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Burkhardt Wolf The Brecht Yearbook / Das Brecht-Jahrbuc
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- Book Title
- The Brecht Yearbook / Das Brecht-Jahrbuch 44
- Title
- The Brecht Yearbook / Das Brecht-Jahrbuch 44
- Contributor
- André Fischer (Contributions by)
- ISBN-10
- 0985195673
- EAN
- 9780985195670
- ISBN
- 9780985195670
- Genre
- Music Dance & Theatre
- Release Year
- 2019
- Release Date
- 11/15/2019
- Country/Region of Manufacture
- US
- Publication Year
- 2019
- Series
- Brecht Yearbook Ser.
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Publication Name
- Brecht Yearbook / Das Brecht-Jahrbuch 44
- Item Height
- 0.6in
- Item Length
- 9in
- Publisher
- Boydell & Brewer, Incorporated
- Item Width
- 6in
- Number of Pages
- 288 Pages
關於產品
Product Information
Annual volume, this time featuring special sections on Brecht's dramatic fragments and on comedy in post-Brechtian theater, along with a variety of other contributions. Published for the International Brecht Society, the Brecht Yearbook is the central scholarly forum for discussion of Brecht's life and work and of topics of particular interest to him, especially the politics of literatureand of theater in a global context. It embraces a wide variety of perspectives and approaches and, like Brecht himself, is committed to the use value of literature, theater, and theory. Volume 44 features the first publication of Günter Kunert's translation of Edgar Lee Masters's poem "The Hill" with handwritten annotations by Brecht. A special section, "Brecht's Dramatic Fragments," includes essays on the unresolved tension between individual and collectivist resistance in Fatzer, the fragmentary aesthetic of Fleischhacker, and the first English translation and performance of the David fragments. The next section, "Pure Joke: The Comedy of Theater since Brecht," features articles on the poetics of interruption in the epilogue to The Good Person of Szechwan, Heiner Müller's Hamletmachine as theater of affirmation, a reassessment of the harlequin and the chorus in post-Brechtian performance, and the performative gestures of quotation in contemporary reality-satire. The volume also includes essays on capitalist guilt and debt in The Debts of Mister Julius Caesar, Heiner Müller's "Keuneresque" interview strategies, the 1962 world premiere of The Threepenny Opera in Yiddish, and Brecht's reception of Mao Tse-tung in two of his poems. Contributors include Gerrit-Jan Berendse, André Fischer, Phoebe von Held, Nicholas E. Johnson, Christian Kirchmeier, Günter Kunert, Nikolaus Müller-Schöll, Stephan Pabst, Corina L. Petrescu, David Shepherd, Katrin Trüstedt, Uwe Wirth, Burkhardt Wolf, and Xue Song. Editor Markus Wessendorf is aProfessor in the Department of Theatre and Dance at the University of Hawai'i at Manoa in Honolulu.
Product Identifiers
Publisher
Boydell & Brewer, Incorporated
ISBN-10
0985195673
ISBN-13
9780985195670
eBay Product ID (ePID)
28038434183
Product Key Features
Publication Name
Brecht Yearbook / Das Brecht-Jahrbuch 44
Format
Trade Paperback
Language
English
Publication Year
2019
Series
Brecht Yearbook Ser.
Type
Textbook
Number of Pages
288 Pages
Dimensions
Item Length
9in
Item Height
0.6in
Item Width
6in
Additional Product Features
Series Volume Number
44
Volume Number
44
Table of Content
BRECHT, GÜNTER KUNERT, AND EDGAR LEE MASTERSBrecht-Masters-Kunert - Gerrit-Jan BerendseÜbersetzung von Edgar Lee Masters' "The Hill" aus der Spoon River Anthology mit Brechts handschriftlichen Korrekturen - Günter KunertBRECHT'S DRAMATIC FRAGMENTSFragments for a Dialectic of Resistance: Fatzer, Keuner, and the Revolution - André FischerIn the Stockyards of Finance: Brecht's Aesthetics of Fragmentation in Fleischhacker - Phoebe von HeldThe David Fragments in Performance - Nicholas E. Johnson and David ShepherdPURE JOKE: THE COMEDY OF THEATER SINCE BRECHTIntroduction: Pure Joke - Christian Kirchmeier and Katrin Trüstedt". . . All Questions Remain Open": On the Epilogue of The Good Person of Szechwan and Bertolt Brecht's Poetics of Interpretation - Christian KirchmeierAffirmation and Alienation: The Comedy of Heiner Müller's Hamletmaschine - Katrin TrüstedtEarly Modern Characters in the Late Modern Age: On the Return of the "Chorus of Comedy" in Contemporary Performance Practices after Brecht - Nikolaus Müller-SchöllReiner Spaß? Komödie als Real-Satire - Uwe WirthNEW BRECHT RESEARCHDie Schulden des Herrn Julius Caesar: Brechts Historie der Kreditökonomie - Burkhardt WolfPost-Communist Irony: Bertolt Brecht's Mr. Keuner in Heiner Müller's Interviews - Stephan PabstDi dray groschn opere: Bertolt Brecht on the Yiddish Stage - Corina L. PetrescuBrechts Rezeption Mao Tse-tungs in zwei Gedichten - Xue SongBOOK REVIEWSüller-SchöllReiner Spaß? Komödie als Real-Satire - Uwe WirthNEW BRECHT RESEARCHDie Schulden des Herrn Julius Caesar: Brechts Historie der Kreditökonomie - Burkhardt WolfPost-Communist Irony: Bertolt Brecht's Mr. Keuner in Heiner Müller's Interviews - Stephan PabstDi dray groschn opere: Bertolt Brecht on the Yiddish Stage - Corina L. PetrescuBrechts Rezeption Mao Tse-tungs in zwei Gedichten - Xue SongBOOK REVIEWSüller-SchöllReiner Spaß? Komödie als Real-Satire - Uwe WirthNEW BRECHT RESEARCHDie Schulden des Herrn Julius Caesar: Brechts Historie der Kreditökonomie - Burkhardt WolfPost-Communist Irony: Bertolt Brecht's Mr. Keuner in Heiner Müller's Interviews - Stephan PabstDi dray groschn opere: Bertolt Brecht on the Yiddish Stage - Corina L. PetrescuBrechts Rezeption Mao Tse-tungs in zwei Gedichten - Xue SongBOOK REVIEWSüller-SchöllReiner Spaß? Komödie als Real-Satire - Uwe WirthNEW BRECHT RESEARCHDie Schulden des Herrn Julius Caesar: Brechts Historie der Kreditökonomie - Burkhardt WolfPost-Communist Irony: Bertolt Brecht's Mr. Keuner in Heiner Müller's Interviews - Stephan PabstDi dray groschn opere: Bertolt Brecht on the Yiddish Stage - Corina L. PetrescuBrechts Rezeption Mao Tse-tungs in zwei Gedichten - Xue SongBOOK REVIEWS
Copyright Date
2019
Topic
European / German
Intended Audience
Scholarly & Professional
Illustrated
Yes
Genre
Drama, Literary Criticism
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