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Krystyn R. Moon Yellowface (Paperback) (UK IMPORT)
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- Book Title
- Yellowface
- Publication Name
- Yellowface : Creating the Chinese in American Popular Music and Performance, 1850s-1920s
- Title
- Yellowface
- Subtitle
- Creating the Chinese in American Popular Music and Performance, 1
- Format
- Trade Paperback
- ISBN-10
- 0813535077
- EAN
- 9780813535074
- ISBN
- 9780813535074
- Publisher
- Rutgers University Press
- Genre
- History
- Subject
- Ethnic Studies / Asian American Studies, General, Americas (North, Central, South, West Indies), Genres & Styles / Pop Vocal
- Release Date
- 03/11/2004
- Release Year
- 2004
- Language
- English
- Country/Region of Manufacture
- US
- Item Height
- 0.7 in
- Item Length
- 9 in
- Item Width
- 6 in
- Item Weight
- 13.9 Oz
- Subject Area
- Music, History, Social Science, Performing Arts
- Publication Year
- 2004
- Type
- Textbook
- Number of Pages
- 224 Pages
關於產品
Product Information
Music and performance provide a unique window into the ways that cultural information is circulated and perceptions are constructed. Because they both require listening, are inherently ephemeral, and most often involve collaboration between disparate groups, they inform cultural perceptions differently from literary or visual art forms, which tend to be more tangible and stable. In Yellowface , Krystyn R. Moon explores the contributions of writers, performers, producers, and consumers in order to demonstrate how popular music and performance has played an important role in constructing Chinese and Chinese American stereotypes. The book brings to life the rich musical period of the late nineteenth and early twentieth centuries. During this time, Chinese and Chinese American musicians and performers appeared in a variety of venues, including museums, community theaters, and world?s fairs, where they displayed their cultural heritage and contested anti-Chinese attitudes. A smaller number crossed over into vaudeville and performed non-Chinese materials. Moon shows how these performers carefully navigated between racist attitudes and their own artistic desires. While many scholars have studied both African American music and blackface minstrelsy, little attention has been given to Chinese and Chinese American music. This book provides a rare look at the way that immigrants actively participated in the creation, circulation, and, at times, subversion of Chinese stereotypes through their musical and performance work.
Product Identifiers
Publisher
Rutgers University Press
ISBN-10
0813535077
ISBN-13
9780813535074
eBay Product ID (ePID)
30543308
Product Key Features
Publication Name
Yellowface : Creating the Chinese in American Popular Music and Performance, 1850s-1920s
Format
Trade Paperback
Language
English
Subject
Ethnic Studies / Asian American Studies, General, Americas (North, Central, South, West Indies), Genres & Styles / Pop Vocal
Publication Year
2004
Type
Textbook
Subject Area
Music, History, Social Science, Performing Arts
Number of Pages
224 Pages
Dimensions
Item Length
9 in
Item Height
0.7 in
Item Width
6 in
Item Weight
13.9 Oz
Additional Product Features
LCCN
2004-007534
Intended Audience
Scholarly & Professional
Lc Classification Number
Ml3477
Reviews
Yellowface details the theatrical and musical history of Chinese and Chinese American performance at a time when 'Asian American' identity was unheard of. It should be a welcome addition to Asian American studies and American cultural history, as well as theater and music history., Yellowface details the theatrical and musical history of Chinese and Chinese American performance at a time when 'Asian American' identity was unheard of. It should be a welcome addition to Asian American studies and American cultural history, as well as theater and music history.-Josephine Lee, Performing Asian America: Race and Ethnicity on the Contemporary Stage, Krystyn Moon has produced a finely detailed and nuanced study of China and Chinese Americans on the nineteenth-century American musical stage. Yellowface is an important work for anyone interested in the history of American popular culture and race.
Table of Content
ContentsAcknowledgments viiiIntroduction 1Chapter 1: Imagining China: Early Nineteenth-Century Writings and Musical Productions 16 Nineteenth-Century American and European Writers 20 Exceptions 29 Early-American Visions of China in Music 34Chapter 2: Towards Exclusion: American Popular Songs on Chinese Immigration, 1850-1882 53 The Creation of "John Chinaman" 57 Bret Harte's "Heathen Chinee" 69 Yellowface 73 "Peculiar" Cultural Practices and Chinese Exclusion 81Chapter 3: Chinese and Chinese Immigrant Performers on the American Stage, 1830s-1920s 101 Human Curiosities 103 Chinese Immigrants and Music in Public and Private Spaces 119 Chinese Theaters 127 World Expositions 143Chapter 4: The Sounds of Chinese Otherness and American Popular Music, 1880s-1920s 154 Transcriptions of Chinese Music 157 Musical Representations 169Chapter 5: From Aversion to Fascination: New Lyrics and Voices, 186 1880s-1920s Yellowface and its Codification 190 China, Chinatowns, and Racialized Space 196 The Arrival of China Doll and Ming Toy 204 African Americans and New Racializations 216Chapter 6: The Rise of Chinese and Chinese American Vaudevillians, 1900s-1920s 223Openings 238Types of Acts 246Conclusion 263Appendix A 274Appendix B 298Notes 303IndexAbout the Author IllustrationsIllustration 1: Portrait of Lee Tung Foo in a Chinese Costume 2Illustration 2: "Moo-Lee-Chwa" (1796) by Karl Kambra and Dr. Scott 36Illustration 3: Charles Towner and Bret Harte's "The Heathen Chinee" (1870) 72Illustration 4: Backus Minstrels Playbill, California Theater, San Francisco 78Illustration 5: Portrait of Ackland Von Boyle from the New York Dramatic Mirror (January 31, 1880) 79Illustration 6: Afong Moy Broadside, North American Hotel, New Orleans 108Illustration 7: Portrait of Yut Gum from the New York World (June 21, 1896) 139Illustration 8: Introduction from Lee Johnson's "Chinese Highbinder Patrol" (1897) 173Illustration 9: William Furst's "A Chinese Ballad" (1897) published in the New York Tribune 174Illustration 10: "Ballad" from J. A. Van Aalst's Chinese Music 175Illustration 11: J. S. Zamecnik's "Chinese Music" (1913) 177Illustration 12: "Chinese Popular Air No. 1" (1805) from John Barrow's Travels in China 178Illustration 13: William Jerome and Jean Schwartz's "Chinatown, My Chinatown" (1910) 179-81Illustration 14: Willard Robison's "Up and Down in China" (1926) 183-85Illustration 15: Female Hairstyles from the libretto of Yellow Jacket 193Illustration 16: Backdrop from the libretto for The Yellow Jacket 195Illustration 17: Portrait of Fay Bainter as Ming Toy from the sheet music cover of Bower's "Chinese Lullaby" (1919) 210Illustration 18: Roy Turk, Bert Grant, & Cecil Arnold's "Ming Toy" (1919) 212Illustration 19: Alex Rogers and Bert A. William's "Chink Chink Chineeman" (1909) 226-29Illustration 20: Cook and Stevens Advertisement from The New York Age (December 24, 1908) 230Illustration 21: Portrait of Chee Toy from a Sheet Music Cover 242Illustration 22: Portrait of Chung Hwa Comedy Four in Tuxedos 247Illustration 23: Portrait of Jue Quon Tai 249Illustration 24: Portrait of Lady Tsen Mei from a Sheet Music Cover 250Illustration 25: Portrait of Lee Tung Foo in a Scottish Costume 260 Library of Congress Subject Headings for this publication: Popular music United States History and criticism, Chinese Americans Music History and criticism
Copyright Date
2004
Dewey Decimal
780/.89/951073
Dewey Edition
22
Illustrated
Yes
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增值稅識別編號：
- GB 864 1548 11
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物品所在地：
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