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American Classics ARTHUR FOOTE Piano Trios Nos 1&2 Melody Ballade Arden Trio V3 - 第 1/8 張圖片
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American Classics ARTHUR FOOTE Piano Trios Nos 1&2 Melody Ballade Arden Trio V3

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所在地：Norwalk, Connecticut, 美國
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估計於 6月14日, 五至 6月17日, 一之間送達 運送地點 43230
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eBay 物品編號：335293029499
上次更新時間： 2024-04-03 00:16:13查看所有版本查看所有版本

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Album Name
Chamber Music Vol 3
Case Type
Jewel Case: Standard
Custom Bundle
No
Title
Chamber Music 3
Case Condition
Mint (M)
Duration
Album
Inlay Condition
Mint (M)
Modified Item
No
Brand
Naxos American
Type
Album
Instrument
Piano
Style
Trio
Run Time
66:01 minutes
Country/Region of Manufacture
Canada
UPC
0636943903926
Artist
Foote / Arden
Format
CD
Release Year
2000
Record Label
Naac, Naxos American
Release Title
Chamber Music 3
Genre
Classical Composers

關於產品

Product Identifiers

Record Label
Naac, Naxos American
UPC
0636943903926
eBay Product ID (ePID)
8046054299

Product Key Features

Release Year
2000
Format
CD
Genre
Classical Composers
Artist
Foote / Arden
Release Title
Chamber Music 3

Dimensions

Item Height
0.40 in
Item Weight
0.23 lb
Item Length
6.20 in
Item Width
5.40 in

Additional Product Features

Number of Tracks
9
Number of Discs
1
Tracks
1.1 Pno Trio No.1 in C, Op.5: Allegro Con Brio 1.2 Pno Trio No.1 in C, Op.5: Allegro Vivace 1.3 Pno Trio No.1 in C, Op.5: Adagio Molto 1.4 Pno Trio No.1 in C, Op.5: Allegro Comodo 1.5 Pno Trio No.2 in B Flat: Allegro Giocoso 1.6 Pno Trio No.2 in B Flat: Tranquillo 1.7 Pno Trio No.2 in B Flat: Allegro Molto 1.8 Melody, Op.44 1.9 Ballade, Op.69
Notes
By 1882, Foote was ready to tackle an extended essay in the chamber music medium. The result was the Trio in C Minor for Piano, Violin and Cello, Op 5. Using similar works by Mendelssohn and Schumann as his point of departure, Foote determined to make his Piano Trio the work that would establish his artistic reputation. Composed swiftly and premiered on 8th April, 1882, the composer withdrew the piece for further revision. While on vacation in France in 1883, the trio was overhauled, simplifying many of the piano textures and was published in it's final version in 1884. The opening Allegro con brio, in an orthodox sonata form, features a melancholy melody on the violin, later taken up by the cello, the piano providing a song-like accompaniment. A hymn-like second theme is stated confidently in the piano. The development section follows and immediately begins to combine to the two primary themes in numerous ways, often simultaneously. The recapitulation follows, with an expanded version of the opening theme, building in expressive power. The second theme returns, providing a noble contrast and the movement ends with an emphatic statement of the opening melody. The second movement displays a Mendelssohnian influence, with scurrying string writing over a wide-ranging piano part. The trio (Un poco meno allegro) returns to the hymn-like mood of the second theme of the first movement. A return to the opening material, slightly expanded, leads to the coda, with the violin and cello playing pizzicato in a breathless passage. The Adagio molto is undoubtedly the trio's lyrical core. A lilting melody begins in the cello, joined by the violin while the piano provides gentle figurations. Suddenly, the music shifts in F minor, and the music turns dramatic. The piano introduces a new theme that is combined with the lyrical melody from the first section to provide the movement's climax. A brief return to the opening material closes this lovely movement. The last movement opens with an oddly angular melody on the cello, accompanied by a restless pattern in the piano. The violin joins in, propelling the tune through several modulations and finally is joined by the piano, building excitement with a dotted rhythm. A broad, hymn-like contrasting theme is introduced, somewhat reminiscent of the melody to "O God our help in ages past." A return to the opening material and a brief fugato, lead to an extended "amen" cadence as if to emphasize the religious sentiment touched on in the previous movements.

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