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Writing the Hamat'sa : Ethnography, Colonialism, and the Cannibal Dance, Pape...
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- Book Title
- Writing the Hamat'sa : Ethnography, Colonialism, and the Cannibal
- ISBN
- 9780774863780
- Subject Area
- Social Science, History
- Publication Name
- Writing the Hamat'sa : Ethnography, Colonialism, and the Cannibal Dance
- Publisher
- University of British Columbia Press
- Item Length
- 8.9 in
- Subject
- Canada / General, Indigenous Studies, Anthropology / Cultural & Social, Customs & Traditions
- Publication Year
- 2022
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 1.3 in
- Item Weight
- 26.9 Oz
- Item Width
- 6 in
- Number of Pages
- 512 Pages
關於產品
Product Identifiers
Publisher
University of British Columbia Press
ISBN-10
0774863781
ISBN-13
9780774863780
eBay Product ID (ePID)
12057238600
Product Key Features
Number of Pages
512 Pages
Language
English
Publication Name
Writing the Hamat'sa : Ethnography, Colonialism, and the Cannibal Dance
Subject
Canada / General, Indigenous Studies, Anthropology / Cultural & Social, Customs & Traditions
Publication Year
2022
Type
Textbook
Subject Area
Social Science, History
Format
Trade Paperback
Dimensions
Item Height
1.3 in
Item Weight
26.9 Oz
Item Length
8.9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
Reviews
Writing the Hamatsa incorporates probably every single text ever published on what is famously known as the Cannibal Dance. This is one of the best contributions to Northwest Coast anthropology, to the history of anthropology, and to Franz Boas's rendition of ethnographic data available today., Aaron Glass has produced an important book in Writing the Hamat'sa: Ethnography, Colonialism, and the Cannibal Dance . The text serves not only as an eye-opening piece of research into the past but communicates a theme that affects us still today. Perceptions from biased outsiders toward cultures can and do affect legislation, public perceptions, and social stresses for communities., Aaron Glass explores the multifaceted history of the Hamatsa dance from an intercultural, intertextual viewpoint, demonstrating how it has circulated in various contexts for more than a century. This extraordinary work is fundamentally an ethnography of anthropology itself.
Dewey Edition
23
Afterword by
Everson / Tanis, Andy
Dewey Decimal
971.1004/97953
Table Of Content
Foreword / Chief William Cranmer/Tllakwagila (Namgis Nation) Prologue: Points of Arrival and Departure Introduction: From Writing Culture to the Intercultural History of Ethnography 1 A Complex Cannibal: Colonialism, Modernity and the Hamatsa 2 Discursive Cannibals:The Textual Dynamics of Settler Colonialism, 1786-1893 3 The Foundations of All Future Researches: The Work of Franz Boas and George Hunt, 1886-1966 4 Reading, Rewriting, and Writing Against: Changing Anthropological Theory, 1896-1997 5 From Index to Icon: (Auto)Biography and Popular Culture, 1941-2012 6 Reading Culture, Consuming Ethnography Afterword: Between This World and That / Andy Everson/Tanis (Kómoks Nation) Appendices Glossary Notes; References; Index
Synopsis
Long known as the Cannibal Dance, the Hamatsa is among the most important hereditary prerogatives of the Kwakwakawakw of British Columbia. In the late nineteenth century, as anthropologists arrived to document the practice, colonial agents were pursuing its eradication and Kwakwakawakw were adapting it to endure. In the process, the dance - with dramatic choreography, magnificent bird masks, and an aura of cannibalism - entered a vast library of ethnographic texts. Writing the Hamatsa offers a critical survey of attempts to record, describe, and interpret the dance over four centuries. Going beyond postcolonial critiques of representation that often ignore Indigenous agency in the ethnographic encounter, Writing the Hamatsa focuses on forms of textual mediation and Indigenous response that helped transofrm the ceremony from a set of specific performances into a generalized cultural icon. This meticulous work illuminates how Indigenous people contribute to, contest, and repurpose texts in the process of fashioning modern identities under settler colonialism., Writing the Hamatsa critically surveys more than two centuries worth of published, archival, and oral sources to trace the attempted prohibition, intercultural mediation, and ultimate survival of one of Canada's most iconic Indigenous ceremonies., An exploration of the Hamatsa, a ritual dance of the Kwakwaka'wakw people of British Columbia. Despite settler attempts to eradicate the Hamat'sa, the "cannibal dance" remains an important prerogative of the Kwakwaka'wakw people. While generations of anthropologists sought to document the ceremony's past, the Kwakwaka'wakw adapted and preserved its dramatic choreography and magnificent bird masks for the future. Writing the Hamat'sa offers a critical survey of efforts to record and interpret the ritual over the past four centuries. Drawing on close, contextualized reading of published texts, extensive archival research, and fieldwork, Aaron Glass goes beyond postcolonial critiques that often ignore Indigenous agency to show how the Kwakwaka'wakw have responded to an ethnographic legacy that helped transform specific performances into a broad cultural icon. The result is a fascinating study of how Indigenous peoples both contribute to and repurpose texts to shape modern identities under settler colonialism.
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