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The Reinvention of Religious Music: Olivier Messiaen's Breakthrough Toward the B
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- ISBN-13
- 9780823230570
- Book Title
- The Reinvention of Religious Music
- ISBN
- 9780823230570
- Subject Area
- Music, Philosophy
- Publication Name
- Reinvention of Religious Music : Olivier Messiaen's Breakthrough Toward the Beyond
- Publisher
- Fordham University Press
- Item Length
- 9 in
- Subject
- History & Criticism, Genres & Styles / Classical, Religious, Aesthetics, Religious / Christian, Ethnic
- Publication Year
- 2009
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.6 in
- Item Weight
- 23.5 Oz
- Item Width
- 6 in
- Number of Pages
- 242 Pages
關於產品
Product Identifiers
Publisher
Fordham University Press
ISBN-10
0823230570
ISBN-13
9780823230570
eBay Product ID (ePID)
71678940
Product Key Features
Number of Pages
242 Pages
Publication Name
Reinvention of Religious Music : Olivier Messiaen's Breakthrough Toward the Beyond
Language
English
Subject
History & Criticism, Genres & Styles / Classical, Religious, Aesthetics, Religious / Christian, Ethnic
Publication Year
2009
Type
Textbook
Subject Area
Music, Philosophy
Format
Hardcover
Dimensions
Item Height
0.6 in
Item Weight
23.5 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Edition Number
3
Intended Audience
Scholarly & Professional
LCCN
2008-047148
TitleLeading
The
Reviews
A penetrating and thought-provoking exploration of what might be entailed by Messiaen's musical 'breakthrough to the beyond'. The Reinvention of Religious Music provides us with a wealth of fresh and original perspectives on this complex, endlessly fascinating musician., If the idea that religious music is a thing of the past helps you sleep better, Sander van Maas' provocative book should wake you up. Did you ever think that an ear could be circumcised? From the Bible to Messiaen and Derrida, he radically rethinks the relationships between ear and flesh. -----Peter Szendy, Université de Paris X Nanterre, "In his eloquent and detailed study, van Maas discusses the theological meaning of Messiaen's music and the ways in which this unique sound world seeks to configure and even evangelize Messiaen's Christian thought. Maas presents an absorbing and provocative insight into Messiaen's faith in music that will enhance appreciation of this often misunderstood composer and his work." --Andrew Shenton, Boston University, A penetrating and thought-provoking exploration of what might be entailed by Messiaen's musical 'breakthrough to the beyond'. The Reinvention of Religious Music provides us with a wealth of fresh and original perspectives on this complex, endlessly fascinating musician., A penetrating and thought-provoking exploration of what might be entailed by Messiaen's musical 'breakthrough to the beyond'. The Reinvention of Religious Music provides us with a wealth of fresh and original perspectives on this complex, endlessly fascinating musician. -----Jeremy Begbie, Duke University, In his eloquent and detailed study, van Maas discusses the theological meaning of Messiaen's music and the ways in which this unique sound world seeks to configure and even evangelize Messiaen's Christian thought. Maas presents an absorbing and provocative insight into Messiaen's faith in music that will enhance appreciation of this often misunderstood composer and his work. -----Andrew Shenton, Boston University, "If the idea that religious music is a thing of the past helps you sleep better, Sander van Maas' provocative book should wake you up. Did you ever think that an ear could be circumcised? From the Bible to Messiaen and Derrida, he radically rethinks the relationships between ear and flesh."-Peter Szendy "An effective study of Messiaen needs to bring analytic rigor to both the musicological and theologial aspects of the composer. In The Reinvention of Religious Music, Sander van Maas takes on this daunting task and brings to bear his own erudition in a number of fields to provide a compelling account of the man and his work."-The Journal of Religion "A highly refreshing and valuable critque of religious music using the work of Messiaen as a frame of reference."-Vincent Benitez, Notes
Dewey Edition
22
Dewey Decimal
781.70092
Synopsis
Present-day music studies conspicuously evade the question of religion in contemporary music. Although many composers address the issue in their work, as yet there have been few attempts to think through the structure of religious music as we hear it. On the basis of a careful analysis of Olivier Messiaen's work, this book argues for a renewal of our thinking about religious music. Addressing his notion of a "hyper-religious" music of sounds and colors, it aims to show that Messiaen has broken new ground. His reinvention of religious music makes us again aware of the fact that religious music, if taken in its proper radical sense, belongs to the foremost of musical adventures. The work of Olivier Messiaen is well known for its inclusion of religious themes and gestures. These alone, however, do not seem enough to account for the religious status of the work. Arguing for a "breakthrough toward the beyond" on the basis of the synaesthetic experience of music, Messiaen invites a confrontation with contemporary theologians and post-secular thinkers. How to account for a religious breakthrough that is produced by a work of art? Starting from an analysis of his 1960s oratorio La Transfiguration de Notre-Seigneur Jésus-Christ, this book arranges a moderated dialogue between Messiaen and the music theology of Hans Urs von Balthasar, the phenomenology of revelation of Jean-Luc Marion, the rethinking of religion and technics in Jacques Derrida and Bernard Stiegler, and the Augustinian ruminations of S ren Kierkegaard and Jean-François Lyotard. Ultimately, this confrontation underscores the challenging yet deeply affirmative nature of Messiaen's music., Present-day music studies conspicuously evade the question of religion in contemporary music. Although many composers address the issue in their work, as yet there have been few attempts to think through the structure of religious music as we hear it. The work of Olivier Messiaen is well known for its inclusion of religious themes and gestures. On the basis of a careful analysis of Messiaen's work, this book argues for a renewal of our thinking about religious music. Starting from an analysis of his 1960s oratorio La Transfiguration de Notre-Seigneur Jsus-Christ, van Maas arranges a moderated dialogue between Messiaen and the music theology of Hans Urs von Balthasar, the phenomenology of revelation of Jean-Luc Marion, the rethinking of religion and technics in Jacques Derrida and Bernard Stiegler, and the Augustinian ruminations of Sren Kierkegaard and Jean-Franois Lyotard. Ultimately, this confrontation underscores the challenging yet deeply affirmative nature of Messiaen's music., On the basis of a careful analysis of Olivier Messiaen's work, this book argues for a renewal of our thinking about religious music. Addressing his notion of a "hyper-religious" music of sounds and colors, it aims to show that Messiaen has broken new ground. His reinvention of religious music makes us again aware of the fact that religious music, if taken in its proper radical sense, belongs to the foremost of musical adventures. The work of Olivier Messiaen is well known for its inclusion of religious themes and gestures. These alone, however, do not seem enough to account for the religious status of the work. Arguing for a "breakthrough toward the beyond" on the basis of the synaesthetic experience of music, Messiaen invites a confrontation with contemporary theologians and post-secular thinkers. How to account for a religious breakthrough that is produced by a work of art? Starting from an analysis of his 1960s oratorio La Transfiguration de Notre-Seigneur J sus-Christ, this book arranges a moderated dialogue between Messiaen and the music theology of Hans Urs von Balthasar, the phenomenology of revelation of Jean-Luc Marion, the rethinking of religion and technics in Jacques Derrida and Bernard Stiegler, and the Augustinian ruminations of S ren Kierkegaard and Jean-Fran ois Lyotard. Ultimately, this confrontation underscores the challenging yet deeply affirmative nature of Messiaen's music., On the basis of a careful analysis of Olivier Messiaen's work, this book argues for a renewal of our thinking about religious music. Addressing his notion of a "hyper-religious" music of sounds and colors, it aims to show that Messiaen has broken new ground. His reinvention of religious music makes us again aware of the fact that religious music, if taken in its proper radical sense, belongs to the foremost of musical adventures. The work of Olivier Messiaen is well known for its inclusion of religious themes and gestures. These alone, however, do not seem enough to account for the religious status of the work. Arguing for a "breakthrough toward the beyond" on the basis of the synaesthetic experience of music, Messiaen invites a confrontation with contemporary theologians and post-secular thinkers. How to account for a religious breakthrough that is produced by a work of art? Starting from an analysis of his 1960s oratorio La Transfiguration de Notre-Seigneur Jésus-Christ, this book arranges a moderated dialogue between Messiaen and the music theology of Hans Urs von Balthasar, the phenomenology of revelation of Jean-Luc Marion, the rethinking of religion and technics in Jacques Derrida and Bernard Stiegler, and the Augustinian ruminations of Søren Kierkegaard and Jean-François Lyotard. Ultimately, this confrontation underscores the challenging yet deeply affirmative nature of Messiaen's music.
LC Classification Number
ML410.M595M34 2009
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