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Theresa Coletti Mary Magdalene and the Drama of Saints (Hardback)

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Book Title
Mary Magdalene and the Drama of Saints
Publication Name
Mary Magdalene and the Drama of Saints : Theater, Gender, and Religion in Late Medieval England
Title
Mary Magdalene and the Drama of Saints
Subtitle
Theater, Gender, and Religion in Late Medieval England
Author
Theresa Coletti
Format
Hardcover
ISBN-10
0812238001
EAN
9780812238006
ISBN
9780812238006
Publisher
University of Pennsylvania Press
Genre
Literary Criticism
Topic
Poetry & Drama
Release Date
08/07/2004
Release Year
2004
Language
English
Country/Region of Manufacture
US
Item Height
0.6in
Item Length
9in
Series
The Middle Ages Ser.
Publication Year
2004
Type
Textbook
Item Width
6in
Item Weight
23.5 Oz
Number of Pages
360 Pages

關於產品

Product Information

A sinner-saint who embraced then renounced sexual and worldly pleasures; a woman who, through her attachment to Jesus, embodied both erotic and sacred power; a symbol of penance and an exemplar of contemplative and passionate devotion: perhaps no figure stood closer to the center of late medieval debates about the sources of spiritual authority and women's contribution to salvation history than did Mary Magdalene, and perhaps nowhere in later medieval England was cultural preoccupation with the Magdalene stronger than in fifteenth-century East Anglia. Looking to East Anglian texts including the N-Town Plays, The Book of Margery Kempe , The Revelations of Julian of Norwich , and Bokenham's Legend of Holy Women , Theresa Coletti explores how the gendered symbol of Mary Magdalene mediates tensions between masculine and feminine spiritual power, institutional and individual modes of religious expression, and authorized and unauthorized forms of revelation and sacred speech. Using the Digby play Mary Magdalene as her touchstone, Coletti engages a wide variety of textual and visual resources to make evident the discursive and material ties of East Anglian dramatic texts and feminine religion to broader traditions of cultural commentary and representation. In bringing the disciplinary perspectives of literary history and criticism, gender studies, and social and religious history to bear on specific local instances of dramatic practice, Mary Magdalene and the Drama of Saints highlights the relevance of Middle English dramatic discourse to the dynamic religious climate of late medieval England. In doing so, the book decisively challenges the marginalization of drama within medieval English studies, elucidates vernacular theater's kinship with influential late medieval religious texts and institutions, and articulates the changing possibilities for sacred representation in the decades before the Reformation.

Product Identifiers

Publisher
University of Pennsylvania Press
ISBN-10
0812238001
ISBN-13
9780812238006
eBay Product ID (ePID)
30204540

Product Key Features

Author
Theresa Coletti
Publication Name
Mary Magdalene and the Drama of Saints : Theater, Gender, and Religion in Late Medieval England
Format
Hardcover
Language
English
Publication Year
2004
Series
The Middle Ages Ser.
Type
Textbook
Number of Pages
360 Pages

Dimensions

Item Length
9in
Item Height
0.6in
Item Width
6in
Item Weight
23.5 Oz

Additional Product Features

Lc Classification Number
Pr643.M37c65 2004
Reviews
Coletti scrupulously traces an elusive web of associations-texts, practices, patrons-in order to reconstruct the play's complex engagement of social, political, and religious concerns on the eve of the Reformation in England. In doing so, she calls for a long-overdue reassessment of both the play's and East Anglian culture's place in English literary, social, and religious history., "In this richly rewarding book, Coletti is chiefly interested in the questions that Mary Magdalene raises about women and institutionalized religion, spirituality, and sexuality, and the possibilities and limits of female religious authority. Coletti pursues these questions by concentrating on one play, the extraordinary East Anglian drama on the life of Mary Magdalene. . . . Coletti provides a probing account of devotional and mystical texts, saints' legends, homiletic traditions, and other religious writings. . . . A masterful report on the cultural meanings of one medieval performance, but also a compelling account of how such performances matter for literary and cultural history."--Medieval and Renaissance Drama in England, "The book is magisterial: learned, gracefully written, intelligent, and aware."-Gail McMurray Gibson, Davidson College, "The book is magisterial: learned, gracefully written, intelligent, and aware."--Gail McMurray Gibson, Davidson College, "This fascinating and important interdisciplinary study of theatrical practice . . . reveals the importance of Middle English drama to the religious environment of fifteenth-century England"-- Religious Studies Review, In this richly rewarding book, Coletti is chiefly interested in the questions that Mary Magdalene raises about women and institutionalized religion, spirituality, and sexuality, and the possibilities and limits of female religious authority. Coletti pursues these questions by concentrating on one play, the extraordinary East Anglian drama on the life of Mary Magdalene. . . . Coletti provides a probing account of devotional and mystical texts, saints' legends, homiletic traditions, and other religious writings. . . . A masterful report on the cultural meanings of one medieval performance, but also a compelling account of how such performances matter for literary and cultural history., "Coletti scrupulously traces an elusive web of associations--texts, practices, patrons--in order to reconstruct the play's complex engagement of social, political, and religious concerns on the eve of the Reformation in England. In doing so, she calls for a long-overdue reassessment of both the play's and East Anglian culture's place in English literary, social, and religious history."-- Renaissance Quarterly, "Coletti scrupulously traces an elusive web of associations--texts, practices, patrons--in order to reconstruct the play's complex engagement of social, political, and religious concerns on the eve of the Reformation in England. In doing so, she calls for a long-overdue reassessment of both the play's and East Anglian culture's place in English literary, social, and religious history."--Renaissance Quarterly, "This fascinating and important interdisciplinary study of theatrical practice . . . reveals the importance of Middle English drama to the religious environment of fifteenth-century England"--Religious Studies Review, "This fascinating and important interdisciplinary study of theatrical practice . . . reveals the importance of Middle English drama to the religious environment of fifteenth-century England"- Religious Studies Review, This fascinating and important interdisciplinary study of theatrical practice . . . reveals the importance of Middle English drama to the religious environment of fifteenth-century England, "Coletti scrupulously traces an elusive web of associations-texts, practices, patrons-in order to reconstruct the play's complex engagement of social, political, and religious concerns on the eve of the Reformation in England. In doing so, she calls for a long-overdue reassessment of both the play's and East Anglian culture's place in English literary, social, and religious history."- Renaissance Quarterly, "In this richly rewarding book, Coletti is chiefly interested in the questions that Mary Magdalene raises about women and institutionalized religion, spirituality, and sexuality, and the possibilities and limits of female religious authority. Coletti pursues these questions by concentrating on one play, the extraordinary East Anglian drama on the life of Mary Magdalene. . . . Coletti provides a probing account of devotional and mystical texts, saints' legends, homiletic traditions, and other religious writings. . . . A masterful report on the cultural meanings of one medieval performance, but also a compelling account of how such performances matter for literary and cultural history."-- Medieval and Renaissance Drama in England, "In this richly rewarding book, Coletti is chiefly interested in the questions that Mary Magdalene raises about women and institutionalized religion, spirituality, and sexuality, and the possibilities and limits of female religious authority. Coletti pursues these questions by concentrating on one play, the extraordinary East Anglian drama on the life of Mary Magdalene. . . . Coletti provides a probing account of devotional and mystical texts, saints' legends, homiletic traditions, and other religious writings. . . . A masterful report on the cultural meanings of one medieval performance, but also a compelling account of how such performances matter for literary and cultural history."- Medieval and Renaissance Drama in England
Table of Content
List of Illustrations Preface Introduction 1. The Drama of Saints 2. Some East Anglian Magdalenes 3. Mystic and Preacher 4. Gender and the Anthropology of Redemption 5. Bodies, Theater, and Sacred Mediations 6. Conclusion Abbreviations Notes Works Cited Index
Copyright Date
2004
Topic
Women Authors, Medieval, Subjects & Themes / Women, Drama, Theater / History & Criticism, Ancient & Classical, Christianity / Literature & the Arts
Lccn
2004-043026
Dewey Decimal
822.051609
Intended Audience
College Audience
Dewey Edition
22
Illustrated
Yes
Genre
Drama, Literary Criticism, Religion, Performing Arts

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