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Painting the Difference: s** and Spectator in Modern Art By Char
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- 物品狀況
- Title
- Painting the Difference: s** and Spectator in Modern Art
- ISBN
- 9780226317977
- Publication Year
- 2006
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Publication Name
- Painting the Difference : Sex and Spectator in Modern Art
- Item Height
- 0.1in
- Item Length
- 1.1in
- Publisher
- University of Chicago Press
- Item Width
- 0.9in
- Item Weight
- 52.1 Oz
- Number of Pages
- 312 Pages
關於產品
Product Information
The picture plane of a painting creates boundaries and perspectives. Charles Harrison's latest endeavor, Painting the Difference, explores the role of the picture plane in modern painting and the relationships it creates among the artist, the subject, and the spectator.
Product Identifiers
Publisher
University of Chicago Press
ISBN-10
0226317978
ISBN-13
9780226317977
eBay Product ID (ePID)
30524076
Product Key Features
Publication Name
Painting the Difference : Sex and Spectator in Modern Art
Format
Hardcover
Language
English
Publication Year
2006
Type
Textbook
Number of Pages
312 Pages
Dimensions
Item Length
1.1in
Item Height
0.1in
Item Width
0.9in
Item Weight
52.1 Oz
Additional Product Features
Lc Classification Number
Nd1460.S44h37 2004
Reviews
Painting the Difference complicates routine assumptions about the sexism of male artists and viewers, and raises useful questions about the history of seeing., " Painting the Difference offers a gripping interpretation of nineteenth- and twentieth-century images, mostly paintings, mostly of women. The artists Harrison discusses are modernist icons: Renoir, Manet, Cézanne, Degas, Morisot, Cassatt, Picasso, Matisse, Bonnard, and Rothko. But he brings these canonical painters into entirely fresh focus by showing how their techniques develop from a driving concern with the question of just who is seeing what paintings reveal. Harrison''s central claim is that this self-consciousness arises from a sustained confrontation with the social domination at work in the male regard, including the painter''s regard, that shapes the appearance of women''s bodies in modern life."-Gregg M. Horowitz, Modernism/Modernity, Painting the Difference puts forward a novel theory of the evolution of certain key works in the Modernist canon. This highly original book will be of keen interest to art history, cultural studies, and gender studies. A model of lucidity, and direct in its treatment of a difficult topic, Painting the Difference advances a bold theory of modern art of considerable relevance and importance., Taken together these chapters serve to demonstrate how careful looking can provide new insight into the making and meaning of iconic works. Conceptually challenging and rich in detail, this is an attractive volume with a generous number of illustrations, both in color and black and white, that help to support the author's claims and argument., "Painting the Differenceputs forward a novel theory of the evolution of certain key works in the Modernist canon. This highly original book will be of keen interest to art history, cultural studies, and gender studies. A model of lucidity, and direct in its treatment of a difficult topic,Painting the Differenceadvances a bold theory of modern art of considerable relevance and importance."--Paul Smith, author ofSeurat and the Avant-garde, The strength of [Harrison's] approach is not to reduce the reality of sexual difference to an iconographic or socio-historic question, but to treat it on the very surface of painting, through the devices it invents and the complex games it suggests to the viewer., "Painting the Differenceoffers a gripping interpretation of nineteenth- and twentieth-century images, mostly paintings, mostly of women. The artists Harrison discusses are modernist icons: Renoir, Manet, Cézanne, Degas, Morisot, Cassatt, Picasso, Matisse, Bonnard, and Rothko. But he brings these canonical painters into entirely fresh focus by showing how their techniques develop from a driving concern with the question of just who is seeing what paintings reveal. Harrison''s central claim is that this self-consciousness arises from a sustained confrontation with the social domination at work in the male regard, including the painter''s regard, that shapes the appearance of women''s bodies in modern life."-Gregg M. Horowitz,Modernism/Modernity, "Painting the Differencecomplicates routine assumptions about the sexism of male artists and viewers, and raises useful questions about the history of seeing."-Patricia Failing,Art News, Painting the Difference offers a gripping interpretation of nineteenth- and twentieth-century images, mostly paintings, mostly of women. The artists Harrison discusses are modernist icons: Renoir, Manet, Cézanne, Degas, Morisot, Cassatt, Picasso, Matisse, Bonnard, and Rothko. But he brings these canonical painters into entirely fresh focus by showing how their techniques develop from a driving concern with the question of just who is seeing what paintings reveal. Harrison's central claim is that this self-consciousness arises from a sustained confrontation with the social domination at work in the male regard, including the painter's regard, that shapes the appearance of women's bodies in modern life., "The strength of [Harrison's] approach is not to reduce the reality of sexual difference to an iconographic or socio-historic question, but to treat it on the very surface of painting, through the devices it invents and the complex games it suggests to the viewer."-Véronique Goudinoux,Les Cahiers, "The strength of [Harrison's] approach is not to reduce the reality of sexual difference to an iconographic or socio-historic question, but to treat it on the very surface of painting, through the devices it invents and the complex games it suggests to the viewer."-Véronique Goudinoux, Les Cahiers, Taken together these chapters serve to demonstrate how careful looking can provide new insight into the making and meaning of iconic works. Conceptually challenging and rich in detail, this is an attractive volume with a generous number of illustrations, both in color and black and white, that help to support the author''s claims and argument., ""Painting the Difference" complicates routine assumptions about the sexism of male artists and viewers, and raises useful questions about the history of seeing.", "Painting the Difference offers a gripping interpretation of nineteenth- and twentieth-century images, mostly paintings, mostly of women. The artists Harrison discusses are modernist icons: Renoir, Manet, C�zanne, Degas, Morisot, Cassatt, Picasso, Matisse, Bonnard, and Rothko. But he brings these canonical painters into entirely fresh focus by showing how their techniques develop from a driving concern with the question of just who is seeing what paintings reveal. Harrison''s central claim is that this self-consciousness arises from a sustained confrontation with the social domination at work in the male regard, including the painter''s regard, that shapes the appearance of women''s bodies in modern life."-Gregg M. Horowitz, Modernism/Modernity, "Taken together these chapters serve to demonstrate how careful looking can provide new insight into the making and meaning of iconic works. Conceptually challenging and rich in detail, this is an attractive volume with a generous number of illustrations, both in color and black and white, that help to support the author''s claims and argument."--Britta C. Dwyer, "Women's Art Journal", "The strength of [Harrison's] approach is not to reduce the reality of sexual difference to an iconographic or socio-historic question, but to treat it on the very surface of painting, through the devices it invents and the complex games it suggests to the viewer."-V�ronique Goudinoux, Les Cahiers, " Painting the Difference complicates routine assumptions about the sexism of male artists and viewers, and raises useful questions about the history of seeing."-Patricia Failing, Art News, "Anyone who wants to actually look at painting, as opposed to giving it a passing glance, and tothinkabout what this encounter engenders in the embodied psychosexual identity of spectators, as opposed to knowing in advance what to think, will find Harrison''s lovely book indispensable. Painting, in Harrison''s keen critical gaze, is a way of thinking new thoughts about sex, gender, and the embodied spectator. Harrison allows paintings to surprise us, to call us out, and reawaken our wonder at the labyrinth of images of sexual difference. A crucial text for art historians, and for anyone interested in sexuality in the field of visual representation."--W. J. T. Mitchell, author ofPicture Theory, "Taken together these chapters serve to demonstrate how careful looking can provide new insight into the making and meaning of iconic works. Conceptually challenging and rich in detail, this is an attractive volume with a generous number of illustrations, both in color and black and white, that help to support the author''s claims and argument."-Britta C. Dwyer, Women's Art Journal
Table of Content
List of Illustrations Introductions and Acknowledgments I. Looking Out, Looking In 1. The Picture Plane 2. Renoir II. Fantasy and Imagination 3. Manet 4. Cézanne III. Modern Feeling 5. Degas, Part One 6. Degas, Part Two 7. Morisot and Cassatt: "A Woman's Painting" IV. Public and Private 8. The Early Twentieth Century 9. Picasso 10. Matisse and Bonnard: "Painting the Emotions" V. Painting the Unseen 11. Rothko 12. The Later Twentieth Century Notes Figure Credits Index
Copyright Date
2005
Target Audience
Scholarly & Professional
Topic
Gender Studies, Subjects & Themes / General, History / General
Lccn
2004-005367
Dewey Decimal
759.06
Dewey Edition
22
Illustrated
Yes
Genre
Art, Social Science
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