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Manhood, Marriage, & Mischief : Rembrandt's 'Night Watch' and Other Dutch Gro...
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所在地:Jessup, Maryland, 美國
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- ISBN
- 9780823225569
- Book Title
- Manhood, Marriage, and Mischief : Rembrandt's 'night Watch' and Other Dutch Group Portraits
- Item Length
- 9in
- Publisher
- Fordham University Press
- Publication Year
- 2006
- Format
- Hardcover
- Language
- English
- Item Height
- 0.6in
- Genre
- Art, Literary Criticism
- Topic
- Subjects & Themes / Portraits, European / General, European
- Item Width
- 8in
- Item Weight
- 23.5 Oz
- Number of Pages
- 192 Pages
關於產品
Product Information
A study of the theory and practice of seventeenth-century Dutch group portraits, Manhood, Marriage, and Mischief offers an account of the genre's comic and ironic features, which it treats as comments on the social context of portrait sitters who are husbands and householders as well as members of civic and proto-military organizations. The introduction picks out anomalous touches with which Rembrandt problematizes standard group-portrait motifs in The Night Watch: a shooter who fires his musket into the company; two girls who appear to be moving through the company in the wrong direction; guardsmen who appear to be paying little or no attention to their leader's enthusiastic gesture of command. Were the patrons and sitters aware of or even complicit in staging the anomalies? If not, did the painter get away with a subversive parody of militia portrait conventions at the sitters' expense? Parts One and Two respond to these questions at several levels: first, by analyzing the aesthetic structure of group portraiture as a genre; second, by reviewing the conflicting accounts modern scholars give of the civic guard company as an institution; third, by marking the effect on civic guardsmen of a mercantile economy that relied heavily on wives and mothers to keep the homefires burning. Two phenomena persistently recur in the portraits under discussion: competitive posing and performance anxiety. Part Three studies these phenomena in portraits of married couples and families. Finally, Part Four examines them in The Night Watch in the light of the first three parts. The result is an interpretation that reads Rembrandt's painting both as a deliberate parody by the sitters and as the artist's covert parody of the sitters.
Product Identifiers
Publisher
Fordham University Press
ISBN-10
0823225569
ISBN-13
9780823225569
eBay Product ID (ePID)
50339911
Product Key Features
Book Title
Manhood, Marriage, and Mischief : Rembrandt's 'night Watch' and Other Dutch Group Portraits
Format
Hardcover
Language
English
Topic
Subjects & Themes / Portraits, European / General, European
Publication Year
2006
Genre
Art, Literary Criticism
Number of Pages
192 Pages
Dimensions
Item Length
9in
Item Height
0.6in
Item Width
8in
Item Weight
23.5 Oz
Additional Product Features
Lc Classification Number
Nd1319.3.B47 2007
Edition Number
2
Reviews
Part crime-scene investigation, part learned rhapsody, Manhood, Marriage, and Mischief is the latest installment in Harry Berger's ongoing conversation with the richly enigmatic faces met in early modern visual and literary art. The book explores the simultaneously social, technological, and intellectual springs of early modern Dutch group portraits as seen through the lens of Rembrandt's Night Watch. The result is a dazzling display of rigor and wit, intelligence and grace, encyclopedic critical learning and unfailing humanity. Already perhaps our greatest close reader of Renaissance literature, Berger has now reinventedhimself as one of our most imaginative interpreters of early modern painting., "Berger is one of the few cultural critics able to offer a truly innovative view of Dutch portraiture." --Erika Naginski, MIT, Part crime-scene investigation, part learned rhapsody, Manhood, Marriage, and Mischief is the latest installment in Harry Berger's ongoing conversation with the richly enigmatic faces met in early modern visual and literary art. The book explores the simultaneously social, technological, and intellectual springs of early modern Dutch group portraits as seen through the lens of Rembrandt's Night Watch. The result is a dazzling display of rigor and wit, intelligence and grace, encyclopedic critical learning and unfailing humanity. Already perhaps our greatest close reader of Renaissance literature, Berger has now reinvented himself as one of our most imaginative interpreters of early modern painting. -----Christopher Braider, Brown University, In this study of the theory and practice of 17th-century Dutch group portraits, Berger defines and discusses the portrait as the record of an event., "Berger is one of the few cultural critics able to offer a truly innovative view of Dutch portraiture." -----Erika Naginski, MIT
Copyright Date
2006
Target Audience
Trade
Lccn
2006-038241
Dewey Decimal
757.09492/09032
Dewey Edition
22
Illustrated
Yes
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運費與處理費
物品所在地:
Jessup, Maryland, 美國
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