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Danger Mouse's The Grey Album (33 1/3) by Fairchild, Charles [Paperback]
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- ISBN
- 9781623566609
- Book Title
- Danger Mouse's the Grey Album
- Book Series
- 33 1/3 Ser.
- Publisher
- Bloomsbury Publishing
- Item Length
- 6.6 in
- Publication Year
- 2014
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.4 in
- Genre
- Music
- Topic
- Genres & Styles / Rap & Hip Hop, History & Criticism, Genres & Styles / Rock
- Item Weight
- 5.5 Oz
- Item Width
- 4.7 in
- Number of Pages
- 160 Pages
關於產品
Product Identifiers
Publisher
Bloomsbury Publishing
ISBN-10
1623566606
ISBN-13
9781623566609
eBay Product ID (ePID)
172778123
Product Key Features
Book Title
Danger Mouse's the Grey Album
Number of Pages
160 Pages
Language
English
Topic
Genres & Styles / Rap & Hip Hop, History & Criticism, Genres & Styles / Rock
Publication Year
2014
Genre
Music
Book Series
33 1/3 Ser.
Format
Trade Paperback
Dimensions
Item Height
0.4 in
Item Weight
5.5 Oz
Item Length
6.6 in
Item Width
4.7 in
Additional Product Features
Intended Audience
Trade
LCCN
2014-013574
Dewey Edition
23
Dewey Decimal
781.64
Table Of Content
Introduction: The Grey Album in a Post-Album World. Chapter 1: Music, Incorporated. New World, Old Industry. Selling the Album, Destroying the Single. Crowds, Clouds and Idols. Chapter 2: Danger Mouse v. Capitol, Capitol v. Music. The Aesthetic Practices of the Powerful. From Fair Use to Safe Harbors. Ownership Rights, Authorship Rights and Natural Rights to Music. Chapter 3: The Aesthetics of The Grey Album. The Aesthetic Legitimacy of The Grey Album. The Musical Traditions That Shaped The Grey Album. Musical Fidelity and Sample-Based Music. Chapter 4:The Music of The Grey Album. The Legacies of The Beatles and The Black Album. The Making of The Grey Album. The Flow of The Grey Album. Conclusion Bibliography
Synopsis
This book marks the tenth anniversary of The Grey Album. The online release and circulation of what Danger Mouse called his 'art project' was an unexpected watershed in the turn-of-the-century brawls over digital creative practice. The album's suppression inspired widespread digital civil disobedience and brought a series of contests and conflicts over creative autonomy in the online world to mainstream awareness. The Grey Album highlighted, by its very form, the profound changes wrought by the new technology and represented the struggle over the tectonic shifts in the production, distribution and consumption of music. But this is not why it matters. . . The Grey Album matters because it is more than just a clever, if legally ambiguous, amalgam. It is an important and compelling case study about the status of the album as a cultural form in an era when the album appears to be losing its coherence and power. Perhaps most importantly, The Grey Album matters because it changes how we think about the traditions of musical practice of which it is a part. . . Danger Mouse created a broad, inventive commentary on forms of musical creativity that have defined all kinds of music for centuries: borrowing, appropriation, homage, derivation, allusion and quotation. The struggle over this album wasn't just about who gets to use new technology and how. The battle over The Grey Album struck at the heart of the very legitimacy of a long recognised and valued form of musical expression: the interpretation of the work of one artist by another., This book marks the tenth anniversary of The Grey Album . The online release and circulation of what Danger Mouse called his 'art project' was an unexpected watershed in the turn-of-the-century brawls over digital creative practice. The album's suppression inspired widespread digital civil disobedience and brought a series of contests and conflicts over creative autonomy in the online world to mainstream awareness. The Grey Album highlighted, by its very form, the profound changes wrought by the new technology and represented the struggle over the tectonic shifts in the production, distribution and consumption of music. But this is not why it matters. The Grey Album matters because it is more than just a clever, if legally ambiguous, amalgam. It is an important and compelling case study about the status of the album as a cultural form in an era when the album appears to be losing its coherence and power. Perhaps most importantly, The Grey Album matters because it changes how we think about the traditions of musical practice of which it is a part. Danger Mouse created a broad, inventive commentary on forms of musical creativity that have defined all kinds of music for centuries: borrowing, appropriation, homage, derivation, allusion and quotation. The struggle over this album wasn't just about who gets to use new technology and how. The battle over The Grey Album struck at the heart of the very legitimacy of a long recognised and valued form of musical expression: the interpretation of the work of one artist by another.
LC Classification Number
ML420.D1436F35 2014
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