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NEW GERMAN DANCE STUDIES By Susan Manning & Lucia Ruprecht - Hardcover EXCELLENT
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- ISBN-10
- 025203676X
- Book Title
- New German Dance Studies
- Genre
- PERFORMING ARTS
- ISBN
- 9780252036767
- Subject Area
- Performing Arts, Social Science, History
- Publication Name
- New German Dance Studies
- Publisher
- University of Illinois Press
- Item Length
- 9.3 in
- Subject
- Europe / Germany, Sociology / General, General, Dance / General
- Publication Year
- 2012
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 1 in
- Item Weight
- 18.1 Oz
- Item Width
- 6.1 in
- Number of Pages
- 296 Pages
關於產品
Product Identifiers
Publisher
University of Illinois Press
ISBN-10
025203676X
ISBN-13
9780252036767
eBay Product ID (ePID)
28038285502
Product Key Features
Number of Pages
296 Pages
Language
English
Publication Name
New German Dance Studies
Subject
Europe / Germany, Sociology / General, General, Dance / General
Publication Year
2012
Type
Textbook
Subject Area
Performing Arts, Social Science, History
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
18.1 Oz
Item Length
9.3 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2011-035701
Dewey Edition
23
Reviews
Regardless of the areas within which we teach or practice, this book has something valuable to contribute. . . . A remarkable body of work in German dance over the past three centuries."-- Journal of Dance Education "How exciting it is to have this elegantly organized collection of new theories of dance, performance, and culture as they are being developed in Germany. The field urgently needs this anthology, which gives readers a marvelous grasp of the complex history of German dance and the new methodologies that are being developed there."--Susan Leigh Foster, author of Choreographing Empathy: Kinesthesia in Performance, " New German Dance Studies fills a research gap in English-speaking countries regarding the direction dance studies has taken in a German context. A useful compendium of the various personalities and new theories about how to approach modern research in the field."--Helga Kraft, coeditor of Writing against Boundaries: Nationality, Ethnicity, and Gender in the German-speaking Context, "How exciting it is to have this elegantly organized collection of new theories of dance, performance, and culture as they are being developed in Germany. The field urgently needs this anthology, which gives readers a marvelous grasp of the complex history of German dance and the new methodologies that are being developed there."--Susan Leigh Foster, author of Choreographing Empathy: Kinesthesia in Performance, "Rich in illuminating historical detail. . . . pulsating with freshness of perception, and very well documented with abundant and quite valuable endnotes." -- H-German, "How exciting it is to have this elegantly organized collection of new theories of dance, performance, and culture as they are being developed in Germany. The field urgently needs this anthology, which gives readers a marvelous grasp of the complex history of German dance and the new methodologies that are being developed there."--Susan Leigh Foster, author of Choreographing Empathy: Kinesthesia in Performance"New German Dance Studies fills a research gap in English-speaking countries regarding the direction dance studies has taken in a German context. A useful compendium of the various personalities and new theories about how to approach modern research in the field."--Helga Kraft, coeditor of Writing against the Boundaries: Nationality, Ethnicity, and Gender in German-speaking Context"[T]he essays are uniformly good and rich in illuminating historical detail... Manning and Ruprecht have done an excellent job of editing the volume. The writing in all the essays is consistently engaging, pulsating with freshness of perception, and very well documented with abundant and quite valuable endnotes. The book will easily find an appreciative audience with both undergraduate and graduate students in the performing arts as well as with scholars of dance history and of European modernism." - Karl Toepfer (San Jose State University), H-German, ''How exciting it is to have this elegantly organized collection of new theories of dance, performance, and culture as they are being developed in Germany. The field urgently needs this anthology, which gives readers a marvelous grasp of the complex history of German dance and the new methodologies that are being developed there.''--Susan Leigh Foster, author of Choreographing Empathy: Kinesthesia in Performance ''New German Dance Studies fills a research gap in English-speaking countries regarding the direction dance studies has taken in a German context. A useful compendium of the various personalities and new theories about how to approach modern research in the field.''--Helga Kraft, coeditor of Writing against the Boundaries: Nationality, Ethnicity, and Gender in German-speaking Context ''[T]he essays are uniformly good and rich in illuminating historical detail... Manning and Ruprecht have done an excellent job of editing the volume. The writing in all the essays is consistently engaging, pulsating with freshness of perception, and very well documented with abundant and quite valuable endnotes. The book will easily find an appreciative audience with both undergraduate and graduate students in the performing arts as well as with scholars of dance history and of European modernism.'' - Karl Toepfer (San Jose State University), H-German, "How exciting it is to have this elegantly organized collection of new theories of dance, performance, and culture as they are being developed in Germany. The field urgently needs this anthology, which gives readers a marvelous grasp of the complex history of German dance and the new methodologies that are being developed there."--Susan Leigh Foster, author of Choreographing Empathy: Kinesthesia in Performance " New German Dance Studies fills a research gap in English-speaking countries regarding the direction dance studies has taken in a German context. A useful compendium of the various personalities and new theories about how to approach modern research in the field."--Helga Kraft, coeditor of Writing against the Boundaries: Nationality, Ethnicity, and Gender in German-speaking Context
Illustrated
Yes
Dewey Decimal
793.31943
Table Of Content
Cover Title Page Copyright Contents Acknowledgments Susan Manning and Lucia Ruprecht Contributor's Acknowledgments Introduction New Dance Studies/New German Cultural Studies Susan Manning and Lucia Ruprecht 1. Affect, Discourse, and Dance before 1900 Christina Thurner 2. Lola Montez and Spanish Dance in the 19th Century Claudia Jeschke 3. Picturing Palucca at the Bauhaus Susan Funkenstein 4. Rudolf Laban's Dance Film Projects Susanne Franco 5. Hanya Holm and an American Tanzgemeinschaft Tresa Randall 6. Lotte Goslar's Clowns Karen Mozingo 7. Back Again? Valeska Gert's Exiles Kate Elswit 8. Was bleibt? The Politics of East German Dance Marion Kant 9. Warfare over Realism Tanztheater in East Germany, 1966-1989 Franz Anton Cramer 10. Moving against Disappearance East German Bodies in Contemporary Choreography Jens Richard Giers 11. Pina Bausch, Mary Wigman, and the Aesthetic of "Being Moved" Sabine Huschka 12. Negotiating Choreography, Letter, and Law in William Forsythe Gerald Siegmund 13. Engagements with the Past in Contemporary Dance Yvonne Hardt 14. Lecture Performance as Contemporary Dance Maaike Bleeker 15. Toward a Theory of Cultural Translation in Dance Gabriele Klein Contributors Index
Synopsis
New German Dance Studies offers fresh histories and theoretical inquiries that resonate across fields of the humanities. Sixteen essays range from eighteenth-century theater dance to popular contemporary dances in global circulation. In an exquisite trans-Atlantic dialogue that demonstrates the complexity and multilayered history of German dance, American and European scholars and artists elaborate on definitive performers and choreography, focusing on three major thematic areas: Weimar culture and its afterlife, the German Democratic Republic, and recent conceptual trends in theater dance. Contributors are Maaike Bleeker, Franz Anton Cramer, Kate Elswit, Susanne Franco, Susan Funkenstein, Jens Richard Giersdorf, Yvonne Hardt, Sabine Huschka, Claudia Jeschke, Marion Kant, Gabriele Klein, Karen Mozingo, Tresa Randall, Gerald Siegmund, and Christina Thurner., New German Dance Studies offers fresh histories and theoretical inquiries that resonate across fields of the humanities. Sixteen essays range from eighteenth-century theater dance to popular contemporary dances in global circulation. In an exquisite trans-Atlantic dialogue that demonstrates the complexity and multilayered history of German dance, ......
LC Classification Number
GV1651
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