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Vanishing Lives: Style and Self in Tennyson, D. G. Rossetti, Swinburne, and Yeat
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- ISBN-13
- 9780813929408
- Book Title
- Vanishing Lives
- ISBN
- 9780813929408
- Subject Area
- Literary Criticism
- Publication Name
- Vanishing Lives : Style and Self in Tennyson, D. G. Rossetti, Swinburne, and Yeats
- Publisher
- University of Virginia Press
- Item Length
- 9 in
- Subject
- European / English, Irish, Scottish, Welsh
- Publication Year
- 2015
- Series
- Victorian Literature and Culture Ser.
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 1.2 in
- Item Weight
- 13.2 Oz
- Item Width
- 6 in
- Number of Pages
- 256 Pages
關於產品
Product Identifiers
Publisher
University of Virginia Press
ISBN-10
0813929407
ISBN-13
9780813929408
eBay Product ID (ePID)
120696719
Product Key Features
Number of Pages
256 Pages
Language
English
Publication Name
Vanishing Lives : Style and Self in Tennyson, D. G. Rossetti, Swinburne, and Yeats
Publication Year
2015
Subject
European / English, Irish, Scottish, Welsh
Type
Textbook
Subject Area
Literary Criticism
Series
Victorian Literature and Culture Ser.
Format
Trade Paperback
Dimensions
Item Height
1.2 in
Item Weight
13.2 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
Dewey Edition
19
Grade From
College Graduate Student
Dewey Decimal
821/.8/09353
Synopsis
One of the characteristic features of Victorian poetry is dimness, a vanishing away. This vanishing away, this dimness, of Victorian poetry is most obvious in the twilights, mists, shadows, deep horizons, and flowing waters of its central landscape, but it is also a matter of sound and syntax, of repetition and rhythm, texture and line movement. This volume examines these features and links them to larger issues., One of the characteristic features of Victorian poetry is dimness, a vanishing away-things blur with the motion of their passing, which seems inseparable from the mind's fading as it lets them go. Tennyson, Rossetti, Swinburne, and the young Yeats are elegists of the self; they render life as transparent, ghostlike, dissolving, ungraspable, nearly unrememberable. This vanishing away, this dimness, of Victorian poetry is most obvious in the twilights, mists, shadows, deep horizons, and flowing waters of its central landscape, but it is also a matter of sound and syntax, of repetition and rhythm, texture and line movement. Vanishing Lives examines these features and links them to larger issues, such as the psychology of the individual poets, and the Victorian and modern frames of mind. The tendencies under consideration are less ideas than forms or styles of feeling. They are so universal in the nineteenth century that they may not seem to call for comment, but for all their vagueness they are deep, powerful, resistant to change-an essential stratum of the experience of Victorian poetry. For poets like Yeats, who struggled to move beyond them, they were far more than the trappings of an outmoded poetry. They were a deeply ingrained aesthetic, a style, a morality, not only a way of art to be revised, but a way of living to be outgrown-a Tennysonian way.
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