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Old Crow Medicine Show Remedy (CD) Album
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- Title
- Remedy
- EAN
- 5414939714429
- Edition
- Album
- Release Date
- 30/06/2014
- No Of Discs
- 1
- MPN
- ATO0239CD
- UPC
- 5414939714429
- Artist
- Old Crow Medicine Show
- Format
- CD
- Record Label
- Ato (USA)
- Producer
- Ted Hutt
- Release Year
- 2014
- Release Title
- Remedy
- Style
- Bluegrass
- Run Time
- 42 Mins 53 Seconds
- Genre
- Country
關於產品
Product Identifiers
Producer
Ted Hutt
Record Label
Ato (USA)
UPC
5414939714429
eBay Product ID (ePID)
9050139577
Product Key Features
Artist
Old Crow Medicine Show
Format
CD
Release Year
2014
Style
Bluegrass
Release Title
Remedy
Run Time
42 Mins 53 Seconds
Genre
Country
Additional Product Features
Distribution
Universal Distribution
Number of Discs
1
Country/Region of Manufacture
USA
Additional information
Audio Mixers: Ryan Mall; Ted Hutt. Recording information: Blackbird Studio, Nashville, TN; Kingsize Soundlabs, Los Angeles, CA; Quad Recording Studios, Nashville, TN. Photographer: Andrea Behrends. Old Crow Medicine Show, Virginia's modern string band, has come a long way since 2006's self-titled debut album and breakout track "Wagon Wheel." Originally an unfinished Bob Dylan demo from the Pat Garrett & Billy the Kid sessions, it was completed by Ketcham Secor and has become a 21st century Americana standard. Produced by Ted Hutt, Remedy is the band's fifth album and most polished recording -- but that doesn't mean slick. The organic instrumentation that felt lacking on 2012's Carry Me Back returns here, with tighter arrangements, closer harmonies, and better dynamics. That thumping upright bass is mixed right up front with banjos, fiddles, and mandolins. Dylan sent them another demo -- from the same sessions that produced "Wagon Wheel" -- but "Sweet Amarillo" is a more formal co-write. Secor sent his finished version back to Dylan, who made further changes before it was recorded. This song is where Virginia mountain music meets Texas hill country-dancehall waltz. It's driven by an accordion with fiddles, bass, and snare upfront, as the banjo and guitars support the rhythm; it feels like something from the Basement Tapes. The rolling, rocking hillbilly blues in the humorous opener, "Brushy Mountain Conjugal Trailer," swaggers like something from the first half of Bringing It All Back Home with a dobro played in Josh Graves' or Ferrell Stowe's old-school style. The ragtime blues "Doc's Day" is a tribute to Doc Watson, translated through the inspiration of the Memphis Jug Band. "Cumberland River" is a stomping fiddle tune that weds reel to bluegrass to folk blues shuffle in a midtempo stomper. Bluegrass gets its own turn in "8 Dogs 8 Banjos" and "Tennessee Bound," the former, with its charging rhythm and banjo, reworks the sound of Flatt & Scruggs, while the latter, with its locked-on harmonies, careening fiddles, and mandolins is inspired by the Delmore Brothers. Yet OCMS put their own distinct, modern spin on both. This isn't your grandpa's bluegrass. The minor-key "Shit Creek," with its banjo breakdowns, is as adrenaline-drenched as the Bad Livers. "Brave Boys" is hardcore mountain music done with punk rock energy. "Sweet Home" fuses gospel to swing and old-timey fiddle music with layered vocal harmonies, amid banjo, bass, and fiddles in interplay. Remedy is not as raw or rough as earlier dates; that's to be expected and is welcome. This band has not only learned to play more confidently as a unit, they can now musically stretch to embrace even more early styles and weave them into their sound. Ambitious in its reach, Remedy keeps close to the ground in in its inspiration and execution. ~ Thom Jurek
Reviews
Rolling Stone - 3 stars out of 5 -- "On their eighth album, this roots-music party band still acts as if electricity was never invented." Paste (magazine) - "Prine's musicality is evoked in "Sweet Amarillo," the band's second co-write with Bob Dylan."
Engineer
Ryan Mall
Number of Audio Channels
Stereo
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增值稅識別編號:
- GB 864 1548 11
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