第 1/1 張圖片
Andrea Most Theatrical Liberalism (Paperback)
Another great item from Rarewaves USA | Free delivery!
狀況：
至少還有 10 件
安心購物
物品細節
- 物品狀況
- 全新: 全新，未閱讀過和使用過的書籍，狀況完好，不存在缺頁或內頁受損。 查看所有物品狀況定義會在新視窗或分頁中開啟
- Book Title
- Theatrical Liberalism
- Publication Name
- Theatrical Liberalism : Jews and Popular Entertainment in America
- Title
- Theatrical Liberalism
- Subtitle
- Jews and Popular Entertainment in America
- ISBN-10
- 0814724620
- EAN
- 9780814724620
- ISBN
- 9780814724620
- Publisher
- New York University Press
- Format
- Trade Paperback
- Release Year
- 2013
- Release Date
- 20/05/2013
- Language
- English
- Country/Region of Manufacture
- US
- Item Height
- 0.9 in
- Item Length
- 8.9 in
- Item Weight
- 17.2 Oz
- Genre
- Society & Culture
- Subject
- Printed Music / Musicals, Film & TV, Popular Culture, Entertainment & Performing Arts, Jewish
- Subject Area
- Biography & Autobiography, Music, History, Social Science
- Publication Year
- 2013
- Type
- Textbook
- Item Width
- 6 in
- Number of Pages
- 304 Pages
關於產品
Product Information
Shows how the Jewish worldview that permeates American culture has reached far beyond the Jews who created it.
Product Identifiers
Publisher
New York University Press
ISBN-10
0814724620
ISBN-13
9780814724620
eBay Product ID (ePID)
150526835
Product Key Features
Publication Name
Theatrical Liberalism : Jews and Popular Entertainment in America
Format
Trade Paperback
Language
English
Subject
Printed Music / Musicals, Film & TV, Popular Culture, Entertainment & Performing Arts, Jewish
Publication Year
2013
Type
Textbook
Subject Area
Biography & Autobiography, Music, History, Social Science
Number of Pages
304 Pages
Dimensions
Item Length
8.9 in
Item Height
0.9 in
Item Width
6 in
Item Weight
17.2 Oz
Additional Product Features
LCCN
2012-048183
Intended Audience
Scholarly & Professional
Lc Classification Number
Pn1590.J48m67 2013
Reviews
"Most's outline of theatrical liberalism is compelling, is littered with insightful analysis of a range of texts, and draws upon a variety of theoretical writing that makes her arguments fresh and distinct."- Journal of American Culture, "The arguments are compelling, and the book is well researched and well written."-K.J. Wetmore, Choice, "This is a remarkable book, sweeping in its range of material, sharp in its reasoning, and loaded with so many insights that it will reward the reader with many returns in its pages....[T]his is a marvelous treatment of much-discussed but inexhaustible topics, not only of entertaining Jews but of Jewish modernity and post-modernity. Professor Most, take a bow: you deserve it."-Paul Buhle , American Jewish History, "…Theatrical Liberalism's greatest contribution to the existing scholarly conversation regarding Jewish Americans and popular culture is her assertion that the secular/sacred binary, imposed by Protestant ideology, is ineffectual for analyzing the nuanced ways in which Judaic rituals and traditions influenced the allegedly nonreligious sphere of American entertainment."-, American Studies, Mosts outline of theatrical liberalism is compelling, is littered with insightful analysis of a range of texts, and draws upon a variety of theoretical writing that makes her arguments fresh and distinct., Theatrical Liberalisms greatest contribution to the existing scholarly conversation regarding Jewish Americans and popular culture is her assertion that the secular/sacred binary, imposed by Protestant ideology, is ineffectual for analyzing the nuanced ways in which Judaic rituals and traditions influenced the allegedly nonreligious sphere of American entertainment., Makes new sense of aspects of popular culture we have all grown up with and thought we knew only too well. Most bridges religious studies and theater, political theory and American studies, high criticism and middlebrow performance. Her book will help us see better how Jews and their Jewishness did not merely 'enter' American popular culture, but did so much to invent it., "In Theatrical Liberalism: Jews and Popular Entertainment in America, Andrea Most looks at how Jews combined Jewish culture and American liberalism to create a distinctive theatrical tradition. She also explores how this tradition has developed and changed from the 1930s to contemporary times."-Rabbi Rachel Esserman, The Reporter, "Makes new sense of aspects of popular culture we have all grown up with and thought we knew only too well. Most bridges religious studies and theater, political theory and American studies, high criticism and middlebrow performance. Her book will help us see better how Jews and their Jewishness did not merely 'enter' American popular culture, but did so much to invent it." Jonathan Boyarin, Leonard and Tobee Kaplan Distinguished Professor of Modern Jewish Thought, University of North Carol "Demonstrates why and how Jews have been central to the development of Broadway, Tin Pan Alley, and Hollywood. Taking us on a rollercoaster ride through popular culture, from The Jazz Singer and Death of a Salesman to My Fair Lady and Blazing Saddles, Most analyzes the social anxieties that swirl around American self-fashioning and explains why these anxieties repeatedly play themselves out in competing notions of theatricality. Most radically, she shows us that so many of the most Jewish features of popular culture are also the most American-that American popular culture is Jewish culture." David Savran, Vera Mowry Roberts Chair in American Theatre, CUNY, "...Theatrical Liberalism's greatest contribution to the existing scholarly conversation regarding Jewish Americans and popular culture is her assertion that the secular/sacred binary, imposed by Protestant ideology, is ineffectual for analyzing the nuanced ways in which Judaic rituals and traditions influenced the allegedly nonreligious sphere of American entertainment."-, American Studies, "Demonstrates why and how Jews have been central to the development of Broadway, Tin Pan Alley, and Hollywood. Taking us on a rollercoaster ride through popular culture, from The Jazz Singer and Death of a Salesman to My Fair Lady and Blazing Saddles, Most analyzes the social anxieties that swirl around American self-fashioning and explains why these anxieties repeatedly play themselves out in competing notions of theatricality. Most radically, she shows us that so many of the most Jewish features of popular culture are also the most American-that American popular culture is Jewish culture."-David Savran,Vera Mowry Roberts Chair in American Theatre, CUNY, "Makes new sense of aspects of popular culture we have all grown up with and thought we knew only too well. Most bridges religious studies and theater, political theory and American studies, high criticism and middlebrow performance. Her book will help us see better how Jews and their Jewishness did not merely 'enter' American popular culture, but did so much to invent it." -Jonathan Boyarin,Leonard and Tobee Kaplan Distinguished Professor of Modern Jewish Thought, University of North Carol, This is a remarkable book, sweeping in its range of material, sharp in its reasoning, and loaded with so many insights that it will reward the reader with many returns in its pages....[T]his is a marvelous treatment of much-discussed but inexhaustible topics, not only of entertaining Jews but of Jewish modernity and post-modernity. Professor Most, take a bow: you deserve it., Demonstrates why and how Jews have been central to the development of Broadway, Tin Pan Alley, and Hollywood. Taking us on a rollercoaster ride through popular culture, from The Jazz Singer and Death of a Salesman to My Fair Lady and Blazing Saddles, Most analyzes the social anxieties that swirl around American self-fashioning and explains why these anxieties repeatedly play themselves out in competing notions of theatricality. Most radically, she shows us that so many of the most Jewish features of popular culture are also the most Americanthat American popular culture is Jewish culture., Her thesis is simple but persuasive, positing that from the 1920s until the 1940s, American Jewish writers created a number of works that sanctify the stage and the idea of performing. [] Most is strong on the theoretical [] Taking musicals seriously is welcome and refreshing., "Makes new sense of aspects of popular culture we have all grown up with and thought we knew only too well. Most bridges religious studies and theater, political theory and American studies, high criticism and middlebrow performance. Her book will help us see better how Jews and their Jewishness did not merely 'enter' American popular culture, but did so much to invent it."-Jonathan Boyarin, Leonard and Tobee Kaplan Distinguished Professor of Modern Jewish Thought, University of North Carolina,, "Demonstrates why and how Jews have been central to the development of Broadway, Tin Pan Alley, and Hollywood. Taking us on a rollercoaster ride through popular culture, from The Jazz Singer and Death of a Salesman to My Fair Lady and Blazing Saddles, Most analyzes the social anxieties that swirl around American self-fashioning and explains why these anxieties repeatedly play themselves out in competing notions of theatricality. Most radically, she shows us that so many of the most Jewish features of popular culture are also the most American-that American popular culture is Jewish culture."-David Savran,Vera Mowry Roberts Chair in American Theatre, CUNY, "Her thesis is simple but persuasive, positing that from the 1920s until the 1940s, American Jewish writers created a number of works that sanctify the stage and the idea of performing. […] Most is strong on the theoretical […] Taking musicals seriously is welcome and refreshing."- Jewish Quarterly, In Theatrical Liberalism: Jews and Popular Entertainment in America, Andrea Most looks at how Jews combined Jewish culture and American liberalism to create a distinctive theatrical tradition. She also explores how this tradition has developed and changed from the 1930s to contemporary times., "This book will transform how many plays, performances, and texts are read, discussed, taught, and performed...Theatrical Liberalism is an important, original book that gets right to the heart of why Jews have been so disproportionately involved in popular performance." - Theatre Journal, "Demonstrates why and how Jews have been central to the development of Broadway, Tin Pan Alley, and Hollywood. Taking us on a rollercoaster ride through popular culture, fromThe Jazz SingerandDeath of a SalesmantoMy Fair LadyandBlazing Saddles, Most analyzes the social anxieties that swirl around American self-fashioning and explains why these anxieties repeatedly play themselves out in competing notions of theatricality. Most radically, she shows us that so many of the most Jewish features of popular culture are also the most American-that American popular culture is Jewish culture."-David Savran,Vera Mowry Roberts Chair in American Theatre, CUNY, "Makes new sense of aspects of popular culture we have all grown up with and thought we knew only too well. Most bridges religious studies and theater, political theory and American studies, high criticism and middlebrow performance. Her book will help us see better how Jews and their Jewishness did not merely 'enter' American popular culture, but did so much to invent it." -Jonathan Boyarin, Leonard and Tobee Kaplan Distinguished Professor of Modern Jewish Thought, University of North Carolina, Her book is a bold effort to locate, within the apparatus of mass entertainment, something besides the claims of ancestral memories and loyalties., "Makes new sense of aspects of popular culture we have all grown up with and thought we knew only too well. Most bridges religious studies and theater, political theory and American studies, high criticism and middlebrow performance. Her book will help us see better how Jews and their Jewishness did not merely 'enter' American popular culture, but did so much to invent it." -Jonathan Boyarin, Leonard and Tobee Kaplan Distinguished Professor of Modern Jewish Thought, University of North Carolina,, This book will transform how many plays, performances, and texts are read, discussed, taught, and performed...Theatrical Liberalism is an important, original book that gets right to the heart of why Jews have been so disproportionately involved in popular performance.
Table of Content
ContentsAcknowledgments ixSetting the Stage 11. Jews, Theatricality, and Modernity 152. The Birth of Theatrical Liberalism 393. Theatrical Liberalism under Attack 884. The Theatricality of Everyday Life 1415. Theatricality and Idolatry 1646. I Am a Theater 201Curtain Call 241Notes 247Credits 275Index 281About the Author 293
Copyright Date
2013
Dewey Decimal
305.8924
Dewey Edition
23
Illustrated
Yes
賣家提供的物品說明
運費與處理費
物品無法運送到美國
物品所在地：
60502, 美國
運送地點
中國, 中國台灣, 中國澳門, 中國香港, 中非共和國, 丹麥, 乍德, 亞塞拜疆共和國, 亞美尼亞, 伊拉克, 伯利茲, 佛得角群島, 保加利亞, 克羅地亞共和國, 全球, 冰島, 列支敦士登, 利比利亞, 剛果共和國, 剛果民主共和國, 加納, 加蓬共和國, 匈牙利, 南非, 南韓, 博茨瓦納, 卡塔爾, 印尼, 印度, 危地馬拉, 厄瓜多爾, 厄立特里亞, 吉布提, 吉爾吉斯, 哈薩克, 哥倫比亞, 哥斯達黎加, 喀麥隆, 圖瓦盧, 土庫斯安德凱科斯群島, 土庫曼, 土耳其, 圭亞那, 坦桑尼亞, 埃及, 埃塞俄比亞, 基里巴斯, 塔吉克, 塞內加爾, 塞拉利昂, 塞浦路斯, 塞爾維亞, 塞舌爾, 多哥, 多明尼加, 多明尼加共和國, 孟加拉, 安哥拉, 安圭拉島, 安提瓜和巴布達, 安道爾, 尼加拉瓜, 尼日利亞, 尼日爾, 尼泊爾, 巴哈馬, 巴基斯坦, 巴布亞新畿內亞, 巴拉圭, 巴拿馬, 巴林, 布基納法索, 布隆迪, 希臘, 帛琉, 幾內亞, 幾內亞比索, 庫克群島, 愛沙尼亞, 所羅門群島, 拉脫維亞, 挪威, 捷克共和國, 摩洛哥, 摩爾多瓦, 摩納哥, 斐濟, 斯威士蘭, 斯洛伐克, 斯洛文尼亞, 斯瓦爾巴群島和揚馬延島, 斯里蘭卡, 新加坡, 日本, 智利, 柬埔寨, 格恩西島, 格陵蘭, 格雷納達, 格魯吉亞, 梵蒂岡, 比利時, 毛里求斯, 沙特阿拉伯, 波多黎各, 波斯尼亞和黑塞哥維那, 波蘭, 泰國, 津巴布韋, 洪都拉斯, 海地, 湯加, 澤西島, 烏干達, 烏拉圭, 烏茲別克, 牙買加, 特里尼達和多巴哥, 玻利維亞, 瑙魯, 瑞典, 瓦利斯和富圖納群島, 瓦努阿圖, 甘比亞, 百慕達群島, 盧旺達, 盧森堡, 直布羅陀, 福克蘭群島（馬爾維納斯）, 科威特, 科特迪瓦（象牙海岸）, 秘魯, 突尼斯, 立陶宛, 米克羅尼西亞, 約旦, 納米比亞, 紐埃, 紐西蘭, 索馬里, 羅馬尼亞, 美屬薩摩亞, 美屬處女島, 聖基茨-尼維斯, 聖文森和格瑞那丁, 聖皮耶與密克隆群島, 聖盧西亞, 聖赫倫那島, 聖馬力諾, 肯亞, 芬蘭, 英屬維爾京群島, 茅利塔尼亞, 荷屬安地列斯群島, 莫桑比克, 菲律賓, 萊索托, 葛摩, 葡萄牙, 蒙古, 蒙特色拉特島, 薩爾瓦多, 蘇里南, 西撒哈拉, 西薩摩亞, 貝寧, 贊比亞, 赤道幾內亞, 越南, 開曼群島, 關島, 阿拉伯聯合酋長國, 阿曼, 阿根廷, 阿爾及利亞, 阿爾巴尼亞, 阿魯巴, 馬來西亞, 馬其頓, 馬拉維, 馬爾代夫, 馬約特島, 馬紹爾群島, 馬耳他, 馬達加斯加, 馬里, 黎巴嫩, 黑山
排除：
不丹, 也門, 以色列, 俄羅斯聯邦, 利比亞, 墨西哥, 奧地利, 委內瑞拉, 寮國, 巴西, 巴貝多, 德國, 意大利, 愛爾蘭, 新喀里多尼亞, 汶萊, 法國, 法屬圭亞那, 法屬玻里尼西亞, 澳洲, 烏克蘭, 瑞士, 瓜德羅普島, 留尼汪島, 白俄羅斯, 美國, 英國, 荷蘭, 西班牙, 阿富汗, 馬提尼克島
| 處理時間 |
|---|
| 通常會在收到所有款項後的 7 個工作日內發貨。 |
| 稅項 |
|---|
| 結賬時相關稅項可能適用。 進一步了解進一步了解為 eBay 購物繳稅。 |
物品編號 335035422516 的銷售稅
物品編號 335035422516 的銷售稅
賣家會對寄往以下各州的物品收取銷售稅：
| 州／省 | 銷售稅稅率 |
|---|
退貨政策
| 收到物品後聯絡賣家的期限： |
|---|
| 30 日 |
買家負責支付退貨運費。
賣家信用評價 （63,121）
h***s (567)- 買家留下的信用評價。
過去 1 個月
購買已獲認證
A+++, came quickly and worked great...Thanks Again!!!
c***c (77)- 買家留下的信用評價。
過去 1 個月
購買已獲認證
Good service
c***u (35)- 買家留下的信用評價。
過去 1 個月
購買已獲認證
perfect. nothing else to say :)