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JEAN-BAPTISTE FAVORY ORGANIC COMPOSITIONS FOR GUITARS & ELECTRONICS [11/3] NEW V

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所在地:North Carolina, 美國
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估計於 6月21日, 五6月26日, 三之間送達 運送地點 43230
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上次更新時間: 2024-06-08 15:51:32查看所有版本查看所有版本

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UPC
752830271715
Artist
Favory, Jean Baptiste
Format
Record
Release Year
2017
Record Label
Feeding Tube, Fdtb
Release Title
Organic Compositions for Guitars & Electronics
Genre
Rock

關於產品

Product Identifiers

Record Label
Feeding Tube, Fdtb
UPC
0752830271715
eBay Product ID (ePID)
8046061703

Product Key Features

Format
Record
Release Year
2017
Genre
Rock
Artist
Favory, Jean Baptiste
Release Title
Organic Compositions for Guitars & Electronics

Dimensions

Item Height
0.19 in
Item Weight
0.59 lb
Item Length
12.90 in
Item Width
12.62 in

Additional Product Features

Number of Tracks
11
Country/Region of Manufacture
United States
Tracks
1.1 Waving Light 1.2 Intricacies 1.3 Anisotropic Garden 1.4 Time Hammer 1.5 Unknown Nostalgia 1.6 Gravity Loss 1.7 Solipsism 1.8 Love Hammer 1.9 Fear Hammer 1.10 The Distant Love 1.11 Things Under
Number of Discs
1
Notes
"Because we are heathens, we first heard about J-B Favory when we reissued Los Lichis' incredible 2LP set, Dog (FTR 229LP, 2016). Favory was the one non-Mexican member of the ensemble, traveling once a year (or so) to collude with the insane artists of Los Lichis. Had we been less dim, we would have known Favory was an avant composer of note, having served as an assistant to Luc Ferrari and Gavin Bryars, before setting off on his own musique concrete path. He is also the co-host of the longest-running experimental music radio show, Epsilonia (on the anarchist Radio Libertaire), and a guy whose recordings are well loved by fanciers of the avant. That said, Favory has never had a solo LP (despite a number of CDs), so when he sent us some of his new work, we jumped on it. Things Under is one of the most mesmerizing blends of guitar and electronics we've heard in years. Favory's approach to strings ranges from the idyllic to something very much like the Machine Guitars (1982) of Remko Scha. The way he collages these sounds into electronics is spectacular. Often, in similarly intended projects, there's a friction in the shift between guitar and electronics. The elements can feel like worlds apart. But not here. Like some of Manuel Göttsching's best solo recordings, the two sonic globes meet without colliding. Their molecules and atoms just slip into and through each other. It's a total gas. And often difficult to figure out whether a specific sonic event is generated by guitar or electronics. Been listening to this for days and it still sounds a great and mysterious as it did when I first threw it on. A stone keeper." -Byron Coley, 2017 Edition of 300.

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Songs skipped on records on two sides.