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One-Way Street by Benjamin, Walter [Paperback]
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所在地：Glendale Heights, Illinois, 美國
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- ISBN
- 9780674052291
- Publication Year
- 2016
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Publication Name
- One Way Street
- Item Height
- 0.5in
- Item Length
- 7.5in
- Publisher
- Harvard University Press
- Item Width
- 5in
- Item Weight
- 5.6 Oz
- Number of Pages
- 144 Pages
關於產品
Product Information
Presented in a new edition with expanded notes, this genre-defying meditation on the semiotics of late-1920s Weimar culture, composed of 60 short prose pieces that vary wildly in style and theme, offers a fresh opportunity to encounter Walter Benjamin at his most virtuosic and experimental, writing in a vein that anticipates later masterpieces.
Product Identifiers
Publisher
Harvard University Press
ISBN-10
0674052293
ISBN-13
9780674052291
eBay Product ID (ePID)
219186414
Product Key Features
Publication Name
One Way Street
Format
Trade Paperback
Language
English
Publication Year
2016
Type
Textbook
Number of Pages
144 Pages
Dimensions
Item Length
7.5in
Item Height
0.5in
Item Width
5in
Item Weight
5.6 Oz
Additional Product Features
Lc Classification Number
Pn6283.B413 2016
Preface by
Marcus, Greil
Reviews
The prose in One-Way Street is positively electrified by the historical moment...Far more important than any residues of past literature, however prevalent, are the ways in which One-Way Street ushers in a wholly original literary aesthetics. Its formal daring is unmatched by any of Benjamin's earlier work... One-Way Street is dead set on a new mode of materialism, one that shares with Surrealism an esteem for everyday objects, debris, junk, and dross-for whatever is marginal, marginalized, outmoded, or fleeting. This edition's index testifies to the dizzying thematic diversity of Benjamin's undertaking: children's toys, capital punishment, money, mobs, utopia, fancy goods, misery, souvenirs, beggars, and red neon advertising signs reflected in pools of dirty rain. Form in One-Way Street is no mere envelope, but the very arena in which these objects and phenomena clash and generate their sparks. Benjamin's aphorisms mimic the rhythms of the street, instantiating the experiences most proper to it: distraction, reverie, shock, haste, detour, etc. Scathing critique is mixed with imagistic commentary and surrealistic prose poetry-all broken into shards and scattered like a mosaic of fragments. But however atomized and heterogeneous, the little pieces of One-Way Street pursue a common goal: an idiosyncratic expos on history (specifically, the disintegration of culture) as deciphered in the most concrete of its artifacts and rituals., The prose in One-Way Street is positively electrified by the historical moment...Far more important than any residues of past literature, however prevalent, are the ways in which One-Way Street ushers in a wholly original literary aesthetics. Its formal daring is unmatched by any of Benjamin's earlier work... One-Way Street is dead set on a new mode of materialism, one that shares with Surrealism an esteem for everyday objects, debris, junk, and dross--for whatever is marginal, marginalized, outmoded, or fleeting. This edition's index testifies to the dizzying thematic diversity of Benjamin's undertaking: children's toys, capital punishment, money, mobs, utopia, fancy goods, misery, souvenirs, beggars, and red neon advertising signs reflected in pools of dirty rain. Form in One-Way Street is no mere envelope, but the very arena in which these objects and phenomena clash and generate their sparks. Benjamin's aphorisms mimic the rhythms of the street, instantiating the experiences most proper to it: distraction, reverie, shock, haste, detour, etc. Scathing critique is mixed with imagistic commentary and surrealistic prose poetry--all broken into shards and scattered like a mosaic of fragments. But however atomized and heterogeneous, the little pieces of One-Way Street pursue a common goal: an idiosyncratic expos on history (specifically, the disintegration of culture) as deciphered in the most concrete of its artifacts and rituals., The prose in One-Way Street is positively electrified by the historical moment...Far more important than any residues of past literature, however prevalent, are the ways in which One-Way Street ushers in a wholly original literary aesthetics. Its formal daring is unmatched by any of Benjamin's earlier work... One-Way Street is dead set on a new mode of materialism, one that shares with Surrealism an esteem for everyday objects, debris, junk, and dross--for whatever is marginal, marginalized, outmoded, or fleeting. This edition's index testifies to the dizzying thematic diversity of Benjamin's undertaking: children's toys, capital punishment, money, mobs, utopia, fancy goods, misery, souvenirs, beggars, and red neon advertising signs reflected in pools of dirty rain. Form in One-Way Street is no mere envelope, but the very arena in which these objects and phenomena clash and generate their sparks. Benjamin's aphorisms mimic the rhythms of the street, instantiating the experiences most proper to it: distraction, reverie, shock, haste, detour, etc. Scathing critique is mixed with imagistic commentary and surrealistic prose poetry--all broken into shards and scattered like a mosaic of fragments. But however atomized and heterogeneous, the little pieces of One-Way Street pursue a common goal: an idiosyncratic exposé on history (specifically, the disintegration of culture) as deciphered in the most concrete of its artifacts and rituals., One-Way Street is Benjamin's most daring and experimental book; though short, it contains a wide range of genres ranging from aphorisms and political satire to maxims and instructions.
Copyright Date
2016
Topic
European / German, Quotations, General, Aesthetics, History & Surveys / Modern, Semiotics & Theory
Lccn
2015-039382
Dewey Decimal
838/.91209
Intended Audience
Trade
Dewey Edition
23
Genre
Literary Criticism, Référence, Language Arts & Disciplines, Philosophy
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物品所在地：
Glendale Heights, Illinois, 美國
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