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Constable's White Horse (Frick Diptych) (hardcover)

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Artist
ExcelDna.Integration.ExcelEmpty
ISBN
9781911282709
Book Title
Constable's WHITE HORSE
Book Series
Frick Diptych Ser.
Publisher
Giles The Limited, D.
Item Length
9.2 in
Publication Year
2020
Format
Hardcover
Language
English
Illustrator
Yes
Item Height
0.4 in
Author
William Kentridge, Aimee Ng
Genre
Art
Topic
Individual Artists / Essays, Collections, Catalogs, Exhibitions / Permanent Collections, General, European
Item Weight
15.2 Oz
Item Width
7.5 in
Number of Pages
72 Pages

關於產品

Product Identifiers

Publisher
Giles The Limited, D.
ISBN-10
1911282700
ISBN-13
9781911282709
eBay Product ID (ePID)
14038744284

Product Key Features

Book Title
Constable's WHITE HORSE
Number of Pages
72 Pages
Language
English
Topic
Individual Artists / Essays, Collections, Catalogs, Exhibitions / Permanent Collections, General, European
Publication Year
2020
Illustrator
Yes
Genre
Art
Author
William Kentridge, Aimee Ng
Book Series
Frick Diptych Ser.
Format
Hardcover

Dimensions

Item Height
0.4 in
Item Weight
15.2 Oz
Item Length
9.2 in
Item Width
7.5 in

Additional Product Features

Intended Audience
Trade
LCCN
2021-385562
Dewey Edition
23
Dewey Decimal
759.2
Table Of Content
Foreword and Acknowledgements; Finding the Dapple by William Kentridge; Essay by Aimee Ng; Notes; Bibliography; Index
Synopsis
An essay by Aimee Ng, Frick Curator, paired with a contribution by artist William Kentridge bring to life one of Constable's most serene depictions of rural life, the artist's personal favorite., The White Horse (1819) by John Constable (1776-1837) depicts a tow-horse being ferried across the river Stour in Suffolk, just below Flatford Lock at a point where the tow-path switched banks. Constable, who described the scene as "as placid representation of a serene, grey morning, summer," went on in later years to comment: "There are generally in the life of an artist perhaps one, two or three pictures, on which hang more than usual interest-- this is mine." A scholarly essay by Frick curator Aimee Ng, is paired with a piece by artist William Kentridge, who writes about finding inspiration in Constable's nostalgic world. The painting was well received when it was shown at the Royal Academy exhibition of 1819, and it was purchased by Constable's friend Archdeacon John Fisher. Constable bought back the painting in 1829 and kept it the rest of his life.There is a full-scale oil sketch for The White Horse in the National Gallery of Art, Washington, DC.
LC Classification Number
ND497.C7K38 2020
ebay_catalog_id
4

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