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第 1/1 張圖片
History of Italian Renaissance Art: Painting, Sculpture, Architecture by Hartt
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- Book Title
- History of Italian Renaissance Art: Painting, Sculpture, Architec
- Publication Date
- 2006-04-01
- Edition Number
- 6
- Pages
- 736
- ISBN
- 9780131882478
- Subject Area
- Art
- Publication Name
- History of Italian Renaissance Art : Painting, Sculpture, Architecture
- Publisher
- Pearson Education
- Item Length
- 11.5 in
- Subject
- General, European, History / Renaissance
- Publication Year
- 2006
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 1.4 in
- Features
- Revised
- Item Weight
- 79.9 Oz
- Item Width
- 8.6 in
- Number of Pages
- 736 Pages
關於產品
Product Identifiers
Publisher
Pearson Education
ISBN-10
0131882473
ISBN-13
9780131882478
eBay Product ID (ePID)
50588993
Product Key Features
Number of Pages
736 Pages
Language
English
Publication Name
History of Italian Renaissance Art : Painting, Sculpture, Architecture
Publication Year
2006
Subject
General, European, History / Renaissance
Features
Revised
Type
Textbook
Subject Area
Art
Format
Trade Paperback
Dimensions
Item Height
1.4 in
Item Weight
79.9 Oz
Item Length
11.5 in
Item Width
8.6 in
Additional Product Features
Edition Number
6
Intended Audience
College Audience
LCCN
2005-055234
Dewey Edition
22
Illustrated
Yes
Dewey Decimal
709.45/09024
Edition Description
Revised edition
Synopsis
For survey courses in Italian Renaissance art. A broad survey of art and architecture in Italy between c. 1250 and 1600, this book approaches the works from the point of view of the artist as individual creator and as an expression of the city within which the artist was working. When Frederick Hartt's History of Italian Renaissance Art was first published more than forty years ago, it was a remarkable achievement. A large volume with dozens of color plates, it presented the story of Italian Renaissance art as it was appreciated and understood by one of the great scholars and teachers of the period. Professor Hartt revised and expanded the book twice before his death in 1991. In 1993, David G. Wilkins was invited to continue this process; the fourth edition was published in 1994. The fifth edition (2003) had color illustrations throughout the text and included new works chosen to enrich the story Professor Hartt had laid out more than thirty years earlier. Wilkins has maintained the integrity of the story that Hartt first told so enthusiastically. The basic organization of his text has been retained, and the great majority of the works illustrated are those he originally chose. Throughout the years, new works have been added due to the advice of thoughtful reviewers, students, and colleagues., The authors invite the reader to experience a rich artistic legacy in painting, sculpture and architecture. Through an engaging narrative complemented by a rich cascade of illustrations, they connect us with the remarkable artists whose innovations and visions shaped the Renaissance., This book focuses on works of art, their creators, and the circumstances affecting their creation. This revision is designed to provide readers with a more streamlined approach to understanding Italian Renaissance art without losing the enthusiasm and appreciation that Hartt demonstrated for this area and which earlier editions of this book conveyed so successfully. Italy and Italian Art; Duecento Art in Tuscany and Rome; Florentine Art of the Early Trecento; Sienese Art of the Early Trecento; Later Gothic Art in Tuscany and Northern Italy; The Beginnings of Renaissance Architecture; Gothic and Renaissance in Tuscan Sculpture; Gothic and Renaissance in Florentine Painting; The Heritage of Masaccio and the Second Renaissance Style; The Second Renaissance Style in Architecture and Sculpture; Absolute and Perfect Painting: The Second Renaissance Style; Crisis and Crosscurrents; Science, Poetry, and Prose; The Renaissance in Central Italy; Gothic and Renaissance in Venice and Northern Italy; The High Renaissance in Florence; The High Renaissance in Rome; High Renaissance and Mannerism; High and Late Renaissance in Venice and on the Mainland; Michelangelo and the Maniera.
LC Classification Number
N6915.H37 2006
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