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Lost Lagoon Lost in Thought : Prose Poems, Paperback by Warland, Betsy, Like ...
US $18.11
大約HK$ 141.08
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- 物品狀況
- 很新: 狀況完好的書籍。封面發亮且沒有損壞，精裝本書籍含書皮。不存在缺頁或內頁受損，無褶皺或破損，同時也沒有對文字標注/標記，或在留白處書寫內容。內封面上標記極少。書籍的磨損和破損程度也很低。 查看所有物品狀況定義會在新視窗或分頁中開啟
- ISBN
- 9781773860251
- Book Title
- Lost Lagoon / Lost in Thought : Poems
- Publisher
- Caitlin Press, Incorporated
- Item Length
- 8 in
- Publication Year
- 2020
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.3 in
- Genre
- Poetry
- Topic
- Canadian, Subjects & Themes / Nature, Subjects & Themes / Places
- Item Weight
- 4.7 Oz
- Item Width
- 5.5 in
- Number of Pages
- 208 Pages
關於產品
Product Identifiers
Publisher
Caitlin Press, Incorporated
ISBN-10
1773860259
ISBN-13
9781773860251
eBay Product ID (ePID)
5038558802
Product Key Features
Book Title
Lost Lagoon / Lost in Thought : Poems
Number of Pages
208 Pages
Language
English
Topic
Canadian, Subjects & Themes / Nature, Subjects & Themes / Places
Publication Year
2020
Genre
Poetry
Format
Trade Paperback
Dimensions
Item Height
0.3 in
Item Weight
4.7 Oz
Item Length
8 in
Item Width
5.5 in
Additional Product Features
Intended Audience
Trade
Reviews
?A soliloquy on life and loss by a poet who has become attuned to the natural world, specifically the microcosm of Lost Lagoon in Vancouver, and its ecosystem. Warland?s Lost Lagoon is an artistic affirmation of the sacred but humble space humans occupy in the cosmos, and of the magical reciprocity a human can establish with the flora, fauna and physical world around her. Lost Lagoon is a stunningly beautiful work.??Darrel J. McLeod, author of Governor General Award?winning MAMASKATCH
Synopsis
After moving to Vancouver's West End in 2014, The Human is drawn to a small body of water called Lost Lagoon in Stanley Park. Daytime visits, with a surprising array of wildlife, are quietly revelatory; but so is suddenly waking in the night when owl hoots, or geese startle in alarm at otter on the prowl. The Human savors this up-close relationship between wildlife and fast-paced urban living, questioning the interface between the urban and natural world.Upon learning the lagoon was named by nineteenth-century Canadian author E. Pauline Johnson, of Mohawk and English origin, Johnson then becomes a presence in the narrative. Pauline Johnson wrote evocatively about it: "Among the wild rice in the still lagoon/In monotone the lizard shrills his tune."During five years of intimate counterpoint between urban living and wildlife, The Human's notions are challenged and altered. Questions of how significant the specificity of place is to story, how our relationship to nature is altered by urban living, and how we might return to the natural world. Reminiscent of Henry Thoreau's Walden Pond, perceptions about nurturing, fear, inventiveness, delight, death, protection, humor, even tenderness change as the lagoon has exposed what being human in the twenty-first century actually means., After moving to Vancouver's West End in 2014, The Human is drawn to a small body of water called Lost Lagoon in Stanley Park. Daytime visits, with a surprising array of wildlife, are quietly revelatory; but so is suddenly waking in the night when owl hoots, or geese startle in alarm at otter on the prowl. The Human savors this up-close relationship between wildlife and fast-paced urban living, questioning the interface between the urban and natural world. Upon learning the lagoon was named by nineteenth-century Canadian author E. Pauline Johnson, of Mohawk and English origin, Johnson then becomes a presence in the narrative. Pauline Johnson wrote evocatively about it: "Among the wild rice in the still lagoon/In monotone the lizard shrills his tune." During five years of intimate counterpoint between urban living and wildlife, The Human's notions are challenged and altered. Questions of how significant the specificity of place is to story, how our relationship to nature is altered by urban living, and how we might return to the natural world. Reminiscent of Henry Thoreau's Walden Pond, perceptions about nurturing, fear, inventiveness, delight, death, protection, humor, even tenderness change as the lagoon has exposed what being human in the twenty-first century actually means., In her trademark lyric prose, Warland's roving observations in and around Lost Lagoon offer insights into the nature of narrative and narratives of nature within an urban environment., After moving to Vancouver's West End in 2014, The Human is drawn to a small body of water called Lost Lagoon in Stanley Park. Daytime visits, with a surprising array of wildlife, are quietly revelatory; but so is suddenly waking in the night when owl hoots, or geese startle in alarm at otter on the prowl. The Human savours this up-close relationship between wildlife and fast-paced urban living, questioning the interface between the urban and natural world. Upon learning the lagoon was named by nineteenth century Canadian author E. Pauline Johnson, of Mohawk and English origin, Johnson then becomes a presence in the narrative. Pauline Johnson wrote evocatively about it: "Among the wild rice in the still lagoon/In monotone the lizard shrills his tune."During five years of intimate counterpoint between urban living and wildlife, The Human's notions are challenged and altered. Questions of how significant the specificity of place is to story, how our relationship to nature is altered by urban living, and how we might return to the natural world. Reminiscent of Henry Thoreau's WALDEN POND, perceptions about nurturing, fear, inventiveness, delight, death, protection, humour, even tenderness change as the lagoon has exposed what being human in the twenty-first century actually means.
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