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Body as Instrument: Performing with Gestural Systems in Live Electronic Music by
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- ISBN-13
- 9781501368547
- Book Title
- Body as Instrument
- ISBN
- 9781501368547
- Publication Year
- 2022
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Publication Name
- Body As Instrument : Performing with Gestural Systems in Live Electronic Music
- Item Height
- 0.6in
- Item Length
- 9in
- Publisher
- Bloomsbury Publishing
- Item Width
- 6in
- Item Weight
- 17.1 Oz
- Number of Pages
- 232 Pages
關於產品
Product Information
Body as Instrument explores how musicians interact with movement-controlled performance systems, producing sounds imbued with their individual physical signature. Using motion tracking technology, performers can translate physical actions into sonic processes, creating or adapting novel gestural systems that transcend the structures and constraints of conventional musical instruments. Interviews with influential artists in the field, Laetitia Sonami, Atau Tanaka, Pamela Z, Julie Wilson-Bokowiec, Lauren Sarah Hayes, Mark Coniglio, Garth Paine and The Bent Leather Band expose the transformational impact of motion sensors on musicians' body awareness and abilities. Coupled with reflection on author-composed works, the book analyses how the body as instrument metaphor informs relationships between performers, their bodies and self-designed instruments. It also examines the role of experiential design strategies in developing robust and nuanced gestural systems that mirror a performer's movement habits, preferences and skills, inspiring new physical forms of musical communication and diverse musical repertoire.
Product Identifiers
Publisher
Bloomsbury Publishing
ISBN-10
1501368540
ISBN-13
9781501368547
eBay Product ID (ePID)
20050406327
Product Key Features
Publication Name
Body As Instrument : Performing with Gestural Systems in Live Electronic Music
Format
Hardcover
Language
English
Publication Year
2022
Type
Textbook
Number of Pages
232 Pages
Dimensions
Item Length
9in
Item Height
0.6in
Item Width
6in
Item Weight
17.1 Oz
Additional Product Features
Lc Classification Number
Ml1092.M24 2022
Reviews
"This book makes an important contribution to embodied cognition which Mary Mainsbridge brings to life through the experiences of practicing artists and designers. Readers eyes are opened to the rich seams of new knowledge embedded in the body as an expressive instrument coupled with a rigorous exposition of the philosophical, historical and technological foundations of this interdisciplinary field. All practitioners and researchers working with creative technologies will find it an invaluable source of ideas and inspiration." - Linda Candy, independent scholar, author of The Creative Reflective Practitioner: Research Through Making and Practice (2020) "This book tells us how musicians turn electronic devices into a creative potential for music making, using bodily response and gesturing as a key ingredient of their expression. I really enjoyed this insider-perspective about the human value of music in our booming techno-culture." - Marc Leman, Methusalem research professor in Systematic Musicology and director of the Institute for Psychoacoustics and Electronic Music (IPEM), Ghent University, Belgium "With Body as Instrument Mary Mainsbridge makes an important contribution to the somatic approach to HCI, discussing musical instrument design and dance performance. This is done not only through interviews and studies of many pioneers and innovators in the field, but also and most importantly through her own experiences and practice of using the body as a performative instrument in a spatial interaction paradigm. Highly relevant!" - Bert Bongers, Associate Professor and founder of the Interactivation Studio, Faculty of Design, Architecture and Building, University of Technology Sydney, Australia, With Body as Instrument Mary Mainsbridge makes an important contribution to the somatic approach to HCI, discussing musical instrument design and dance performance. This is done not only through interviews and studies of many pioneers and innovators in the field, but also and most importantly through her own experiences and practice of using the body as a performative instrument in a spatial interaction paradigm. Highly relevant!, This book tells us how musicians turn electronic devices into a creative potential for music making, using bodily response and gesturing as a key ingredient of their expression. I really enjoyed this insider-perspective about the human value of music in our booming techno-culture., This book makes an important contribution to embodied cognition which Mary Mainsbridge brings to life through the experiences of practicing artists and designers. Readers eyes are opened to the rich seams of new knowledge embedded in the body as an expressive instrument coupled with a rigorous exposition of the philosophical, historical and technological foundations of this interdisciplinary field. All practitioners and researchers working with creative technologies will find it an invaluable source of ideas and inspiration.
Table of Content
List of Figures Acknowledgements Introduction Part 1: Invisible Instruments1. Gestural Systems for Musical Performance2. Design ApproachesPart 2: Performer Approaches3. Laetitia Sonami4. Atau Tanaka5. Vocal and Breath-based Gestural Systems6. Pamela Z7. Julie Wilson-Bokowiec8. Lauren Sarah Hayes9. Bent Leather Band10. Design Reflections11. Mark Coniglio12. Garth Paine13. Intangible Spaces Part 3: Synergy and Transformation14. Expanding Agency15. Reimagining Identity References Author Index Subject Index
Target Audience
Scholarly & Professional
Topic
History & Criticism, Instruction & Study / Techniques, Musical Instruments / General, Acoustics & Sound
Lccn
2021-040176
Dewey Decimal
786.7/1923
Dewey Edition
23
Illustrated
Yes
Genre
Technology & Engineering, Music
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Not a beginners book for banjo, more like a history/ information book
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