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Horror after 9/11: World of Fear, Cinema of Terror
US $54.99
大約HK$ 428.61
狀況：
很好
曾被閱讀過的書籍，但狀況良好。封面不存在明顯損壞，精裝本書籍含書皮。不存在缺頁或內頁受損，無褶皺或破損，同時也沒有對文字標注/標記，或在留白處書寫內容。內封面上標記可能極少。書籍的磨損和破損程度也很低。
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物品細節
- 物品狀況
- Book Title
- Horror after 9/11: World of Fear, Cinema of Terror
- ISBN
- 9780292726628
- Subject Area
- Performing Arts, History
- Publication Name
- Horror after 9/11 : World of Fear, Cinema of Terror
- Publisher
- University of Texas Press
- Item Length
- 9 in
- Subject
- Film / Genres / Horror, United States / 21st Century, Film / History & Criticism
- Publication Year
- 2011
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.6 in
- Item Weight
- 23.5 Oz
- Item Width
- 6 in
- Number of Pages
- 274 Pages
關於產品
Product Identifiers
Publisher
University of Texas Press
ISBN-10
0292726627
ISBN-13
9780292726628
eBay Product ID (ePID)
109225133
Product Key Features
Number of Pages
274 Pages
Publication Name
Horror after 9/11 : World of Fear, Cinema of Terror
Language
English
Subject
Film / Genres / Horror, United States / 21st Century, Film / History & Criticism
Publication Year
2011
Type
Textbook
Subject Area
Performing Arts, History
Format
Hardcover
Dimensions
Item Height
0.6 in
Item Weight
23.5 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2011-019055
Reviews
Just reading Horror after 9/11 evokes a rush of memories relating to thetrauma, the terror, and embodied fear that was experienced that day, bringinginto focus just how thoroughly filmmaking has been impacted by 9/11. Bywidening the scope of analysis beyond the immediate repercussions of terrorismand emphasizing the correlation of global events with cultural production,this book provides a welcome and necessary contribution to film and culturalstudies., "Just reading Horror after 9/11 evokes a rush of memories relating to the trauma, the terror, and embodied fear that was experienced that day, bringing into focus just how thoroughly filmmaking has been impacted by 9/11. By widening the scope of analysis beyond the immediate repercussions of terrorism and emphasizing the correlation of global events with cultural production, this book provides a welcome and necessary contribution to film and cultural studies"--Journal of the Fantastic in the Arts, Just reading Horror after 9/11 evokes a rush of memories relating to the trauma, the terror, and embodied fear that was experienced that day, bringing into focus just how thoroughly filmmaking has been impacted by 9/11. By widening the scope of analysis beyond the immediate repercussions of terrorism and emphasizing the correlation of global events with cultural production, this book provides a welcome and necessary contribution to film and cultural studies.
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
791.43/616409
Table Of Content
Acknowledgments Introduction (Aviva Briefel and Sam J. Miller) Part One. Why Horror? Chapter 1. Black Screens, Lost Bodies: The Cinematic Apparatus of 9/11 Horror (Laura Frost) Chapter 2. Let's Roll: Hollywood Takes on 9/11 (Elisabeth Ford) Chapter 3. Transforming Horror: David Cronenberg's Cinematic Gestures after 9/11 (Adam Lowenstein) Part Two. Horror Looks at Itself Chapter 4. Caught on Tape? The Politics of Video in the New Torture Film (Catherine Zimmer) Chapter 5. Cutting into Concepts of "Reflectionist" Cinema? The Saw Franchise and Puzzles of Post-9/11 Horror (Matt Hills) Chapter 6. The Host versus Cloverfield (Homay King) Chapter 7. "Shop 'Til You Drop!": Consumerism and Horror (Aviva Briefel) Part Three. Horror in Action Chapter 8. Historicizing the Bush Years: Politics, Horror Film, and Francis Lawrence's I Am Legend (Steffen Hantke) Chapter 9. "I Am the Devil and I'm Here to Do the Devil's Work": Rob Zombie, George W. Bush, and the Limits of American Freedom (Linnie Blake) Chapter 10. "Forever Family" Values: Twilight and the Modern Mormon Vampire (Travis Sutton and Harry M. Benshoff) Chapter 11. Assimilation and the Queer Monster (Sam J. Miller) Selected Bibliography Selected Filmography Contributors Index
Synopsis
Horror films have exploded in popularity since the tragic events of September 11, 2001, many of them breaking box-office records and generating broad public discourse. These films have attracted A-list talent and earned award nods, while at the same time becoming darker, more disturbing, and increasingly apocalyptic. Why has horror suddenly become more popular, and what does this say about us? What do specific horror films and trends convey about American society in the wake of events so horrific that many pundits initially predicted the death of the genre? How could American audiences, after tasting real horror, want to consume images of violence on screen? Horror after 9/11 represents the first major exploration of the horror genre through the lens of 9/11 and the subsequent transformation of American and global society. Films discussed include the Twilight saga; the Saw series; Hostel ; Cloverfield ; 28 Days Later ; remakes of The Texas Chainsaw Massacre , Dawn of the Dead , and The Hills Have Eyes ; and many more. The contributors analyze recent trends in the horror genre, including the rise of 'torture porn, ' the big-budget remakes of classic horror films, the reinvention of traditional monsters such as vampires and zombies, and a new awareness of visual technologies as sites of horror in themselves. The essays examine the allegorical role that the horror film has held in the last ten years, and the ways that it has been translating and reinterpreting the discourses and images of terror into its own cinematic language., Horror films have exploded in popularity since the tragic events of September 11, 2001, many of them breaking box-office records and generating broad public discourse. These films have attracted A-list talent and earned award nods, while at the same time becoming darker, more disturbing, and increasingly apocalyptic. Why has horror suddenly become more popular, and what does this say about us? What do specific horror films and trends convey about American society in the wake of events so horrific that many pundits initially predicted the death of the genre? How could American audiences, after tasting real horror, want to consume images of violence on screen? Horror after 9/11 represents the first major exploration of the horror genre through the lens of 9/11 and the subsequent transformation of American and global society. Films discussed include the Twilight saga; the Saw series; Hostel; Cloverfield; 28 Days Later; remakes of The Texas Chainsaw Massacre, Dawn of the Dead, and The Hills Have Eyes; and many more. The contributors analyze recent trends in the horror genre, including the rise of 'torture porn, ' the big-budget remakes of classic horror films, the reinvention of traditional monsters such as vampires and zombies, and a new awareness of visual technologies as sites of horror in themselves. The essays examine the allegorical role that the horror film has held in the last ten years, and the ways that it has been translating and reinterpreting the discourses and images of terror into its own cinematic language., Horror films have exploded in popularity since the tragic events of September 11, 2001, many of them breaking box-office records and generating broad public discourse. These films have attracted A-list talent and earned award nods, while at the same time becoming darker, more disturbing, and increasingly apocalyptic. Why has horror suddenly become more popular, and what does this say about us? What do specific horror films and trends convey about American society in the wake of events so horrific that many pundits initially predicted the death of the genre? How could American audiences, after tasting real horror, want to consume images of violence on screen? Horror after 9/11 represents the first major exploration of the horror genre through the lens of 9/11 and the subsequent transformation of American and global society. Films discussed include the Twilight saga; the Saw series; Hostel; Cloverfield; 28 Days Later; remakes of The Texas Chainsaw Massacre, Dawn of the Dead, and The Hills Have Eyes; and many more. The contributors analyze recent trends in the horror genre, including the rise of 'torture porn,' the big-budget remakes of classic horror films, the reinvention of traditional monsters such as vampires and zombies, and a new awareness of visual technologies as sites of horror in themselves. The essays examine the allegorical role that the horror film has held in the last ten years, and the ways that it has been translating and reinterpreting the discourses and images of terror into its own cinematic language., The first major exploration of the horror film genre through the lens of 9/11 and the subsequent transformation of American and global society., Horror films have exploded in popularity since the tragic events of September 11, 2001, many of them breaking box-office records and generating broad public discourse. These films have attracted A-list talent and earned award nods, while at the same time becoming darker, more disturbing, and increasingly apocalyptic. Why has horror suddenly become more popular, and what does this say about us? What do specific horror films and trends convey about American society in the wake of events so horrific that many pundits initially predicted the death of the genre? How could American audiences, after tasting real horror, want to consume images of violence on screen? Horror after 9/11 represents the first major exploration of the horror genre through the lens of 9/11 and the subsequent transformation of American and global society. Films discussed include the Twilight saga; the Saw series; Hostel ; Cloverfield ; 28 Days Later ; remakes of The Texas Chainsaw Massacre , Dawn of the Dead , and The Hills Have Eyes ; and many more. The contributors analyze recent trends in the horror genre, including the rise of 'torture porn,' the big-budget remakes of classic horror films, the reinvention of traditional monsters such as vampires and zombies, and a new awareness of visual technologies as sites of horror in themselves. The essays examine the allegorical role that the horror film has held in the last ten years, and the ways that it has been translating and reinterpreting the discourses and images of terror into its own cinematic language.
LC Classification Number
PN1995.9.H6H64 2011
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