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Sam V. H. Reese Blue Notes (Paperback)
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- Book Title
- Blue Notes
- Publication Name
- Blue Notes : Jazz, Literature, and Loneliness
- Title
- Blue Notes
- Subtitle
- Jazz, Literature, and Loneliness
- EAN
- 9780807172247
- ISBN
- 9780807172247
- Publisher
- LSU
- Format
- Trade Paperback
- Release Year
- 2019
- Release Date
- 30/09/2019
- Language
- English
- Country/Region of Manufacture
- US
- Item Height
- 0.6 in
- Item Length
- 8.4 in
- Genre
- Literary Criticism
- Subject
- General, Popular Culture, Genres & Styles / Jazz, Subjects & Themes / General
- Subject Area
- Music, Literary Criticism, Social Science
- Publication Year
- 2019
- Type
- Textbook
- Item Weight
- 9.3 Oz
- Item Width
- 5.4 in
- Number of Pages
- 202 Pages
關於產品
Product Identifiers
Publisher
LSU
ISBN-10
0807172243
ISBN-13
9780807172247
eBay Product ID (ePID)
7038565927
Product Key Features
Number of Pages
202 Pages
Publication Name
Blue Notes : Jazz, Literature, and Loneliness
Language
English
Subject
General, Popular Culture, Genres & Styles / Jazz, Subjects & Themes / General
Publication Year
2019
Type
Textbook
Subject Area
Music, Literary Criticism, Social Science
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
9.3 Oz
Item Length
8.4 in
Item Width
5.4 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2019-006818
Reviews
Sam Reese has made an essential contribution to the scholarship on jazz writing. After thoroughly interrogating what it means to be lonely, he then shows how literature about jazz--canonical as well as obscure, autobiography as well as fiction--yields its secrets when read alongside concepts of loneliness.
Dewey Edition
23
Dewey Decimal
809.3/04
Synopsis
Jazz can be uplifting, stimulating, sensual, and spiritual. Yet when writers turn to this form of music, they almost always imagine it in terms of loneliness. In Blue Notes: Jazz, Literature, and Loneliness , Sam V. H. Reese investigates literary representations of jazz and the cultural narratives often associated with it, noting how they have, in turn, shaped readers? judgments and assumptions about the music. This illuminating critical study contemplates the relationship between jazz and literature from a perspective that musicians themselves regularly call upon to characterize their performances: that of the conversation. Reese traces the tradition of literary appropriations of jazz, both as subject matter and as aesthetic structure, in order to show how writers turn to this genre of music as an avenue for exploring aspects of human loneliness. In turn, jazz musicians have often looked to literature?sometimes obliquely, sometimes centrally?for inspiration. Reese devotes particular attention to how several revolutionary jazz artists used the written word as a way to express, in concrete terms, something their music could only allude to or affectively evoke. By analyzing these exchanges between music and literature, Blue Notes refines and expands the cultural meaning of being alone, stressing how loneliness can create beauty, empathy, and understanding. Reese analyzes a body of prose writings that includes Ralph Ellison?s Invisible Man and midcentury short fiction by James Baldwin, Julio Cortázar, Langston Hughes, and Eudora Welty. Alongside this vibrant tradition of jazz literature, Reese considers the autobiographies of Duke Ellington and Charles Mingus, as well as works by a range of contemporary writers including Geoff Dyer, Toni Morrison, Haruki Murakami, and Zadie Smith. Throughout, Blue Notes offers original perspectives on the disparate ways in which writers acknowledge the expansive side of loneliness, reimagining solitude through narratives of connected isolation., Jazz can be uplifting, stimulating, sensual, and spiritual. Yet when writers turn to this form of music, they almost always imagine it in terms of loneliness. In Blue Notes: Jazz, Literature, and Loneliness , Sam V. H. Reese investigates literary representations of jazz and the cultural narratives often associated with it, noting how they have, in turn, shaped readers' judgments and assumptions about the music. This illuminating critical study contemplates the relationship between jazz and literature from a perspective that musicians themselves regularly call upon to characterize their performances: that of the conversation. Reese traces the tradition of literary appropriations of jazz, both as subject matter and as aesthetic structure, in order to show how writers turn to this genre of music as an avenue for exploring aspects of human loneliness. In turn, jazz musicians have often looked to literature--sometimes obliquely, sometimes centrally--for inspiration. Reese devotes particular attention to how several revolutionary jazz artists used the written word as a way to express, in concrete terms, something their music could only allude to or affectively evoke. By analyzing these exchanges between music and literature, Blue Notes refines and expands the cultural meaning of being alone, stressing how loneliness can create beauty, empathy, and understanding. Reese analyzes a body of prose writings that includes Ralph Ellison's Invisible Man and midcentury short fiction by James Baldwin, Julio Cortázar, Langston Hughes, and Eudora Welty. Alongside this vibrant tradition of jazz literature, Reese considers the autobiographies of Duke Ellington and Charles Mingus, as well as works by a range of contemporary writers including Geoff Dyer, Toni Morrison, Haruki Murakami, and Zadie Smith. Throughout, Blue Notes offers original perspectives on the disparate ways in which writers acknowledge the expansive side of loneliness, reimagining solitude through narratives of connected isolation., Jazz can be uplifting, stimulating, sensual, and spiritual. Yet when writers turn to this form of music, they almost always imagine it in terms of loneliness. In Blue Notes: Jazz, Literature, and Loneliness , Sam V. H. Reese investigates literary representations of jazz and the cultural narratives often associated with it, noting how they have, in turn, shaped readers? judgments and assumptions about the music. This illuminating critical study contemplates the relationship between jazz and literature from a perspective that musicians themselves regularly call upon to characterize their performances: that of the conversation. Reese traces the tradition of literary appropriations of jazz, both as subject matter and as aesthetic structure, in order to show how writers turn to this genre of music as an avenue for exploring aspects of human loneliness. In turn, jazz musicians have often looked to literature?sometimes obliquely, sometimes centrally?for inspiration. Reese devotes particular attention to how several revolutionary jazz artists used the written word as a way to express, in concrete terms, something their music could only allude to or affectively evoke. By analyzing these exchanges between music and literature, Blue Notes refines and expands the cultural meaning of being alone, stressing how loneliness can create beauty, empathy, and understanding. Reese analyzes a body of prose writings that includes Ralph Ellison's Invisible Man and midcentury short fiction by James Baldwin, Julio Cort?zar, Langston Hughes, and Eudora Welty. Alongside this vibrant tradition of jazz literature, Reese considers the autobiographies of Duke Ellington and Charles Mingus, as well as works by a range of contemporary writers including Geoff Dyer, Toni Morrison, Haruki Murakami, and Zadie Smith. Throughout, Blue Notes offers original perspectives on the disparate ways in which writers acknowledge the expansive side of loneliness, reimagining solitude through narratives of connected isolation.
LC Classification Number
PN56.J38R44 2019
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- n***t (248)- 買家留下的信用評價。過去 1 個月購買已獲認證A great transaction! From start to finish! Thank-u!!! A++++!