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Digital Media: Human-Technolo
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- PublishedOn
- 2017-11-15
- Title
- Digital Media: Human-Technology Connection (Postphenomenology an
- Artist
- Not Specified
- ISBN
- 9781498537100
- Subject Area
- Computers, Philosophy, Technology & Engineering, Social Science
- Publication Name
- Digital Media : Human-Technology Connection
- Publisher
- Lexington Books/Fortress Academic
- Item Length
- 9 in
- Subject
- Media Studies, Social Aspects, Digital Media / General, Movements / Humanism
- Publication Year
- 2017
- Series
- Postphenomenology and the Philosophy of Technology Ser.
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.6 in
- Item Weight
- 11.2 Oz
- Item Width
- 6 in
- Number of Pages
- 198 Pages
關於產品
Product Identifiers
Publisher
Lexington Books/Fortress Academic
ISBN-10
1498537103
ISBN-13
9781498537100
eBay Product ID (ePID)
239896495
Product Key Features
Number of Pages
198 Pages
Publication Name
Digital Media : Human-Technology Connection
Language
English
Publication Year
2017
Subject
Media Studies, Social Aspects, Digital Media / General, Movements / Humanism
Type
Textbook
Subject Area
Computers, Philosophy, Technology & Engineering, Social Science
Series
Postphenomenology and the Philosophy of Technology Ser.
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
11.2 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
Reviews
This small volume has an immodest aim--to analyze 'how digital media change our day-to-day lifeworld experience.' This analysis consists primarily of two components. First is a description of 'postphenomenology,' which is described as phenomenology leavened with pragmatism and close attention to the experiences of using specific technologies. The second is a series of 'cases,' which include descriptions of the use of screens, earbuds, portable music players, digitally altered ('photoshopped') images, aggregate news services, and athletic performance monitoring. Straightforward descriptions of these familiar digital media experiences are juxtaposed with metaphors (e.g., the 'siren's song of today'), oracular statements by phenomenologists, and, most especially, open-ended questions ('Is the technological weave in our contemporary world a heavy covering?' or 'If I cannot hear lifeworld sounds, am I less of a citizen?'). Readers should not expect definitive answers to such questions but instead are encouraged to be mindful of how casual, but pervasive, use of digital media can alter basic experiences and thus who people are. Summing Up: Recommended. Graduate students and professionals.
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
303.4833
Table Of Content
Preface Acknowledgements Foreword Section 1: Raw Materials Chapter 1: Exploring the Texture Chapter 2: Describing Digital Media Chapter 3: Digging Section 2: Feeling the Weave Chapter 4: Case: The Screen Chapter 5: Case: Dwelling in digital Sound Chapter 6: Case: Earbud Embodiment Chapter 7: Case: Being-In-The World-With my iPod Chapter 8: Case: Dubstep Chapter 9: Case: The Photoshop Aesthetic Chapter 10: Case: Data mining Chapter 11: Case: Aggregate News Chapter 12: Case: Self Tracking Epilogue
Synopsis
Digital Media: Human-Technology Connection examines what it is like to be alive in today's technologically textured world and showcases specific digital media technologies that makes this kind of world possible. So much of human experience occurs through digital media that it is time to pause and consider the process and proliferation of digital consumption and humanity's role in it through an interdisciplinary array of sources from philosophy, media studies, film studies, media ecology and philosophy of technology. When placed in the interpretive lens of artifact, instrument, and tool, digital media can be studied in a uniquely different way, as a kind of technology that pushes the boundaries on production, distribution and communication and alters the way humans and technology connect with each other and the world. The book is divided into two sections to provide overarching definitions and case study specifics. Section one, Raw Materials, examines pertinent concepts like digital media, philosophy of technology, phenomenology and postphenomenology by author Stacey O Irwin. In Section Two, Feeling the Weave, Irwin uses conversations with digital media users and other written materials along with the postphenomenological framework to explore nine empirical cases that focus on deep analysis of screens, sound, photo manipulation, data-mining, aggregate news and self-tracking. Postphenomenological concepts like multistability, variational theory, microperception, macroperception, embodiment, technological mediation, and culture figure prominently in the investigation. The aim of the book is to recognize that digital media technologies and the content it creates and proliferates are not neutral. They texture the world in multiple and varied ways that transform human abilities, augment experience and pattern the world in significant and comprehensive ways., Digital Media: Human-Technology Connection examines the technologically textured world through case studies that illustrate the way humans and technology connect with each other and the world. An interdisciplinary array of sources from philosophy, postphenomenology, philosophy of technology, media studies, media ecology, and film studies shows that digital media and its content are not neutral. This technology textures the world in multiple and varied ways that transform human abilities, augment experience, and pattern the world.
LC Classification Number
T14.5
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