第 1/1 張圖片
I Like to Watch : Arguing My Way Through the TV Revolution, Paperback by Nuss...
狀況：
庫存 5 件
運費：
所在地：Jessup, Maryland, 美國
送達日期：
估計於 6月26日, 三至 7月1日, 一之間送達 運送地點 43230
退貨：
保障：
請參閱物品說明或聯絡賣家以取得詳細資料。閱覽全部詳情查看保障詳情
（不符合「eBay 買家保障方案」資格）
物品細節
- 物品狀況
- 全新: 全新，未閱讀過和使用過的書籍，狀況完好，不存在缺頁或內頁受損。 查看所有物品狀況定義會在新視窗或分頁中開啟
- ISBN
- 9780525508984
- Book Title
- I like to Watch : Arguing My Way Through the TV Revolution
- Publisher
- Random House Publishing Group
- Item Length
- 7.9 in
- Publication Year
- 2020
- Format
- Picture Book
- Language
- English
- Item Height
- 0.8 in
- Genre
- Art, Performing Arts, Literary Collections
- Topic
- Television / History & Criticism, Art & Politics, Essays
- Item Weight
- 10.2 Oz
- Item Width
- 5.2 in
- Number of Pages
- 384 Pages
關於產品
Product Identifiers
Publisher
Random House Publishing Group
ISBN-10
0525508988
ISBN-13
9780525508984
eBay Product ID (ePID)
8050081543
Product Key Features
Book Title
I like to Watch : Arguing My Way Through the TV Revolution
Number of Pages
384 Pages
Language
English
Topic
Television / History & Criticism, Art & Politics, Essays
Publication Year
2020
Genre
Art, Performing Arts, Literary Collections
Format
Picture Book
Dimensions
Item Height
0.8 in
Item Weight
10.2 Oz
Item Length
7.9 in
Item Width
5.2 in
Additional Product Features
Intended Audience
Trade
LCCN
2018-055067
Reviews
"You'll be delighted. . . . Nussbaum's essay about men, art, and the #MeToo movement is alone worth the price of the book."-- The Washington Post "Sometimes I'll just be sitting around, reading something this woman's written, and I'll actually think, Why doesn't somebody just put all of Emily Nussbaum's writing into a book ? And now somebody has! Except I Like to Watch is more than I knew I wanted. It's got some of the Nussbaum hits (on The Sopranos, on Girls, on Joan Rivers, on Vanderpump Rules, for starters). But it's also more: a work of sustained philosophical argument (What is television?) and resonant personal reflection (What does fandom cost?). It's a book by a critic who loves an art form ardently and remains committed to both questioning the people who make the art and interrogating the ardor itself." --Wesley Morris, critic at large, The New York Times "Emily Nussbaum is the perfect critic--smart, engaging, funny, generous, and insightful. All of these talents are on display in this marvelous anthology of her essays on television. They illuminate the shows shaping our culture and the power of this flourishing art form." --David Grann, author of Killers of the Flower Moon "Taken together, the pieces in I Like to Watch form a searching, brilliant history of American attraction, repulsion, and fascination in the era of peak TV. The book assembles a picture, alive with rigor and pleasure, that only Nussbaum could paint of a medium that has risen and transformed into a high-culture institution that's also an ever-shifting experiment about scorn and anxiety and desire. We're lucky to have this record of it, as well as this casual reminder that criticism, at its very best, is an irreplaceable thrill." --Jia Tolentino, author of Trick Mirror "Some critics, even great ones, you read to agree or disagree with them, but Emily Nussbaum writing about television is something else again. As you read her, you can feel her enlarging your mind: not just what you think about the show at hand or television itself, but pop culture and our place inside it. Her fantastically smart work has always been a pleasure to read a week at a time; this book proves she's equally great to binge, and 'Confessions of the Human Shield,' a new essay on how to think about art in the time of #MeToo, is essential twenty-first-century reading." --Elizabeth McCracken, author of Bowlaway "Nussbaum has proven to be a shrewd, highly reliable source for evaluating this rapidly progressing medium. . . . Sharp, insightful writing that firmly positions Nussbaum as one of the leading TV critics of our time." -- Kirkus Reviews (starred review), "You'll be delighted. . . . Nussbaum's essay about men, art, and the MeToo movement is alone worth the price of the book."-- The Washington Post "Sometimes I'll just be sitting around, reading something this woman's written, and I'll actually think, Why doesn't somebody just put all of Emily Nussbaum's writing into a book ? And now somebody has! Except I Like to Watch is more than I knew I wanted. It's got some of the Nussbaum hits (on The Sopranos, on Girls, on Joan Rivers, on Vanderpump Rules, for starters). But it's also more: a work of sustained philosophical argument (What is television?) and resonant personal reflection (What does fandom cost?). It's a book by a critic who loves an art form ardently and remains committed to both questioning the people who make the art and interrogating the ardor itself." --Wesley Morris, critic at large, The New York Times "Emily Nussbaum is the perfect critic--smart, engaging, funny, generous, and insightful. All of these talents are on display in this marvelous anthology of her essays on television. They illuminate the shows shaping our culture and the power of this flourishing art form." --David Grann, author of Killers of the Flower Moon "Taken together, the pieces in I Like to Watch form a searching, brilliant history of American attraction, repulsion, and fascination in the era of peak TV. The book assembles a picture, alive with rigor and pleasure, that only Nussbaum could paint of a medium that has risen and transformed into a high-culture institution that's also an ever-shifting experiment about scorn and anxiety and desire. We're lucky to have this record of it, as well as this casual reminder that criticism, at its very best, is an irreplaceable thrill." --Jia Tolentino, author of Trick Mirror "Some critics, even great ones, you read to agree or disagree with them, but Emily Nussbaum writing about television is something else again. As you read her, you can feel her enlarging your mind: not just what you think about the show at hand or television itself, but pop culture and our place inside it. Her fantastically smart work has always been a pleasure to read a week at a time; this book proves she's equally great to binge, and 'Confessions of the Human Shield,' a new essay on how to think about art in the time of MeToo, is essential twenty-first-century reading." --Elizabeth McCracken, author of Bowlaway "Nussbaum has proven to be a shrewd, highly reliable source for evaluating this rapidly progressing medium. . . . Sharp, insightful writing that firmly positions Nussbaum as one of the leading TV critics of our time." -- Kirkus Reviews (starred review)
Synopsis
From The New Yorker 's fiercely original, Pulitzer Prize-winning culture critic, a provocative collection of new and previously published essays arguing that we are what we watch. "Emily Nussbaum is the perfect critic--smart, engaging, funny, generous, and insightful."--David Grann, author of Killers of the Flower Moon NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR - Chicago Tribune - Esquire - Library Journal - Kirkus Reviews From her creation of the "Approval Matrix" in New York magazine in 2004 to her Pulitzer Prize-winning columns for The New Yorker, Emily Nussbaum has argued for a new way of looking at TV. In this collection, including two never-before-published essays, Nussbaum writes about her passion for television, beginning with Buffy the Vampire Slayer, the show that set her on a fresh intellectual path. She explores the rise of the female screw-up, how fans warp the shows they love, the messy power of sexual violence on TV, and the year that jokes helped elect a reality-television president. There are three big profiles of television showrunners--Kenya Barris, Jenji Kohan, and Ryan Murphy--as well as examinations of the legacies of Norman Lear and Joan Rivers. The book also includes a major new essay written during the year of MeToo, wrestling with the question of what to do when the artist you love is a monster. More than a collection of reviews, the book makes a case for toppling the status anxiety that has long haunted the "idiot box," even as it transformed. Through it all, Nussbaum recounts her fervent search, over fifteen years, for a new kind of criticism, one that resists the false hierarchy that elevates one kind of culture (violent, dramatic, gritty) over another (joyful, funny, stylized). I Like to Watch traces her own struggle to punch through stifling notions of "prestige television," searching for a more expansive, more embracing vision of artistic ambition--one that acknowledges many types of beauty and complexity and opens to more varied voices. It's a book that celebrates television as television, even as each year warps the definition of just what that might mean. FINALIST FOR THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD FOR THE ART OF THE ESSAY "This collection, including some powerful new work, proves once and for all that there's no better American critic of anything than Emily Nussbaum. But I Like to Watch turns out to be even greater than the sum of its brilliant parts--it's the most incisive, intimate, entertaining, authoritative guide to the shows of this golden television age." --Kurt Andersen, author of Fantasyland "Reading Emily Nussbaum makes us smarter not just about what we watch, but about how we live, what we love, and who we are. I Like to Watch is a joy." --Rebecca Traister, From The New Yorker 's fiercely original, Pulitzer Prize-winning culture critic, a provocative collection of newand previously published essays arguing that we are what we watch. "Emily Nussbaum is the perfect critic-smart, engaging, funny, generous, and insightful."-David Grann, author of Killers of the Flower Moon NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR . Chicago Tribune . Esquire . Library Journal . Kirkus Reviews From her creation of the "Approval Matrix" in New York magazine in 2004 to her Pulitzer Prize-winning columns for The New Yorker, Emily Nussbaum has argued for a new way of looking at TV. In this collection, including two never-before-published essays, Nussbaum writes about her passion for television, beginning with Buffy the Vampire Slayer, the show that set her on a fresh intellectual path. She explores the rise of the female screw-up, how fans warp the shows they love, the messy power of sexual violence on TV, and the year that jokes helped elect a reality-television president. There are three big profiles of television showrunners-Kenya Barris, Jenji Kohan, and Ryan Murphy-as well as examinations of the legacies of Norman Lear and Joan Rivers. The book also includes a major new essay written during the year of MeToo, wrestling with the question of what to do when the artist you love is a monster. More than a collection of reviews, the book makes a case for toppling the status anxiety that has long haunted the "idiot box," even as it transformed. Through it all, Nussbaum recounts her fervent search, over fifteen years, for a new kind of criticism, one that resists the false hierarchy that elevates one kind of culture (violent, dramatic, gritty) over another (joyful, funny, stylized). I Like to Watch traces her own struggle to punch through stifling notions of "prestige television," searching for a more expansive, more embracing vision of artistic ambition-one that acknowledges many types of beauty and complexity and opens to more varied voices. It's a book that celebrates television as television, even as each year warps the definition of just what that might mean. FINALIST FOR THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD FOR THE ART OF THE ESSAY "This collection, including some powerful new work, proves once and for all that there's no better American critic of anything than Emily Nussbaum. But I Like to Watch turns out to be even greater than the sum of its brilliant parts-it's the mostincisive, intimate, entertaining, authoritative guide to the shows of this golden television age." -Kurt Andersen, author of Fantasyland "Reading Emily Nussbaum makes us smarter not just about what we watch, but about how we live, what we love, and who we are. I Like to Watch is a joy." -Rebecca Traister
LC Classification Number
PN1992.8.S4N87 2019
ebay_catalog_id
4
賣家提供的物品說明
運費與處理費
物品所在地：
Jessup, Maryland, 美國
運送地點
不丹, 中國, 中國台灣, 中國澳門, 中國香港, 丹麥, 亞塞拜疆共和國, 亞美尼亞, 以色列, 伯利茲, 佛得角群島, 保加利亞, 克羅地亞共和國, 冰島, 列支敦士登, 利比利亞, 剛果共和國, 剛果民主共和國, 加拿大, 加納, 加蓬共和國, 匈牙利, 南非, 南韓, 卡塔爾, 印尼, 印度, 危地馬拉, 厄瓜多爾, 厄立特里亞, 吉布提, 吉爾吉斯, 哈薩克, 哥倫比亞, 哥斯達黎加, 喀麥隆, 土庫斯安德凱科斯群島, 圭亞那, 坦桑尼亞, 埃及, 埃塞俄比亞, 基里巴斯, 塞內加爾, 塞拉利昂, 塞浦路斯, 塞爾維亞, 墨西哥, 多哥, 多明尼加共和國, 奧地利, 孟加拉, 安圭拉島, 安提瓜和巴布達, 安道爾, 尼加拉瓜, 尼日爾, 尼泊爾, 巴哈馬, 巴基斯坦, 巴布亞新畿內亞, 巴拉圭, 巴拿馬, 巴林, 布基納法索, 布隆迪, 希臘, 幾內亞, 幾內亞比索, 德國, 意大利, 愛沙尼亞, 愛爾蘭, 所羅門群島, 拉脫維亞, 挪威, 捷克共和國, 摩洛哥, 摩爾多瓦, 摩納哥, 斐濟, 斯洛伐克, 斯洛文尼亞, 斯里蘭卡, 新加坡, 日本, 智利, 柬埔寨, 格陵蘭, 格雷納達, 格魯吉亞, 梵蒂岡, 歐洲, 比利時, 汶萊, 波斯尼亞和黑塞哥維那, 波蘭, 泰國, 津巴布韋, 洪都拉斯, 海地, 湯加, 澳洲, 烏干達, 烏茲別克, 牙買加, 特里尼達和多巴哥, 玻利維亞, 瑙魯, 瑞典, 瑞士, 瓦利斯和富圖納群島, 瓦努阿圖, 甘比亞, 百慕達群島, 盧旺達, 盧森堡, 直布羅陀, 科威特, 科特迪瓦（象牙海岸）, 秘魯, 突尼斯, 立陶宛, 約旦, 納米比亞, 紐西蘭, 羅馬尼亞, 美洲, 聖基茨-尼維斯, 聖文森和格瑞那丁, 聖盧西亞, 聖馬力諾, 肯亞, 芬蘭, 英國, 茅利塔尼亞, 荷蘭, 莫桑比克, 菲律賓, 葡萄牙, 蒙古, 蒙特色拉特島, 薩爾瓦多, 蘇里南, 西班牙, 西薩摩亞, 貝寧, 贊比亞, 赤道幾內亞, 越南, 開曼群島, 阿富汗, 阿拉伯聯合酋長國, 阿曼, 阿根廷, 阿爾及利亞, 阿爾巴尼亞, 阿魯巴, 馬來西亞, 馬拉維, 馬爾代夫, 馬耳他, 馬達加斯加, 馬里, 黎巴嫩, 黑山
排除：
APO/FPO, 中非共和國, 乍德, 也門, 俄羅斯聯邦, 利比亞, 博茨瓦納, 土庫曼, 土耳其, 塔吉克, 塞舌爾, 委內瑞拉, 安哥拉, 寮國, 尼日利亞, 巴西, 巴貝多, 斯威士蘭, 新喀里多尼亞, 毛里求斯, 沙特阿拉伯, 法國, 法屬圭亞那, 法屬玻里尼西亞, 烏克蘭, 烏拉圭, 瓜德羅普島, 留尼汪島, 美國領地, 聖皮耶與密克隆群島, 萊索托, 馬其頓, 馬提尼克島
| 運費與處理費 | 每加一件物品 | 運送地點 | 運送方式 | 運送*查看送達備註 |
|---|---|---|---|---|
| 免運費 | 免費 | 美國 | Economy Shipping | 估計於 6月26日, 三至 7月1日, 一之間送達 運送地點 43230 |
| 處理時間 |
|---|
| 通常會在收到所有款項後的 4 個工作日內發貨。 |
| 稅項 |
|---|
| 賣家將對以下州別的買家收取銷售稅： |
物品編號 354956213553 的銷售稅
物品編號 354956213553 的銷售稅
賣家會對寄往以下各州的物品收取銷售稅：
| 州／省 | 銷售稅稅率 |
|---|
退貨政策
| 收到物品後聯絡賣家的期限： | 退款方式 |
|---|---|
| 14 日 | 退款 |
買家負責支付退貨運費。
賣家信用評價 （344,262）
i***i (3626)- 買家留下的信用評價。
過去 1 個月
購買已獲認證
great seller
f***1 (49)- 買家留下的信用評價。
過去 1 個月
購買已獲認證
Exactly as described. Received in excellent, perfect, exceptional brand new condition. Thank you!
n***4 (524)- 買家留下的信用評價。
過去 1 個月
購買已獲認證
Book was damaged in transit, but could have been packed more securely to avoid the damage. Seller paid for return shipping and refunded upon receipt.