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Film, Faith, and Cultural Conflict: The Case of Martin Scorsese's The Last: Used

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Book Title
Film, Faith, and Cultural Conflict: The Case of Martin Scorsese's
Publication Date
2003-09-30
Pages
160
ISBN
9780275973575
Subject Area
Performing Arts, Social Science
Publication Name
Film, Faith, and Cultural Conflict : the Case of Martin Scorsese's the Last Temptation of Christ
Publisher
Bloomsbury Publishing USA
Item Length
9.2 in
Subject
Film / General, Popular Culture
Publication Year
2003
Type
Textbook
Format
Hardcover
Language
English
Item Height
0.4 in
Author
Thomas Robin Riley
Item Weight
14.3 Oz
Item Width
6.1 in
Number of Pages
160 Pages

關於產品

Product Identifiers

Publisher
Bloomsbury Publishing USA
ISBN-10
0275973573
ISBN-13
9780275973575
eBay Product ID (ePID)
2440216

Product Key Features

Number of Pages
160 Pages
Publication Name
Film, Faith, and Cultural Conflict : the Case of Martin Scorsese's the Last Temptation of Christ
Language
English
Publication Year
2003
Subject
Film / General, Popular Culture
Type
Textbook
Author
Thomas Robin Riley
Subject Area
Performing Arts, Social Science
Format
Hardcover

Dimensions

Item Height
0.4 in
Item Weight
14.3 Oz
Item Length
9.2 in
Item Width
6.1 in

Additional Product Features

Intended Audience
College Audience
LCCN
2002-193044
Reviews
"Film, Faith, and Cultural Conflict offers an utterly absorbing account of the reception history surrounding Scorsese's film. In seven deft and meticulous chapters Riley, an assistant professor of electronic media in the College-Conservatory of Music at the University of Cincinnati, examines The Last Temptation of Christ for its historical origins, the intial causes for the controversy that surounded it, and the robust rhetoric employed by the different groups who reacted to it positively or negatively, according to religious persuasion."- Southern Humanities Review, "Riley presents a compelling case study of the religious and legal controversy created by Scorsese's 1988 film The Last Temptation of Christ....The writing is refreshingly free of the jargon usually associated with these topics, and the book makes for an accessible, informative, and entertaining read for those interested in media law, communication theory, media and society, media and religion, or film history. Highly recommended. Upper-division undergraduates through faculty; general readers." Choice, "Film, Faith, and Cultural Conflict offers an utterly absorbing account of the reception history surrounding Scorsese's film. In seven deft and meticulous chapters Riley, an assistant professor of electronic media in the College-Conservatory of Music at the University of Cincinnati, examines The Last Temptation of Christ for its historical origins, the intial causes for the controversy that surounded it, and the robust rhetoric employed by the different groups who reacted to it positively or negatively, according to religious persuasion." Southern Humanities Review, "Riley presents a compelling case study of the religious and legal controversy created by Scorsese's 1988 film The Last Temptation of Christ....The writing is refreshingly free of the jargon usually associated with these topics, and the book makes for an accessible, informative, and entertaining read for those interested in media law, communication theory, media and society, media and religion, or film history. Highly recommended. Upper-division undergraduates through faculty; general readers."- Choice
Dewey Edition
21
Number of Volumes
1 vol.
Illustrated
Yes
Dewey Decimal
791.43/72
Table Of Content
Preface Introduction Historical Developments in the Last Temptation Controversy Demystifying the Christian Scape Goat Countering Blasphemy Protecting Freedom of Speech: Scapegoating Religious Conservatives Appeals to Tolerance: Oprah's Presentation of the Controversy Scapegoating as Legal Process Conclusion Selected Bibliography
Synopsis
Scorsese's 1988 film The Last Temptation of Christ arguably generated more resistance and conflict upon its release than any film before or since, engendering intense debate and even hatred between religious conservative protesters and liberal progressive defenders of the picture. This is the first full examination of the controversy, its participants, and their claims concerning the film's religious meaning. This debate reflects deep levels of social and cultural insecurity produced by the shifting role of religion and religious language in an increasingly secularized society, and demonstrates how a popular film about Jesus captured, inflamed, and strengthened existing animosities. Providing new insights into film's significance as an indicator of the changing relationship between secular and religious domains, the work offers a thorough and fascinating historical analysis of the various interpretations of Last Temptation and its reception.
LC Classification Number
PN1997

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