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Mikel J. Koven La Dolce Morte (Paperback) (UK IMPORT)
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- Book Title
- Dolce Morte : Vernacular Cinema and the Italian Giallo Film
- Publication Name
- La Dolce Morte
- Title
- La Dolce Morte
- EAN
- 9780810858701
- ISBN
- 9780810858701
- Publisher
- Scarecrow Press, Incorporated
- Format
- Perfect
- Release Year
- 2006
- Release Date
- 02/10/2006
- Item Height
- 0.4 in
- Item Length
- 9.2 in
- Item Width
- 6.1 in
- Item Weight
- 10.5 Oz
- Language
- English
- Subtitle
- Vernacular Cinema and the Italian Giallo Film
- ISBN-10
- 0810858703
- Country/Region of Manufacture
- US
- Genre
- Performing Arts
- Publication Year
- 2006
- Topic
- Film / Genres / Horror, Film / Genres / Crime, Film / History & Criticism
- Number of Pages
- 206 Pages
關於產品
Product Information
With the exception of die-hard aficionados of European or Italian horror cinema, most people may not have heard of giallo cinema or have seen many films in this subgenre of horror. Most academic film studies tend to ignore horror cinema in general and the giallo specifically. Critics often deride these films, which reveal more about the reviewers' own prejudices than any problem with the works themselves. As a counter to such biases, Mikel J. Koven argues for an alternative approach to studying these films, by approaching them as vernacular cinema--distinct from "popular cinema." According to Koven, to look at a film from a vernacular perspective removes the assumptions about what constitutes a "good" film and how a particular film is in some way "artistic." In La Dolce Morte: Vernacular Cinema and the Italian Giallo Film, Koven explores the history and evolution of this aspect of cinema, and places these films within the context of Italian popular filmmaking. He addresses various themes, motifs, and tropes in these films: their use of space, the murders, the role of the detective, the identity of the killer, issues of belief, excess, and the set-piece.
Product Identifiers
Publisher
Scarecrow Press, Incorporated
ISBN-10
0810858703
ISBN-13
9780810858701
eBay Product ID (ePID)
53958839
Product Key Features
Book Title
Dolce Morte : Vernacular Cinema and the Italian Giallo Film
Number of Pages
206 Pages
Language
English
Publication Year
2006
Topic
Film / Genres / Horror, Film / Genres / Crime, Film / History & Criticism
Genre
Performing Arts
Format
Perfect
Dimensions
Item Height
0.4 in
Item Weight
10.5 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Dewey Edition
22
Reviews
...this is a serious contribution to film studies. It opens a side of Italian cinema that is rarely studied. Recommended., La Dolce Morte is an informed and engaging examination of neglected and marginalized films that purposely provokes readers to re-examine biases against the giallo., "Giallo," Italian for "yellow," is applied to a vernacular film genre (e.g., Sergio Martino's Torso, 1973) based on mystery novels with bright yellow covers that an Italian publisher has been producing since the 1920s. In the context of psychodynamics and Italian audiences, Koven (film and television studies, U. of Wales, Aberystwyth) explores themes including the outsider, sexually-driven murder, the amateur detective's role, and a view of these films from Pasolini's theory of a "cinema of poetry." He concludes that gialli, like other horror cinema, reflect modernity's ambivalence toward both traditional folk beliefs and science., ...a carefully constructed presentation and discussion of one of the most important phenomena in modern cinema., Koven's well-organized catalog of the subgenre's characteristics makes his book a valuable reference tool as well as an incisive critical study., Koven's study is highly detailed and wide ranging. Koven clearly adores his chosen subject and explores it with an eye to accessibility--he often writes wittily but always lucidly--and these are reasons why the book is so engaging.
Lccn
2006-015624
Target Audience
Trade
Dewey Decimal
791.43/6556
Lc Classification Number
Pn1995.9.D4k68 2006
Table of Content
Part 1 Preface Part 2 Acknowledgments Chapter 3 1. What is Giallo? Chapter 4 2. Toward an Understanding of Vernacular Cinema Chapter 5 3. Space and Place in Italian Giallo Cinema: The Ambivalence of Modernity Chapter 6 4. Murder and Other Sexual Perversions Chapter 7 5. Watching the Detectives: Amateur Detectives and the Giallo as Detective Cinema Chapter 8 6. The Killer's Identity Chapter 9 7. "Weird Science of the Most Egregious Kind": The Ambivalence of Belief in the Giallo Film Part 10 8. "A Perverse Sublime": Excess and the Set Piece in the Giallo Part 11 9. The Giallo as Cinema of Poetry Part 12 10. From Giallo to Slasher Part 13 Filmography Part 14 Bibliography Part 15 Index Part 16 About the Author
Copyright Date
2006
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增值稅識別編號：
- GB 864 1548 11
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物品所在地：
GU14 0GT, 英國
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