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Viewpoints : Mathematical Perspective and Fractal Geometry in Art, Hardcover ...

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“May show signs of wear, highlighting, writing, and previous use. This item may be a former library ...
Book Title
Viewpoints : Mathematical Perspective and Fractal Geometry in Art
ISBN
9780691125923
Publication Year
2011
Type
Textbook
Format
Hardcover
Language
English
Publication Name
Viewpoints : Mathematical Perspective and Fractal Geometry in Art
Item Height
0.9in
Author
Marc Frantz, Annalisa Crannell
Item Length
10.3in
Publisher
Princeton University Press
Item Width
8.4in
Item Weight
28 Oz
Number of Pages
248 Pages

關於產品

Product Information

Suitable for students of all mathematics and art levels, this title focuses on two mathematical areas: perspective related to drawing man-made forms and fractal geometry related to drawing natural forms. It encourages experimentation and collaboration, and captures the essence of artistic and mathematical creation and discovery.

Product Identifiers

Publisher
Princeton University Press
ISBN-10
0691125929
ISBN-13
9780691125923
eBay Product ID (ePID)
99697447

Product Key Features

Author
Marc Frantz, Annalisa Crannell
Publication Name
Viewpoints : Mathematical Perspective and Fractal Geometry in Art
Format
Hardcover
Language
English
Publication Year
2011
Type
Textbook
Number of Pages
248 Pages

Dimensions

Item Length
10.3in
Item Height
0.9in
Item Width
8.4in
Item Weight
28 Oz

Additional Product Features

Lc Classification Number
Nc750
Reviews
"This practical, hands-on, and significant book makes clear the connections between mathematics and art, and demonstrates why artists need to know mathematics. Viewpoints appeals to students' visual intuition and engages their imaginations in a fresh way." --Barbara E. Reynolds, SDS, coauthor of College Geometry: Using the Geometer's Sketchpad, "[T]his is an excellent text that I will certainly consider using for a future class. The material on perspective is accessible, thorough and well-written, and the text is designed for a hands-on pedagogy that is well-suited to the intended audience. And as an elementary, but thorough, discussion of both the mathematics and practice of perspective drawing, it deserves a place in any collection of books on mathematics and the arts."-- Blake Mellor, Journal of Mathematics and the Arts, The writing is extremely clear, the material is fresh, and the many excellent diagrams clarify the ideas under discussion. The authors use relevant artwork to illustrate the mathematical principles. . . . The exercises are original and promote active learning. . . . This is an excellent work for academic curricula and an outstanding resource for self-study in mathematical perspective, fractals, and the relationship between art and mathematics., [T]his is an excellent text that I will certainly consider using for a future class. The material on perspective is accessible, thorough and well-written, and the text is designed for a hands-on pedagogy that is well-suited to the intended audience. And as an elementary, but thorough, discussion of both the mathematics and practice of perspective drawing, it deserves a place in any collection of books on mathematics and the arts. ---Blake Mellor, Journal of Mathematics and the Arts, "This is not a book to read passively and, indeed, you will want to read this book with a pencil in hand. The text is designed to be experienced first hand, sketching out examples whilst following the text, as well as doing the exercises at the end of each chapter that develop the material well. . . . Prerequisites for this book are a minimum, effectively being an understanding of basic coordinate geometry. I would recommend this book to anyone who is interested in the interplay between mathematics and art." --George Matthews, Mathematics Today, "The book goes a long way trying to convey to its audience--through both theory and practice--professional techniques that could not fail but empower students to make accurate, sophisticated drawings. The book presents an elegant fusion of mathematical ideas and practical aspects of fine art." -- Cut the Knot, "[T]his is an excellent text that I will certainly consider using for a future class. The material on perspective is accessible, thorough and well-written, and the text is designed for a hands-on pedagogy that is well-suited to the intended audience. And as an elementary, but thorough, discussion of both the mathematics and practice of perspective drawing, it deserves a place in any collection of books on mathematics and the arts." --Blake Mellor, Journal of Mathematics and the Arts, "This entire book is a thing of beauty: the mathematics, the visual art, the writing, the exercises, and the organization. The authors' passion and excitement for their subject matter is apparent on every page. I am in awe." --Robert Bosch, Oberlin College, [T]his is an excellent text that I will certainly consider using for a future class. The material on perspective is accessible, thorough and well-written, and the text is designed for a hands-on pedagogy that is well-suited to the intended audience. And as an elementary, but thorough, discussion of both the mathematics and practice of perspective drawing, it deserves a place in any collection of books on mathematics and the arts. -- Blake Mellor, Journal of Mathematics and the Arts, This is not a book to read passively and, indeed, you will want to read this book with a pencil in hand. The text is designed to be experienced first hand, sketching out examples whilst following the text, as well as doing the exercises at the end of each chapter that develop the material well. . . . Prerequisites for this book are a minimum, effectively being an understanding of basic coordinate geometry. I would recommend this book to anyone who is interested in the interplay between mathematics and art. ---George Matthews, Mathematics Today, The writing is extremely clear, the material is fresh, and the many excellent diagrams clarify the ideas under discussion. The authors use relevant artwork to illustrate the mathematical principles. . . . The exercises are original and promote active learning. . . . This is an excellent work for academic curricula and an outstanding resource for self-study in mathematical perspective, fractals, and the relationship between art and mathematics. -- Choice, "The book's emphasis on a workshop approach is good and the authors offer rich insights and teaching tips. The inclusion of work by contemporary artists--and the discussion of the mathematics related to their work--is excellent. This will be a useful addition to the sparse literature on mathematics and art that is currently available for classroom use." --Doris Schattschneider, author of M. C. Escher: Visions of Symmetry, [T]his is an excellent text that I will certainly consider using for a future class. The material on perspective is accessible, thorough and well-written, and the text is designed for a hands-on pedagogy that is well-suited to the intended audience. And as an elementary, but thorough, discussion of both the mathematics and practice of perspective drawing, it deserves a place in any collection of books on mathematics and the arts., "The book goes a long way trying to convey to its audience--through both theory and practice--professional techniques that could not fail but empower students to make accurate, sophisticated drawings. The book presents an elegant fusion of mathematical ideas and practical aspects of fine art."-- Cut the Knot, "The writing is extremely clear, the material is fresh, and the many excellent diagrams clarify the ideas under discussion. The authors use relevant artwork to illustrate the mathematical principles. . . . The exercises are original and promote active learning. . . . This is an excellent work for academic curricula and an outstanding resource for self-study in mathematical perspective, fractals, and the relationship between art and mathematics." -- Choice, "This is not a book to read passively and, indeed, you will want to read this book with a pencil in hand. The text is designed to be experienced first hand, sketching out examples whilst following the text, as well as doing the exercises at the end of each chapter that develop the material well. . . . Prerequisites for this book are a minimum, effectively being an understanding of basic coordinate geometry. I would recommend this book to anyone who is interested in the interplay between mathematics and art."-- George Matthews, Mathematics Today, "Concentrating on perspective and fractal geometry's relationship to art, this well-organized book is distinct from others on the market. The mathematics is not sold to art students as an academic exercise, but as a practical solution to problems they encounter in their own artistic projects. I have no doubt there will be strong interest in this book." --Richard Taylor, University of Oregon, The book goes a long way trying to convey to its audience--through both theory and practice--professional techniques that could not fail but empower students to make accurate, sophisticated drawings. The book presents an elegant fusion of mathematical ideas and practical aspects of fine art. -- Cut the Knot, "The writing is extremely clear, the material is fresh, and the many excellent diagrams clarify the ideas under discussion. The authors use relevant artwork to illustrate the mathematical principles. . . . The exercises are original and promote active learning. . . . This is an excellent work for academic curricula and an outstanding resource for self-study in mathematical perspective, fractals, and the relationship between art and mathematics."-- Choice, The book goes a long way trying to convey to its audience--through both theory and practice--professional techniques that could not fail but empower students to make accurate, sophisticated drawings. The book presents an elegant fusion of mathematical ideas and practical aspects of fine art.
Copyright Date
2011
Topic
Techniques / General, Geometry / General, General, Applied
Lccn
2010-053315
Dewey Decimal
742.01/51
Intended Audience
College Audience
Dewey Edition
22
Illustrated
Yes
Genre
Art, Mathematics

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