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第 1/1 張圖片
When We Liked Ike : Looking for Postwar America by Barbara Norfleet (2001,...
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所在地:Lima, Ohio, 美國
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eBay 物品編號:401139207890
物品細節
- 物品狀況
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- ISBN
- 9780393019667
- Book Title
- When We Liked Ike : Looking for Postwar America
- Publisher
- Norton & Company, Incorporated, w. w.
- Item Length
- 10.4 in
- Publication Year
- 2001
- Format
- Hardcover
- Language
- English
- Illustrator
- Yes
- Item Height
- 0.7 in
- Genre
- Social Science, History
- Topic
- Media Studies, United States / 20th Century, Social Classes & Economic Disparity, Anthropology / Cultural & Social, Customs & Traditions
- Item Weight
- 31.4 Oz
- Item Width
- 8.8 in
- Number of Pages
- 192 Pages
關於產品
Product Identifiers
Publisher
Norton & Company, Incorporated, w. w.
ISBN-10
0393019667
ISBN-13
9780393019667
eBay Product ID (ePID)
1859227
Product Key Features
Book Title
When We Liked Ike : Looking for Postwar America
Number of Pages
192 Pages
Language
English
Publication Year
2001
Topic
Media Studies, United States / 20th Century, Social Classes & Economic Disparity, Anthropology / Cultural & Social, Customs & Traditions
Illustrator
Yes
Genre
Social Science, History
Format
Hardcover
Dimensions
Item Height
0.7 in
Item Weight
31.4 Oz
Item Length
10.4 in
Item Width
8.8 in
Additional Product Features
Intended Audience
Trade
LCCN
00-052716
Dewey Edition
21
Dewey Decimal
973.92
Synopsis
But what many contemporary artists and intellectuals saw instead of this idyllic picture was widespread complacency and conformity, as well as racism, poverty, political witch hunts, and alienation. Their writings are excerpted here, juxtaposed with images depicting domestic bliss and wealth. This dissonance between the words of the social critics who emphasized our problems and discontents and the photographic images of how we wanted to see ourselves make the subsequent upheavals of the 1960s understandable., A historical record in words and pictures of American society in the years following the Second World War., After World War II, the prevalent self-image among America's white middle class was one of affluence, moral superiority, and contentment. This image is reflected in photographs in both advertising and the media during the late 1940s and 1950s showing perfect citizens and their families at work and at play. Many of these apparently candid photographs were in fact created by professional studio photographers--to portray the way most middle-class Americans wanted to present themselves. But what many contemporary artists and intellectuals saw instead of this idyllic picture was widespread complacency and conformity, as well as racism, poverty, political witch hunts, and alienation. Their writings are excerpted here, juxtaposed with images depicting domestic bliss and wealth. This dissonance between the words of the social critics who emphasized our problems and discontents and the photographic images of how we wanted to see ourselves make the subsequent upheavals of the 1960s understandable.
LC Classification Number
E169.02.N66 2001
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