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Contemporary Chinese Art, Aesthetic Modernity and Zhang Peili : Towards a Cri...
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- Book Title
- Contemporary Chinese Art, Aesthetic Modernity and Zhang Peili : T
- ISBN
- 9781350254015
- Publication Name
- Contemporary Chinese Art, Aesthetic Modernity and Zhang Peili : Towards a Critical Contemporaneity
- Item Length
- 9.2in
- Publisher
- Bloomsbury Publishing
- Series
- Aesthetics and Contemporary Art Ser.
- Publication Year
- 2021
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.5in
- Item Width
- 6.1in
- Item Weight
- 12.5 Oz
- Number of Pages
- 248 Pages
關於產品
Product Information
In recent decades the previously assumed dominance within the international art world of western(ized) conceptions of aesthetic modernity has been challenged by a critically becalming diversification of cultural outlooks widely referred to as 'contemporaneity'. Contributing to that diversification are assertions within mainland China of essential differences between Chinese and western art. In response to the critical impasse posed by contemporaneity, Paul Gladston charts a historical relay of mutually formative interactions between the artworlds of China and the West as part of a new transcultural theory of artistic criticality. Informed by deconstructivism as well as syncretic Confucianism, Gladston extends this theory to a reading of the work of the artist Zhang Peili and his involvement with the Hangzhou-based art group, the Pond Association ( Chi she ). Revealed is a critical aesthetic productively resistant to any single interpretative viewpoint, including those of Chinese exceptionalism and the supposed immanence of deconstructivist uncertainty. Addressing art in and from the People's Republic of China as a significant aspect of post-West contemporaneity, Gladston provides a new critical understanding of what it means to be 'contemporary' and the profound changes taking place in the art world today.
Product Identifiers
Publisher
Bloomsbury Publishing
ISBN-10
1350254010
ISBN-13
9781350254015
eBay Product ID (ePID)
28050101958
Product Key Features
Publication Name
Contemporary Chinese Art, Aesthetic Modernity and Zhang Peili : Towards a Critical Contemporaneity
Format
Trade Paperback
Language
English
Series
Aesthetics and Contemporary Art Ser.
Publication Year
2021
Type
Textbook
Number of Pages
248 Pages
Dimensions
Item Length
9.2in
Item Height
0.5in
Item Width
6.1in
Item Weight
12.5 Oz
Additional Product Features
Lc Classification Number
N7345
Reviews
While emphasizing that our understanding of what is specific to China may be analysed with notions originating as much from China as from the West, the main strength of Gladston's book, particularly obvious in its ambitious prolegomenon, is to elucidate the idea of contemporaneity in the present debate about Chinese art., With its judicious application of critical theory, the book will be essential reading for a better understanding of contemporary Chinese art and visual culture in the global contexts., Contemporary Chinese Art, Aesthetic Modernity and Zhang Peili is an important contribution to a critical discourse on contemporary art in the global context. Reading artworks by Zhang Peili through post-Enlightenment, poststructuralist as well as Neo-Confucian, Daoist and Zen-Buddhist lenses the author not only sheds light on multiple and entangled histories and epistemologies of Chinese art but also convincingly argues to conceive of contemporary art in general as constituted transculturally., Gladston has taken the example of a single artist to anchor reflections on issues of immense contemporary importance, in particular the diversity of cultural histories that lead to the richness of global aesthetic positions. His scholarship actively helps to rescue cultural knowledge at risk of disappearing due to the lack of suitable academic platforms., From the painstaking walk-through of theoretical issues and historical/cultural context appearing in his Prolegomenon, through the concise yet bracing conclusion, Paul Gladston's study of Zhang Peili and contemporaneity is far more than a mere biographical sketch of a single artist; it is a treatise on visual art of the present and China's particularized presence in that sphere. It is a landmark work both in terms of cultural-criticism and art-historical analysis., "From the painstaking walk-through of theoretical issues and historical/cultural context appearing in his Prolegomenon, through the concise yet bracing conclusion, Paul Gladston's study of Zhang Peili and contemporaneity is far more than a mere biographical sketch of a single artist; it is a treatise on visual art of the present and China's particularized presence in that sphere. It is a landmark work both in terms of cultural-criticism and art-historical analysis." -- Paul Manfredi, Professor of Chinese, Pacific Lutheran University, USA " Contemporary Chinese Art, Aesthetic Modernity and Zhang Peili is an important contribution to a critical discourse on contemporary art in the global context. Reading artworks by Zhang Peili through post-Enlightenment, poststructuralist as well as Neo-Confucian, Daoist and Zen-Buddhist lenses the author not only sheds light on multiple and entangled histories and epistemologies of Chinese art but also convincingly argues to conceive of contemporary art in general as constituted transculturally." -- Birgit Hopfener, Associate Professor of Art History, Carleton University, Canada "Gladston has taken the example of a single artist to anchor reflections on issues of immense contemporary importance, in particular the diversity of cultural histories that lead to the richness of global aesthetic positions. His scholarship actively helps to rescue cultural knowledge at risk of disappearing due to the lack of suitable academic platforms." -- Johnson Chang, Curatorial Director, Hanart TZ Gallery, Hong Kong "While emphasizing that our understanding of what is specific to China may be analysed with notions originating as much from China as from the West, the main strength of Gladston's book, particularly obvious in its ambitious prolegomenon, is to elucidate the idea of contemporaneity in the present debate about Chinese art." -- Frank Vigneron, Professor and Chairperson, The Chinese University of Hong Kong, Hong Kong "With its judicious application of critical theory, the book will be essential reading for a better understanding of contemporary Chinese art and visual culture in the global contexts." -- Jason C. Kuo, Professor of Chinese Art, University of Maryland, USA
Table of Content
AcknowledgementsIntroductionProlegomenon1. Critical Art and Aesthetics within China and EuroAmerica before Modernism2. Modernisms within and outside China3. Postmodernisms and Contemporaneity within and outside China4. Case Study: The Work of Zhang Peili and the Pond Association ( Chi she )Conclusion: Towards a Critical Contemporaneity NotesBibliographyIndex
Target Audience
College Audience
Topic
General, Aesthetics, Political, Ethnic Studies / African American Studies
Dewey Decimal
709.5109045
Dewey Edition
23
Illustrated
Yes
Genre
Art, Social Science, Philosophy
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