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Photography Reframed: New Visions in Contemporary Photographic Culture by Ben Bu
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所在地：Calgary, Alberta, 加拿大
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- ISBN-13
- 9781350137745
- Book Title
- Photography Reframed
- ISBN
- 9781350137745
- Publication Year
- 2019
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Publication Name
- Photography Reframed : New Visions in Contemporary Photographic Culture
- Item Height
- 0.6in
- Item Length
- 9.2in
- Publisher
- Bloomsbury Publishing USA
- Item Width
- 6.2in
- Item Weight
- 16.5 Oz
- Number of Pages
- 288 Pages
關於產品
Product Information
At a critical point in the development of photography, this book offers an engaging, detailed and far-reaching examination of the key issues that are defining contemporary photographic culture. Photography Reframed addresses the impact of radical technological, social and political change across a diverse set of photographic territories- the ontology of photography; the impact of mass photographic practice; the public display of intimate life; the current state of documentary, and the political possibilities of photographic culture. These lively, accessible essays by some of the best writers in photography together go deep into the most up-to-date frameworks for analysing and understanding photographic culture and shedding light on its histories. Photography Reframed is a vital road map for anyone interested in what photography has been, what it has become, and where it is going.
Product Identifiers
Publisher
Bloomsbury Publishing USA
ISBN-10
135013774x
ISBN-13
9781350137745
eBay Product ID (ePID)
15038855071
Product Key Features
Publication Name
Photography Reframed : New Visions in Contemporary Photographic Culture
Format
Trade Paperback
Language
English
Publication Year
2019
Type
Textbook
Number of Pages
288 Pages
Dimensions
Item Length
9.2in
Item Height
0.6in
Item Width
6.2in
Item Weight
16.5 Oz
Additional Product Features
Table of Content
Photography Reframed: Always, Already, Again, Ben Burbridge and Annebella Pollen Section I. New Ontologies: Photography between the Archive and the Network1. Technology and Interaction: Penelope Umbrico's TVs from Craigslist, Duncan Wooldridge 2. Post-representational Photography, or the Grin of Schrödinger's Cat, Daniel Rubinstein 3. Archival Measures: Photography Collections in a New Media Age, Tina Di Carlo 4. The Grain of Ephemera/Event: Thinking Digital Archive through Photography, Sen Uesaki and Jelena Stojkovic 5. Tomorrow's Headlines Are Today's Fish and Chip Papers: Some Thoughts on 'Response-ability' David Campany interviewed by Duncan Wooldridge Section II. Mass Culture and the Politics of Distinction6. Popular Photographic Cultures in Photography Studies, Gil Pasternak 7. The Photographer as Reader: The Aspirational Amateur in the Photo-Magazines, Peter Buse 8. Mrs Wagner's Aspirations: The Album as Monument, Martha Langford 9. When is a Cliché not a Cliché?: Reconsidering Mass-produced Sunsets, Annebella Pollen Section III. (Networked) Society and the Spectacle: Photography and Exhibitionism10. The Shirt Off His Back: Male Torsos on Display in Contemporary Visual Culture, Marvin Heiferman 11. The Politics of Amateurism in Online Pornography, Feona Attwood 12 What a Body Can Do: From the Frenzy of the Communicative to the Visual Bond, Francis Summers 13. Hating Habermas: On Exhibitionism, Shame and Life on the Actually Existing Internet, Theresa M. Senft 14. Paradise Lost: Exhibitionism and the Work of Nan Goldin, Ben Burbridge Section IV. Documentary Photography and Global Crisis15. The Déjà Vu of September 11: An Essay on Inter-iconicity, Clément Chéroux 16. Facing War: Photography and Humanism, Iain Boal and Julian Stallabrass 17. War Primers, David Evans 18. Immigration Photography in Italy, Andrea Pogliano 19. Landscape Photography's 'New Humanism', Chad Elias Section V. Citizens? Photography, Resistance and Control20. Dead End Streets: Photography, Protest and Social Control, David Hoffman 21. Escaping the Panopticon, Pauline Hadaway 22 'You Don't Even Represent Us': Picturing the Moscow Protests, Aglaya Glebova 23. Occupy the Image, Liam Devlin 24. The Becoming-Photographer in Technoculture, Sarah Kember Closing Reflections, Ronnie Close, Catherine Grant, Sarah E. James and Sandra Plummer Afterword, Charlotte Cotton List of IllustrationsAcknowledgementsCreditsContributor BiographiesIndex
Target Audience
College Audience
Topic
Techniques / Digital (See Also Computers / Digital Media / Photography), Criticism & Theory, Criticism
Genre
Photography, Art
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