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Gerry Mulligan 1950s Quartets, Paperback by Shipton, Alyn, Like New Used, Fre...
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- Book Title
- Gerry Mulligan 1950s Quartets
- ISBN
- 9780197579763
- Subject Area
- Music
- Publication Name
- Gerry Mulligan 1950s Quartets
- Publisher
- Oxford University Press, Incorporated
- Item Length
- 5.6 in
- Subject
- History & Criticism, Genres & Styles / Jazz
- Publication Year
- 2023
- Series
- Oxford Studies in Recorded Jazz Ser.
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.6 in
- Item Weight
- 11 Oz
- Item Width
- 8.3 in
- Number of Pages
- 264 Pages
關於產品
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0197579760
ISBN-13
9780197579763
eBay Product ID (ePID)
16058621370
Product Key Features
Number of Pages
264 Pages
Language
English
Publication Name
Gerry Mulligan 1950s Quartets
Publication Year
2023
Subject
History & Criticism, Genres & Styles / Jazz
Type
Textbook
Subject Area
Music
Series
Oxford Studies in Recorded Jazz Ser.
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
11 Oz
Item Length
5.6 in
Item Width
8.3 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2022-058189
TitleLeading
The
Dewey Edition
23/eng/20221212
Reviews
"Alyn Shipton has produced a well-researched, excellently detailed study of Mulligan's quartets. A very enjoyable read." -- Bill Crow, author of From Birdland to Broadway: Scenes from a Jazz Life and bassist in the Mulligan quartet "Mulligan's brainy but playful artistry gets the attention it deserves in this valuable study by Alyn Shipton. His writing teems with clear, meticulous scholarship, musical understanding, and a desire to make his subject appealing and accessible to everyone from casual jazz lovers to musicians. With Shipton's book in hand, readers will set forth on a beautiful voyage of discovery." -- James Gavin, award-winning music journalist and author of Deep in a Dream: The Long Night of Chet Baker "Highly recommended." -- Lance Liddle, bebop spoken here "With forensic attention to detail Alyn Shipton reveals fresh and original material about a group that created a totally new ensemble sound. Famously pianoless the quartet was dominated by Gerry Mulligan's baritone saxophone not only as a soloist but also as an accompanying voice. In his Preface, the author makes it clear to being "fascinated by Mulligan's playing, writing and band-leading" since his schooldays. The research he undertook in 2002 for a four-part series on Mulligan's music for BBC Radio 3 allowed him to meet many "musicians and associates from all periods of his career". His "comprehensive sweep through newspaper and magazine reports" uncovers much that is new in the quartet's evolution." -- Gordon Jack, The Jazz "Meticulously detailed but intensely readable analysis of the baritone sax giant's creative heyday." -- Ben Thompson, Mojo magazine "The book places Gerry Mulligan's 1950s pianoless quartet in its historical and musical context by a detailed discussion of its recordings." -- Gordon Jack, Jazz Profiles "This becomes the most useful book on Mulligan so far, and an appropriate celebration of his unique contribution." -- Brian Priestley, Jazzwise, "Alyn Shipton has produced a well-researched, excellently detailed study of Mulligan's quartets. A very enjoyable read." -- Bill Crow, author of From Birdland to Broadway: Scenes from a Jazz Life and bassist in the Mulligan quartet "Mulligan's brainy but playful artistry gets the attention it deserves in this valuable study by Alyn Shipton. His writing teems with clear, meticulous scholarship, musical understanding, and a desire to make his subject appealing and accessible to everyone from casual jazz lovers to musicians. With Shipton's book in hand, readers will set forth on a beautiful voyage of discovery." -- James Gavin, award-winning music journalist and author of Deep in a Dream: The Long Night of Chet Baker "Highly recommended." -- Lance Liddle, bebop spoken here "With forensic attention to detail Alyn Shipton reveals fresh and original material about a group that created a totally new ensemble sound. Famously pianoless the quartet was dominated by Gerry Mulligan's baritone saxophone not only as a soloist but also as an accompanying voice. In his Preface, the author makes it clear to being "fascinated by Mulligan's playing, writing and band-leading" since his schooldays. The research he undertook in 2002 for a four-part series on Mulligan's music for BBC Radio 3 allowed him to meet many "musicians and associates from all periods of his career". His "comprehensive sweep through newspaper and magazine reports" uncovers much that is new in the quartet's evolution." -- Gordon Jack, The Jazz "Meticulously detailed but intensely readable analysis of the baritone sax giant's creative heyday." -- Ben Thompson, Mojo magazine "The book places Gerry Mulligan's 1950s pianoless quartet in its historical and musical context by a detailed discussion of its recordings." -- Gordon Jack, Jazz Profiles, "Alyn Shipton has produced a well-researched, excellently detailed study of Mulligan's quartets. A very enjoyable read." -- Bill Crow, author of From Birdland to Broadway: Scenes from a Jazz Life and bassist in the Mulligan quartet "Mulligan's brainy but playful artistry gets the attention it deserves in this valuable study by Alyn Shipton. His writing teems with clear, meticulous scholarship, musical understanding, and a desire to make his subject appealing and accessible to everyone from casual jazz lovers to musicians. With Shipton's book in hand, readers will set forth on a beautiful voyage of discovery." -- James Gavin, award-winning music journalist and author of Deep in a Dream: The Long Night of Chet Baker, "Alyn Shipton has produced a well-researched, excellently detailed study of Mulligan's quartets. A very enjoyable read." -- Bill Crow, author of From Birdland to Broadway: Scenes from a Jazz Life and bassist in the Mulligan quartet"Mulligan's brainy but playful artistry gets the attention it deserves in this valuable study by Alyn Shipton. His writing teems with clear, meticulous scholarship, musical understanding, and a desire to make his subject appealing and accessible to everyone from casual jazz lovers to musicians. With Shipton's book in hand, readers will set forth on a beautiful voyage of discovery." -- James Gavin, award-winning music journalist and author of Deep in a Dream: The Long Night of Chet Baker"Highly recommended." -- Lance Liddle, bebop spoken here"With forensic attention to detail Alyn Shipton reveals fresh and original material about a group that created a totally new ensemble sound. Famously pianoless the quartet was dominated by Gerry Mulligan's baritone saxophone not only as a soloist but also as an accompanying voice. In his Preface, the author makes it clear to being "fascinated by Mulligan's playing, writing and band-leading" since his schooldays. The research he undertook in 2002 for a four-part series on Mulligan's music for BBC Radio 3 allowed him to meet many "musicians and associates from all periods of his career". His "comprehensive sweep through newspaper and magazine reports" uncovers much that is new in the quartet's evolution." -- Gordon Jack, The Jazz"Meticulously detailed but intensely readable analysis of the baritone sax giant's creative heyday." -- Ben Thompson, Mojo magazine"The book places Gerry Mulligan's 1950s pianoless quartet in its historical and musical context by a detailed discussion of its recordings." -- Gordon Jack, Jazz Profiles"This becomes the most useful book on Mulligan so far, and an appropriate celebration of his unique contribution." -- Brian Priestley, Jazzwise"A worthwhile addition to the literature on Gerry Mulligan and a valuable aid to understanding a transformative period of modern jazz." -- Ian Patterson, All About Jazz"The jazz world has not been blessed with many books about Gerry Mulligan that are commensurate with his stature as one of the most important jazz musicians and composers. Shipton's book is an exception: it is excellent and essential." -- Jack Kenny, Jazz Views, "Alyn Shipton has produced a well-researched, excellently detailed study of Mulligan's quartets. A very enjoyable read." -- Bill Crow, author of From Birdland to Broadway: Scenes from a Jazz Life and bassist in the Mulligan quartet"Mulligan's brainy but playful artistry gets the attention it deserves in this valuable study by Alyn Shipton. His writing teems with clear, meticulous scholarship, musical understanding, and a desire to make his subject appealing and accessible to everyone from casual jazz lovers to musicians. With Shipton's book in hand, readers will set forth on a beautiful voyage of discovery." -- James Gavin, award-winning music journalist and author of Deep in aDream: The Long Night of Chet Baker"Highly recommended." -- Lance Liddle, bebop spoken here"With forensic attention to detail Alyn Shipton reveals fresh and original material about a group that created a totally new ensemble sound. Famously pianoless the quartet was dominated by Gerry Mulligan's baritone saxophone not only as a soloist but also as an accompanying voice. In his Preface, the author makes it clear to being "fascinated by Mulligan's playing, writing and band-leading" since his schooldays. The research he undertook in 2002 for a four-partseries on Mulligan's music for BBC Radio 3 allowed him to meet many "musicians and associates from all periods of his career". His "comprehensive sweep through newspaper and magazine reports" uncoversmuch that is new in the quartet's evolution." -- Gordon Jack, The Jazz"Meticulously detailed but intensely readable analysis of the baritone sax giant's creative heyday." -- Ben Thompson, Mojo magazine"The book places Gerry Mulligan's 1950s pianoless quartet in its historical and musical context by a detailed discussion of its recordings." -- Gordon Jack, Jazz Profiles"This becomes the most useful book on Mulligan so far, and an appropriate celebration of his unique contribution." -- Brian Priestley, Jazzwise"A worthwhile addition to the literature on Gerry Mulligan and a valuable aid to understanding a transformative period of modern jazz." -- Ian Patterson, All About Jazz"The jazz world has not been blessed with many books about Gerry Mulligan that are commensurate with his stature as one of the most important jazz musicians and composers. Shipton's book is an exception: it is excellent and essential." -- Jack Kenny, Jazz Views, "Alyn Shipton has produced a well-researched, excellently detailed study of Mulligan's quartets. A very enjoyable read." -- Bill Crow, author of From Birdland to Broadway: Scenes from a Jazz Life and bassist in the Mulligan quartet "Mulligan's brainy but playful artistry gets the attention it deserves in this valuable study by Alyn Shipton. His writing teems with clear, meticulous scholarship, musical understanding, and a desire to make his subject appealing and accessible to everyone from casual jazz lovers to musicians. With Shipton's book in hand, readers will set forth on a beautiful voyage of discovery." -- James Gavin, award-winning music journalist and author of Deep in a Dream: The Long Night of Chet Baker "Highly recommended." -- Lance Liddle, bebop spoken here "With forensic attention to detail Alyn Shipton reveals fresh and original material about a group that created a totally new ensemble sound. Famously pianoless the quartet was dominated by Gerry Mulligan's baritone saxophone not only as a soloist but also as an accompanying voice. In his Preface, the author makes it clear to being "fascinated by Mulligan's playing, writing and band-leading" since his schooldays. The research he undertook in 2002 for a four-part series on Mulligan's music for BBC Radio 3 allowed him to meet many "musicians and associates from all periods of his career". His "comprehensive sweep through newspaper and magazine reports" uncovers much that is new in the quartet's evolution." -- Gordon Jack, The Jazz "Meticulously detailed but intensely readable analysis of the baritone sax giant's creative heyday." -- Ben Thompson, Mojo magazine "The book places Gerry Mulligan's 1950s pianoless quartet in its historical and musical context by a detailed discussion of its recordings." -- Gordon Jack, Jazz Profiles "This becomes the most useful book on Mulligan so far, and an appropriate celebration of his unique contribution." -- Brian Priestley, Jazzwise "A worthwhile addition to the literature on Gerry Mulligan and a valuable aid to understanding a transformative period of modern jazz." -- Ian Patterson, All About Jazz, "Alyn Shipton has produced a well-researched, excellently detailed study of Mulligan's quartets. A very enjoyable read." -- Bill Crow, author of From Birdland to Broadway: Scenes from a Jazz Life and bassist in the Mulligan quartet "Mulligan's brainy but playful artistry gets the attention it deserves in this valuable study by Alyn Shipton. His writing teems with clear, meticulous scholarship, musical understanding, and a desire to make his subject appealing and accessible to everyone from casual jazz lovers to musicians. With Shipton's book in hand, readers will set forth on a beautiful voyage of discovery." -- James Gavin, award-winning music journalist and author of Deep in a Dream: The Long Night of Chet Baker "Highly recommended." -- Lance Liddle, bebop spoken here, "Alyn Shipton has produced a well-researched, excellently detailed study of Mulligan's quartets. A very enjoyable read." -- Bill Crow, author of From Birdland to Broadway: Scenes from a Jazz Life and bassist in the Mulligan quartet "Mulligan's brainy but playful artistry gets the attention it deserves in this valuable study by Alyn Shipton. His writing teems with clear, meticulous scholarship, musical understanding, and a desire to make his subject appealing and accessible to everyone from casual jazz lovers to musicians. With Shipton's book in hand, readers will set forth on a beautiful voyage of discovery." -- James Gavin, award-winning music journalist and author of Deep in a Dream: The Long Night of Chet Baker "Highly recommended." -- Lance Liddle, bebop spoken here "With forensic attention to detail Alyn Shipton reveals fresh and original material about a group that created a totally new ensemble sound. Famously pianoless the quartet was dominated by Gerry Mulligan's baritone saxophone not only as a soloist but also as an accompanying voice. In his Preface, the author makes it clear to being "fascinated by Mulligan's playing, writing and band-leading" since his schooldays. The research he undertook in 2002 for a four-part series on Mulligan's music for BBC Radio 3 allowed him to meet many "musicians and associates from all periods of his career". His "comprehensive sweep through newspaper and magazine reports" uncovers much that is new in the quartet's evolution." -- Gordon Jack, The Jazz "Meticulously detailed but intensely readable analysis of the baritone sax giant's creative heyday." -- Ben Thompson, Mojo magazine "The book places Gerry Mulligan's 1950s pianoless quartet in its historical and musical context by a detailed discussion of its recordings." -- Gordon Jack, Jazz Profiles "This becomes the most useful book on Mulligan so far, and an appropriate celebration of his unique contribution." -- Brian Priestley, Jazzwise "A worthwhile addition to the literature on Gerry Mulligan and a valuable aid to understanding a transformative period of modern jazz." -- Ian Patterson, All About Jazz "The jazz world has not been blessed with many books about Gerry Mulligan that are commensurate with his stature as one of the most important jazz musicians and composers. Shipton's book is an exception: it is excellent and essential." -- Jack Kenny, Jazz Views
Illustrated
Yes
Dewey Decimal
788.7/165092 B
Table Of Content
Series Preface Preface Acknowledgments Chapter 1. Antecedents Chapter 2. The First Quartet, 1952 Chapter 3. The Second Quartet from 1954 Chapter 4. The Quartet with Art Farmer Chapter 5. The Aftermath and Legacy Discography Bibliography Index
Synopsis
The Gerry Mulligan Quartet, founded in Los Angeles in 1952, was widely acclaimed as the first small ensemble in jazz that did not include a chordal instrument such as a piano or guitar. Using original scores and detailed transcriptions of Mulligan's work, The Gerry Mulligan 1950s Quartets offers an intimate look at Mulligan's musical development from the initial quartet with Chet Baker to its successors with Bob Brookmeyer, Jon Eardley, and Art Farmer. The backdrop is an unparalleled account of his musical life from his teen- age years to adulthood, analyzing the ways in which his compositions and arrangements evolved through collaborations with Elliot Lawrence, Gene Krupa, and Claude Thornhill, culminating with Miles Davis's Birth of the Cool nonet. Featuring original interviews with many of Mulligan's associates, author Alyn Shipton presents a fresh take on Mulligan's harmonic creativity, in the process tracing the ups and downs of Mulligan's heroin addiction, imprisonment, sobriety, and eventual musical triumph., The Gerry Mulligan Quartet, founded in Los Angeles in 1952, was widely acclaimed as the first small ensemble in jazz that did not include a chordal instrument such as a piano or guitar. Using original scores and detailed transcriptions of Mulligan's work, The Gerry Mulligan 1950s Quartets offers an intimate look at Mulligan's musical development from the initial quartet with Chet Baker to its successors with Bob Brookmeyer, Jon Eardley, and Art Farmer. The backdrop is an unparalleled account of his musical life from his teenage years to adulthood, analyzing the ways in which his compositions and arrangements evolved through collaborations with Elliot Lawrence, Gene Krupa, and Claude Thornhill, culminating with Miles Davis's Birth of the Cool nonet. Featuring original interviews with many of Mulligan's associates, author Alyn Shipton presents a fresh take on Mulligan's harmonic creativity, in the process tracing the ups and downs of Mulligan's personal life, heroin addiction, imprisonment, and eventual musical triumph., Using original scores and detailed transcriptions of Mulligan's early work, The Gerry Mulligan 1950s Quartets offers an intimate look at Mulligan's musical development from his teenage years to adulthood, analyzing the ways in which his compositions and arrangements evolved through collaborations with Elliot Lawrence, Gene Krupa, and Claude Thornhill, culminating with Miles Davis's Birth of the Cool nonet.
LC Classification Number
ML419.M79S55 2023
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