
Don DeLillo
Genre
Fiction
Topic
Psychological, Family Life, Literary, Humorous / General
Item Width
6.1in
Item Weight
18.8 Oz
Number of Pages
288 Pages

關於產品

Product Information

New York Times Bestseller A New York Times Notable Book The wisest, richest, funniest, and most moving novel in years from Don DeLillo, one of the great American novelists of our time--an ode to language, at the heart of our humanity, a meditation on death, and an embrace of life. Jeffrey Lockhart's father, Ross, is a billionaire in his sixties, with a younger wife, Artis Martineau, whose health is failing. Ross is the primary investor in a remote and secret compound where death is exquisitely controlled and bodies are preserved until a future time when biomedical advances and new technologies can return them to a life of transcendent promise. Jeff joins Ross and Artis at the compound to say "an uncertain farewell" to her as she surrenders her body. "We are born without choosing to be. Should we have to die in the same manner? Isn't it a human glory to refuse to accept a certain fate?" These are the questions that haunt the novel and its memorable characters, and it is Ross Lockhart, most particularly, who feels a deep need to enter another dimension and awake to a new world. For his son, this is indefensible. Jeff, the book's narrator, is committed to living, to experiencing "the mingled astonishments of our time, here, on earth." Don DeLillo's seductive, spectacularly observed and brilliant new novel weighs the darkness of the world--terrorism, floods, fires, famine, plague--against the beauty and humanity of everyday life; love, awe, "the intimate touch of earth and sun." Zero K is glorious.

Product Identifiers

Publisher
Scribner
ISBN-10
1501135392
ISBN-13
9781501135392
eBay Product ID (ePID)
217147918

Product Key Features

Book Title
Zero K : a Novel
Author
Don DeLillo
Format
Hardcover
Language
English
Topic
Psychological, Family Life, Literary, Humorous / General
Publication Year
2016
Genre
Fiction
Number of Pages
288 Pages

Dimensions

Item Length
9in
Item Height
1in
Item Width
6.1in
Item Weight
18.8 Oz

Additional Product Features

Lc Classification Number
Ps3554.E4425z35 2016
Reviews
To reconcile . . . the fear of death that informs so many egregious acts . . . and the little everyday moments that make up so much of life - is the problem DeLillo takes up again and again, and the impossibility of it is what makes his work so powerful, so comical . . . and so fine., Brave and bracing . . . sure to solidify [DeLillo's] reputation as one of the great American novelists of our time., In this intriguing novel, Don DeLillo trains his intense and singular vision on a future where people with the imagination and resources to achieve it may succeed in rewriting [the necessity of death]., Juxtaposing . . . everyday human observation with more cosmic considerations, DeLillo creates a range of experience that is often dazzling., Mr. DeLillo's haunting new novel, Zero K -- his most persuasive since his astonishing 1997 masterpiece, Underworld -- is a kind of bookend to White Noise : somber and coolly futuristic, where that earlier book was satirical and darkly comic. . . . . All the themes that have animated Mr. DeLillo's novels over the years are threaded through Zero K -- from the seduction of technology and mass media to the power of money and the fear of chaos. . . . like a chamber music piece. . . . reminds us of his almost Day-Glo powers as a writer and his understanding of the strange, contorted shapes that eternal human concerns (with mortality and time) can take in the new millennium., "Lush in thought and feeling... Intently observant and obsessively concerned with language and meaning, Jeffery is a mesmerizing and disquieting narrator as he describes the "eerie and disembodying" ambiance of the Convergence and its ritualized, morally murky amalgam of mysticism and science, from the "post-mortem décor," punctuated by unnerving sculptures and violent cinematic montages, to the sarcophagus-pods containing naked, cryopreserved voyagers to the unknown... DeLillo infuses the drama with metaphysical riddles: What of ourselves can actually be preserved? What will resurrection pilgrims experience in their cold limbo? With immortality reserved for the elite, what will become of the rest of humanity on our pillaged, bloodied, extinction-plagued planet? In this magnificently edgy and profoundly inquisitive tale, DeLillo reflects on what we remember and forget, what we treasure and destroy, and what we fail to do for each other and for life itself... DeLillo reaffirms his standing as one of the world's most significant writers.", Among DeLillo's finest work... DeLillo sneaks a heartbreaking story of a son attempting to reconnect with his father into his thought-provoking novel., Mr. DeLillo's true brilliance has always been as a satirist. Despite its morbid subject, this is a terrifically funny novel., Like a stethoscope, Don DeLillo's work can make the heartbeat of your life roar in your ears. . . . In Zero K , DeLillo doesn't give the reader much room to suspend disbelief. With very deliberate words the novel wants to turn our eyes back to the artificial realities that we've allowed to colonize our lives. Our only chance, his fiction implies, is to define them, to master them with language -- lest we continuously be defined by our technology., Brilliant and astonishing... a masterpiece... full of DeLillo's amazing inimitable scalpel perceptions, fluent in the ideas we'll be talking about 20 years from now... ZERO K somehow manages to renew DeLillo's longstanding obsessions while also striking deeply and swiftly at the reader's emotions....The effect is transcendent., "The sentences shimmer like specimens in laboratory jars and the characters flicker like ghosts, but at its core the novel is trying to balance the atrocities and sufferings of life with its small, human pleasures: walking down a street, checking your wallet, starting a conversation with a stranger." , "Like a stethoscope, Don DeLillo's work can make the heartbeat of your life roar in your ears. . . . In Zero K , DeLillo doesn't give the reader much room to suspend disbelief. With very deliberate words the novel wants to turn our eyes back to the artificial realities that we've allowed to colonize our lives. Our only chance, his fiction implies, is to define them, to master them with language -- lest we continuously be defined by our technology." , Mr. DeLillo's haunting new novel, Zero K - his most persuasive since his astonishing 1997 masterpiece, Underworld - is a kind of bookend to White Noise : somber and coolly futuristic, where that earlier book was satirical and darkly comic. . . . . All the themes that have animated Mr. DeLillo's novels over the years are threaded through Zero K - from the seduction of technology and mass media to the power of money and the fear of chaos. . . . like a chamber music piece. . . . reminds us of his almost Day-Glo powers as a writer and his understanding of the strange, contorted shapes that eternal human concerns (with mortality and time) can take in the new millennium., Zero K stands as the best of [DeLillo's] recent work. . . . The intense, penetrating DeLillo sentences are still here, but now with a touch of Beckett to wax their warp. DeLillo turns 80 in November, and Zero K is still years ahead of the rest of us., Zero K grapples with the fact our demise is profoundly at odds with this aspect of us that years to exceed every limitation. Circling around this irreconcilable dilemma, DeLillo finds a vital dialogue with his great work White Noise. It is this . . . that makes this book a provocative success., DeLillo's prose style has undergone a quickening. His sentences have always had a cascade effect, but lately their arc is steeper. Gravity has assumed more force. And [in Zero K ] style and theme have something in common., Zero K is as creepy as it sounds. But it's also consistently funny, in DeLillo's well-honed deadpan style. And the moral questions DeLillo deftly ponders in this masterly work of fiction may soon be more than hypothetical., Zero K demonstrates the electrifying possibilities of DeLillo's approach. . . . This is speculative fiction in the present tense written with an ardent concentration and economy, no superfluous words, not even a wasted comma. At its best, DeLillo's prose buzzes with the ambient hum of modernity, attuning the reader to a subliminal frequency, the hidden meanings of everyday objects and rituals., Magnificent, mesmerizing, major, and mystical. . . . This terrific novel unsettles, disturbs and undermines conventional notions and holds our contemporary existence up for examination., There are deep, slicing currents running through Zero K, despite its almost ascetic surfaces, and there are unforgettable little moments scattered everywhere in these pages., In Zero K, Don DeLillo has found the perfect physical repository for his oracular visions. . . . His vision is ironic, sere, crackling with static like a horror film., Almost six decades into publishing fiction, this author has put up a fresh career landmark. . . . [DeLillo] has brought off something simple but disturbing, revealing both the perils of faith and the power of Gospel., "Lush in thought and feeling... Intently observant and obsessively concerned with language and meaning, Jeffery is a mesmerizing and disquieting narrator as he describes the "eerie and disembodying" ambiance of the Convergence and its ritualized, morally murky amalgam of mysticism and science, from the "post-mortem dcor," punctuated by unnerving sculptures and violent cinematic montages, to the sarcophagus-pods containing naked, cryopreserved voyagers to the unknown... DeLillo infuses the drama with metaphysical riddles: What of ourselves can actually be preserved? What will resurrection pilgrims experience in their cold limbo? With immortality reserved for the elite, what will become of the rest of humanity on our pillaged, bloodied, extinction-plagued planet? In this magnificently edgy and profoundly inquisitive tale, DeLillo reflects on what we remember and forget, what we treasure and destroy, and what we fail to do for each other and for life itself... DeLillo reaffirms his standing as one of the world's most significant writers.", As ever, DeLillo explores the depths of an edgy, timely topic, completely resisting clich, and emerges with something both fresh and universal., The sentences shimmer like specimens in laboratory jars and the characters flicker like ghosts, but at its core the novel is trying to balance the atrocities and sufferings of life with its small, human pleasures: walking down a street, checking your wallet, starting a conversation with a stranger., Among many delights, Don DeLillo's extraordinary new novel offers a bracing revision of our certitude about death and taxes. . . . DeLillo has created a mysterious, funny, and profound book out of a cultural gag usually reliant on metal cylinders and dry ice. . . . ZERO K deserves to win old and new readers alike. It's a marvelous blend of DeLillo's enormous gifts. His bleak humor and edged insight, the alertness and vitality of his prose, the vast, poetic extrapolations are all evident. So is the visceral quickness and wit in the sentences. . . . This is one of the constant pleasures of a DeLillo novel, the talk, the shop talk, the comic talk, the cosmic talk, the way the characters feel language, its sonics, the moral and emotional pressures., As ever, DeLillo explores the depths of an edgy, timely topic, completely resisting cliché, and emerges with something both fresh and universal., Handily [DeLillo's] best book since 1997's magnum opus Underworld . . . [Zero K] feels very much like a companion piece to White Noise. . . . It is a book that speaks to the vitality and beauty of life. . . . Zero K is DeLillo, and literature, and life, in reverse-a plot that originates in death and moves, with sly, subtle triumph, ever life-ward, A brilliant writer putting his prose mastery on display . . . . [with] thoughtfulness and dazzling construction., A return to top form . . . . this compact tale has more ideas, argument, and speculation stuffed onto nearly every page than you might find in an entire shelf of sci-fi novels. . . . But Zero K is anchored in emotions as old and primal as humanity itself: the fear of death, the passionate love of a man for his wife, the conflicted love of a son for his father. These rich veins of feeling flow like an underground river through the novel's eerie, futuristic terrain., Powerful. . . . Zero K may poke fun at life extension, but it gives us the warmest depicture of a DeLillo novel yet at the intimate reason for this perpetual Icarus complex. . . . the most powerful reason for this desire for transcendence is love, and as Zero K so poignantly reminds, love is one element that does not survive at subfreezing zero kelvin., DeLillo homes in on what may be the ultimate-and deceptively simple-lesson of his novel, which is that in the end, the questions we ask about where death takes us are the same ones we ask about where life takes us., To reconcile . . . the fear of death that informs so many egregious acts . . . and the little everyday moments that make up so much of life -- is the problem DeLillo takes up again and again, and the impossibility of it is what makes his work so powerful, so comical . . . and so fine., Zero K is science fiction of a kind that takes place five minutes from now and a novel of ideas that's deeply emotional., [DeLillo is] the master of the pre-apocalyptic novel, the chief literary mapper of the dehumanized places our current world may lead us. [He] is near the top of his game in Zero K ., Zero K pushes its readers to feel. It is almost impossible to not. With its confluence of screens, strange artwork, empty rooms, long hallways, and shaved hands of those soon to be frozen, Zero K creates an experiment, and we, its subjects, feel pulled to interact., Handily [DeLillo's] best book since 1997's magnum opus Underworld . . . [Zero K] feels very much like a companion piece to White Noise. . . . It is a book that speaks to the vitality and beauty of life. . . . Zero K is DeLillo, and literature, and life, in reverse--a plot that originates in death and moves, with sly, subtle triumph, ever life-ward, DeLillo homes in on what may be the ultimate--and deceptively simple--lesson of his novel, which is that in the end, the questions we ask about where death takes us are the same ones we ask about where life takes us.
Copyright Date
2016
Target Audience
Trade
Lccn
2015-040210
Dewey Decimal
813/.54
Dewey Edition
23

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