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Robert Indiana: New Perspectives by Robert Indiana Hardcover (brand new sealed)

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ISBN
9783775731355
Publication Year
2012
Format
Hardcover
Language
English
Book Title
Robert Indiana: New Perspectives
Author
Robert Indiana
Item Length
12in
Publisher
Hatje Cantz Verlag Gmbh & Co KG
Genre
Art
Topic
History / Contemporary (1945-), Individual Artists / Monographs, American / General
Item Width
9.5in
Number of Pages
272 Pages

關於產品

Product Information

Self-described as an "American painter of signs," Robert Indiana (born 1928) has interpreted the postwar American semiotic landscape through a unique merging of Pop's graphic snap with American modernist painting's codes of sexuality and use of advertising designs. Best known for his iconic rendition of the word "love," over the past 50 years Indiana has created a major body of work that spans the movements of assemblage, hard-edged abstraction and Pop art. This book surveys his career from the early 1960s to the present, also convening new scholarship on this important artist by writers such as Thomas Crow and Robert Storr. Addressing topics ranging from Indiana's politically engaged works, his formative years in the Coentie's Slip artistic community in downtown Manhattan, Indiana's place within Pop and his allegorical depictions of gender and family, this book reevaluates and reorients some of Indiana's most significant works.

Product Identifiers

Publisher
Hatje Cantz Verlag Gmbh & Co KG
ISBN-10
3775731350
ISBN-13
9783775731355
eBay Product ID (ePID)
102964051

Product Key Features

Book Title
Robert Indiana: New Perspectives
Author
Robert Indiana
Format
Hardcover
Language
English
Topic
History / Contemporary (1945-), Individual Artists / Monographs, American / General
Publication Year
2012
Genre
Art
Number of Pages
272 Pages

Dimensions

Item Length
12in
Item Width
9.5in

Additional Product Features

Reviews
For many decades, Robert Indiana has played a second-tier role in the history of American Pop Art (and related movements of various designations); however, according to this well-crafted new study, this engaging, dedicated artist may have been more significant than most scholars realize. After reminding readers from the outset that the "history of art is inherently revisionist", this well-illustrated volume (which includes a range of fresh documentary photographs) renegotiates the critical status of Indiana's work. Through a series of intriguing and insightful essays by Thomas Crow (New York Univ.), Jonathan Katz (Univ. of Buffalo, SUNY), and others, this fresh analysis of Indiana's career places the artist's exploration of iconic imagery (stenciled letters, symbols, signage, and more) into an expanded art historical context, revealing that Indiana's limited canonical position has resulted partly from a creative breadth that was difficult to categorize.
Text by
Storr, Robert, Crow, Thomas
Copyright Date
2012
Dewey Decimal
709.2
Dewey Edition
23
Illustrated
Yes

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