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Television in Black-and-Whit
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- 很新: 狀況完好的書籍。封面發亮且沒有損壞，精裝本書籍含書皮。不存在缺頁或內頁受損，無褶皺或破損，同時也沒有對文字標注/標記，或在留白處書寫內容。內封面上標記極少。書籍的磨損和破損程度也很低。 查看所有物品狀況定義會在新視窗或分頁中開啟
- ISBN
- 9780700613984
- Book Title
- Television in Black-And-White America : Race and National Identity
- Publisher
- University Press of Kansas
- Item Length
- 9.3 in
- Publication Year
- 2005
- Format
- Hardcover
- Language
- English
- Illustrator
- Yes
- Item Height
- 0.9 in
- Genre
- Performing Arts, Social Science, History
- Topic
- United States / 20th Century, Television / History & Criticism, Television / General, Popular Culture
- Item Weight
- 12.3 Oz
- Item Width
- 6.5 in
- Number of Pages
- 236 Pages
關於產品
Product Identifiers
Publisher
University Press of Kansas
ISBN-10
0700613986
ISBN-13
9780700613984
eBay Product ID (ePID)
46760892
Product Key Features
Book Title
Television in Black-And-White America : Race and National Identity
Number of Pages
236 Pages
Language
English
Publication Year
2005
Topic
United States / 20th Century, Television / History & Criticism, Television / General, Popular Culture
Illustrator
Yes
Genre
Performing Arts, Social Science, History
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
12.3 Oz
Item Length
9.3 in
Item Width
6.5 in
Additional Product Features
Intended Audience
Trade
LCCN
2005-012610
Reviews
A brilliant piece of cultural criticism, Nadels important new work provides a revealing look at the emergence of television and how it shaped the national consciousness, particularly with regard to race. It should appeal especially to cultural historians and scholars in media studies.Ellen Schrecker , author of Many Are the Crimes: McCarthyism in America An original and compelling argument. . . . Strongly recommended.Donald E. Pease, Jr. , author of National Identities and Post-Americanist Narratives, "A brilliant piece of cultural criticism, Nadel's important new work provides a revealing look at the emergence of television and how it shaped the national consciousness, particularly with regard to race. It should appeal especially to cultural historians and scholars in media studies.- Ellen Schrecker , author of Many Are the Crimes: McCarthyism in America "An original and compelling argument. . . . Strongly recommended."- Donald E. Pease, Jr. , author of National Identities and Post-Americanist Narratives, "A brilliant piece of cultural criticism, Nadel's important new work provides a revealing look at the emergence of television and how it shaped the national consciousness, particularly with regard to race. It should appeal especially to cultural historians and scholars in media studies.-- Ellen Schrecker , author of Many Are the Crimes: McCarthyism in America "An original and compelling argument. . . . Strongly recommended."-- Donald E. Pease, Jr. , author of National Identities and Post-Americanist Narratives, "An informative book that delivers on its title premise; it is very much about how Cold War America was white America. . . . Its great strengths are the depth of the context it offers for those who want to understand the psychology of that era."-- H-Net Reviews "An interesting as well as a very disturbing picture of the dramas that flickered in American living rooms in the 1950s and what and whom they excluded."-- American Historical Review "This new work offers readers the same brand of insightful synthesis and original analysis that characterizes Nadel's earlier works. . . . Nadel's comprehensive application of extant historical research to the analysis of specific television programs . . . makes the volume more than worth the effort."-- History: Reviews of New Books, "An informative book that delivers on its title premise; it is very much about how Cold War America was white America. . . . Its great strengths are the depth of the context it offers for those who want to understand the psychology of that era."H-Net Reviews "An interesting as well as a very disturbing picture of the dramas that flickered in American living rooms in the 1950s and what and whom they excluded."American Historical Review "This new work offers readers the same brand of insightful synthesis and original analysis that characterizes Nadels earlier works. . . . Nadels comprehensive application of extant historical research to the analysis of specific television programs . . . makes the volume more than worth the effort."History: Reviews of New Books, A brilliant piece of cultural criticism, Nadel's important new work provides a revealing look at the emergence of television and how it shaped the national consciousness, particularly with regard to race. It should appeal especially to cultural historians and scholars in media studies.-- Ellen Schrecker , author of Many Are the Crimes: McCarthyism in America An original and compelling argument. . . . Strongly recommended.-- Donald E. Pease, Jr. , author of National Identities and Post-Americanist Narratives, A brilliant piece of cultural criticism, Nadel's important new work provides a revealing look at the emergence of television and how it shaped the national consciousness, particularly with regard to race. It should appeal especially to cultural historians and scholars in media studies.
Dewey Edition
22
Dewey Decimal
791.45/6552
Table Of Content
Acknowledgments 1. Black Bodies, White Space, and a Televisual Nation 2. Television, Reality, and Cold War Citizenship 3. Disneyland, the Interstate, and National Space 4. The Adult Western and the Western Bloc 5. Rebel Integrity, Southern Injustice, and Civil Rights 6. The New Frontier Conclusion Notes Bibliography Index
Synopsis
Alan Nadel's provocative new book reminds us that most of the images on early TV were decidedly Caucasian and directed at predominantly white audiences. Television did not invent whiteness for America, but it did reinforce it as the norm--particularly during the Cold War years. Nadel now shows just how instrumental it was in constructing a narrow, conservative, and very white vision of America. Nadel depicts a time when television effectively hijacked and monopolized the nation's vision of itself to create a virtual but severely distorted civic space. On Cold War TV's three channels there were no double beds, no liberated housewives, no social criticism, and no homosexuality. And the few available black faces overwhelmingly belonged to athletes, musical entertainers, and actors playing menial roles. Even America's beloved Walt Disney promoted his highly popular TV and theme-park versions of society as utterly homogeneous representations of reality. During this era, prime-time TV was dominated by "adult westerns," with heroes like The Rebel 's Johnny Yuma reincarnating southern values and Bonanza 's Cartwright family reinforcing the notion of white patriarchy--programs that, Nadel shows, bristled with Cold War messages even as they spoke to the nation's mythology. America had become visually reconfigured as a vast Ponderosa, crisscrossed by concrete highways designed to carry suburban white drivers beyond the moral challenge of racism and racial poverty and increasingly vocal civil rights demands. Television in Black-and-White America revisits a time and space that some might miss for its simplicity and relative innocence. Nadel, however, entreats us to look beyond such nostalgia to see how, even in its earliest days, television had already become a powerful mediator of social norms that both controlled and warped our sense of reality.
LC Classification Number
PN1992.8.A34N33 2005
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