第 1/5 張圖片
第 1/5 張圖片
ACCIDENTALLY ON PURPOSE: THE AESTHETIC MANAGEMENT OF By Eli Leon
US $39.95
大約HK$ 310.99
狀況：
尚可
書籍有明顯的磨損。封面可能存在損壞但不影響完整性。封皮可能略微受損但依舊完整無缺。可能存在留白書寫文字、標注和標記文字，但沒有缺頁或任何會對文字的清晰度或可理解性造成影響。
運費：
US $5.38（大約 HK$ 41.88） USPS Media MailTM.
所在地：Bowling Green, Kentucky, 美國
送達日期：
估計於 9月27日, 五至 9月30日, 一之間送達 運送地點 43230
退貨：
30 日退貨. 由買家支付退貨運費.
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物品細節
- 物品狀況
- 尚可: 書籍有明顯的磨損。封面可能存在損壞但不影響完整性。封皮可能略微受損但依舊完整無缺。可能存在留白書寫文字、標注和標記文字，但沒有缺頁或任何會對文字的清晰度或可理解性造成影響。 查看所有物品狀況定義會在新視窗或分頁中開啟
- Type
- Paperback
- Publication Name
- Figge Art Museum
- ISBN-10
- 0977149129
- Genre
- Management
- ISBN
- 9780977149124
- Publication Year
- 2007
- Format
- Trade Paperback
- Language
- English
- Book Title
- Accidentally on Purpose : The Management of Irregularities in African Textiles and African-American Quilts
- Illustrator
- Yes
- Item Height
- 0.5 in
- Publisher
- Figge Art Museum
- Item Length
- 9.6 in
- Item Weight
- 28.9 Oz
- Item Width
- 9.6 in
- Number of Pages
- 176 Pages
關於產品
Product Identifiers
Publisher
Figge Art Museum
ISBN-10
0977149129
ISBN-13
9780977149124
eBay Product ID (ePID)
57203310
Product Key Features
Book Title
Accidentally on Purpose : The Management of Irregularities in African Textiles and African-American Quilts
Number of Pages
176 Pages
Language
English
Publication Year
2007
Illustrator
Yes
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
28.9 Oz
Item Length
9.6 in
Item Width
9.6 in
Additional Product Features
Intended Audience
Trade
Synopsis
This exuberantly illustrated book celebrates the sophistication, vivacity, and significance of improvisational African-American quilts, both as artistic achievements and as expressions of African-American traditions. The knowledge, attitudes, and values carried across the Atlantic by enslaved Africans appear to have informed a quilt making tradition so powerful that, to this day, it preserves its identity in a special province of African-American quilts., This exuberantly illustrated book celebrates the sophistication, vivacity, and significance of improvisational African-Aemrican quilts, both as artistic achievements and as expressions of African-American traditions. The knowledge, attitudes, and values carried across the Atlantic by enslaved Africans appear to have informed a quiltmaking tradition so powerful that, to this day, it preserves its identity in a special province of African-American quilts. Such "Afro-traditional" quilts are made by people who have no formal art training and who usually do not consider themselves artists; they learned their craft and absorbed its aesthetics by watching and helping their mothers, aunts, and grandmothers who, in turn, learned form previous generations. The resulting--often highly idiosyncratic--quilts call out to be seen as the works of art that they are. The brilliance of this work must be partially credited to a tradition which encourages individual expression and provides a context in which the talents of individual artists can flourish. Improvisation, pervasive in black African art and familiar as a basic element of many African-American musical forms, is a vital force in this tradition. The artists maintain a generous attitude toward the accidental, embracing innovations that originate beyond the conscious domain. they use approximate measurement and "flexible patterning," in which the design, conceived of as a an invitation to variation, will not repeat, but will materialize in a sequence of visual elaborations. Afro-traditional attitudes and methods are antithetical to the standard American quiltmaking tradition--practiced by both whites and blacks--in which great value is placed on precise measurement and exact pattern replication. Instead they bear a keen likeness to the improvisatory practices of the textile-makers of Kongo and West Africa, regions from which American slaves were taken. These antipathies and affinities suggest an enduring African influence on the Afro-traditional quilt.
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