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Sound Tracks: Popular Music, Identity and Place by Frcp Connell, John, MD: New

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所在地:Sparks, Nevada, 美國
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Book Title
Sound Tracks: Popular Music, Identity and Place
Publication Date
2002-09-26
Pages
332
ISBN
9780415170284
Subject Area
Music, Social Science, Science
Publication Name
Sound Tracks : Popular Music Identity and Place
Publisher
Routledge
Item Length
9.2 in
Subject
Earth Sciences / Geography, Human Geography, Genres & Styles / Pop Vocal
Publication Year
2002
Series
Critical Geographies Ser.
Type
Textbook
Format
Uk-B Format Paperback
Language
English
Item Height
0.7 in
Author
Chris Gibson, John Connell
Item Weight
16.8 Oz
Item Width
6.1 in
Number of Pages
332 Pages

關於產品

Product Identifiers

Publisher
Routledge
ISBN-10
0415170281
ISBN-13
9780415170284
eBay Product ID (ePID)
1917182

Product Key Features

Number of Pages
332 Pages
Language
English
Publication Name
Sound Tracks : Popular Music Identity and Place
Publication Year
2002
Subject
Earth Sciences / Geography, Human Geography, Genres & Styles / Pop Vocal
Type
Textbook
Subject Area
Music, Social Science, Science
Author
Chris Gibson, John Connell
Series
Critical Geographies Ser.
Format
Uk-B Format Paperback

Dimensions

Item Height
0.7 in
Item Weight
16.8 Oz
Item Length
9.2 in
Item Width
6.1 in

Additional Product Features

Intended Audience
College Audience
LCCN
2002-068163
Dewey Edition
21
Reviews
'The book is impressive in scope, covering a broad range of music genres, styles and geographical places and reviewing an extensive body of work... It will become a central text for anyone interested in the study of music, place and space.' - Dr Sara Cohen, The Institute of Popular Music, University of Liverpool, UK 'Through Sound Tracks, John Connell and Chris Gibson should successfully lay to rest critics who argue that popular music does not warrant serious academic attention The book is wide-ranging, well-researched, and written with clarity. I would highly recommend it to students and researchers alike.' - Dr Lily Kong, Department of Geography, National University of Singapore
Illustrated
Yes
Dewey Decimal
781.63/09
Table Of Content
1. Into the music 2. Music and place: 'fixing' authenticity 3. Music and movement: overcoming space 4. The place of lyrics 5. Sounds and scenes: a place for music? 6. Music communities: national identity, ethnicity and place 7. New worlds: music from the margins? 8. A world of flows: music, mobility and transnational soundscapes 9. Aural architecture: the spaces of music 10. Marketing place: music and tourism 11. Terra Digitalia? Music, copyright and territory in the information age 12. The long and winding road
Synopsis
Sound Tracks is the first comprehensive book on the new geography of popular music, examining the complex links between places, music and cultural identities. It provides an interdisciplinary perspective on local, national and global scenes, from the 'Mersey' and 'Icelandic' sounds to 'world music', and explores the diverse meanings of music in a range of regional contexts. In a world of intensified globalisation, links between space, music and identity are increasingly tenuous, yet places give credibility to music, not least in the 'country', and music is commonly linked to place, as a stake to originality, a claim to tradition and as a marketing device. This book develops new perspectives on these relationships and how they are situated within cultural and geographical thought., Sound Trackstraces the relationships between music, space and identity from inner city 'scenes' to the music of nations, to give a wide-ranging perspective on popular music.
LC Classification Number
ML3918.P67C66 2002

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