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Storyboarding Essentials : SCAD Creative Essentials (How to Translate Your Story

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所在地:Canton, Michigan, 美國
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ISBN
9780770436940
Book Title
Storyboarding Essentials : SCAD Creative Essentials (How to Translate Your Story to the Screen for Film, TV, and Other Media)
Item Length
10.8 in
Publisher
Potter/Ten SPEED/Harmony/Rodale
Publication Year
2013
Format
Trade Paperback
Language
English
Illustrator
Yes
Item Height
0.5 in
Author
David Harland Rousseau, Benjamin Reid Phillips
Genre
Art, Performing Arts
Topic
Techniques / General, Reference, Film / Direction & Production, Film & Video
Item Width
8.5 in
Item Weight
27.4 Oz
Number of Pages
192 Pages

關於產品

Product Information

A comprehensive guide to visual storytelling from Savannah College of Art and Design (SCAD), one of the world's leaders in sequential arts instruction. Storyboarding is the process of graphically organizing a project--a motion picture, animation, motion graphic, or interactive media sequence--in order to translate artists' ideas from story to screen. Whether you're a filmmaker, animator, ad director, writer, or video-game artist--storyboarding is a skill that is absolutely critical. Storyboarding Essentials covers everything students and working professionals need to master the art of writing and formatting scripts, creating frames, and following visual logic to create a cohesive narrative.

Product Identifiers

Publisher
Potter/Ten SPEED/Harmony/Rodale
ISBN-10
0770436943
ISBN-13
9780770436940
eBay Product ID (ePID)
154408163

Product Key Features

Book Title
Storyboarding Essentials : SCAD Creative Essentials (How to Translate Your Story to the Screen for Film, TV, and Other Media)
Author
David Harland Rousseau, Benjamin Reid Phillips
Format
Trade Paperback
Language
English
Topic
Techniques / General, Reference, Film / Direction & Production, Film & Video
Publication Year
2013
Illustrator
Yes
Genre
Art, Performing Arts
Number of Pages
192 Pages

Dimensions

Item Length
10.8 in
Item Height
0.5 in
Item Width
8.5 in
Item Weight
27.4 Oz

Additional Product Features

Intended Audience
Trade
Lc Classification Number
Pn1995.9.P7r655 2013
Table of Content
Contents Foreword, by Stratton Leopold Introduction 1. What Is Storyboarding? The Types of Storyboards A Visual Road Map 2. Interpreting the Written Word Script Basics Script Breakdowns Spec Scripts Versus Shooting Scripts "And Now, a Word from Our Sponsor" Exercise : Script Breakdowns and Thumbnails A Difference of Opinion: The Great Savannah Race Interview: Kenny Chaplin, DGA/DGC 3. Rendering Rough or Polished Finish Little Drawings, Big Ideas The Right Tool for the Job Compositing A Difference of Opinion: Un-Deadwood Interview: Keith Ingham 4. Principles, Elements, and Conventions Aspect Ratios Getting Started Blocking the Composition Staying Organized Numbering How to Insert Shots Exercise: Numbering 5. Continuity What Is Continuity? Axis and Allies Breaking the Axis 30 Degrees of Separation Neutralizing and Cutaway Shots Screen Direction and Visual Logic Avoiding Confusion Building Tension and Creating a Surprise Don''t Turn Around A Difference of Opinion: Hyde from Jekyll-- the Chase 6. What the Camera Sees The Camera Deep and Wide Shooting on Location Framing Heights and Angles Other Shots to Consider Cut to the Chase Behind the Scenes Exercise: Identifying Framing Heights and Angles 7. Move Me! No Reaction Without "Action!" Movements Drawings Versus Diagrams Camera Moves as Drawings Photomatics and Digimatics Order Out of Chaos Exercise: Movement Calls A Difference of Opinion: Hyde from Jekyll-- Transmogrification Interview: Whitney Cogar 8. The Martini Shot Putting It All Together A Toast to Storyboarding Afterword: Humans Tell Stories, by Tina O''Hailey Appendix Index
Copyright Date
2013
Lccn
2012-023065
Dewey Decimal
791.43023
Dewey Edition
23

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