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Bach to Brahms: Essays on Musical Design and Structure by David Beach: Used
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- Book Title
- Bach to Brahms: Essays on Musical Design and Structure
- Publication Date
- 2015-06-15
- ISBN
- 9781580465151
- Subject Area
- Music
- Publication Name
- Bach to Brahms : Essays on Musical Design and Structure
- Publisher
- University of Rochester Medical Press
- Item Length
- 9.6 in
- Subject
- History & Criticism, Genres & Styles / Classical, Instruction & Study / Theory
- Publication Year
- 2015
- Series
- Eastman Studies in Music Ser.
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 1 in
- Item Weight
- 20.5 Oz
- Item Width
- 6.5 in
- Number of Pages
- 294 Pages
關於產品
Product Identifiers
Publisher
University of Rochester Medical Press
ISBN-10
1580465153
ISBN-13
9781580465151
eBay Product ID (ePID)
208735057
Product Key Features
Number of Pages
294 Pages
Language
English
Publication Name
Bach to Brahms : Essays on Musical Design and Structure
Publication Year
2015
Subject
History & Criticism, Genres & Styles / Classical, Instruction & Study / Theory
Type
Textbook
Subject Area
Music
Series
Eastman Studies in Music Ser.
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
20.5 Oz
Item Length
9.6 in
Item Width
6.5 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2015-001076
Dewey Edition
23
Series Volume Number
122
Illustrated
Yes
Dewey Decimal
780.9
Table Of Content
IntroductionStrolling through a Haydn Divertimento with Two HeinrichsRitornelli or Soli: Which Did Mozart Write First in the Opening Movement of His Violin Concerto K. 207?Outer Form, Inner Form, and Other Musical Narratives in Beethoven's Opus 14, No. 2Temporal Poise and Oblique Dynamic in the First Movement of Beethoven's "Archduke" TrioChopin as an Interpreter of Mozart: The Variations Opus 2 and Don GiovanniThe First Movement of Brahms's Fourth Symphony Revisited: A Study of the Fanfare and the "Cloud of Mystery""Capricious Play": Veiled Cyclic Relations in Brahms's Ballades Op. 10 and Fantasies Op. 116Chopin's Study in SyncopationA Sharp Practice, A Natural Alternative: The Transition into the Recapitulation in the First Movement of Beethoven's "Hammerklavier" SonataErnst Oster's Vision of Hidden Repetitions and Motivic Enlargements in J. S. Bach's Short Keyboard WorksThe "Pseudo-Einsatz" in Two Handel Fugues: Heinrich Schenker's Analytical Work with Reinhard OppelFormal Fusion and Its Effect on Voice-Leading Structure: The First Movement of Beethoven's Opus 132 RevisitedIndistinct Formal Functions and Conflicting Temporal Processes in the Second Movement of Brahms's Third SymphonyThe Interaction of Structure and Design in the Opening Movements of Schubert's Piano Trios in B-flat Major (D. 898) and E-flat Major (D. 929)The Suspenseful Structure of Brahms's C-Major Capriccio, Op. 76, No. 8: A Schenkerian HearingList of ContributorsIndexading Structure: The First Movement of Beethoven's Opus 132 RevisitedIndistinct Formal Functions and Conflicting Temporal Processes in the Second Movement of Brahms's Third SymphonyThe Interaction of Structure and Design in the Opening Movements of Schubert's Piano Trios in B-flat Major (D. 898) and E-flat Major (D. 929)The Suspenseful Structure of Brahms's C-Major Capriccio, Op. 76, No. 8: A Schenkerian HearingList of ContributorsIndexading Structure: The First Movement of Beethoven's Opus 132 RevisitedIndistinct Formal Functions and Conflicting Temporal Processes in the Second Movement of Brahms's Third SymphonyThe Interaction of Structure and Design in the Opening Movements of Schubert's Piano Trios in B-flat Major (D. 898) and E-flat Major (D. 929)The Suspenseful Structure of Brahms's C-Major Capriccio, Op. 76, No. 8: A Schenkerian HearingList of ContributorsIndexading Structure: The First Movement of Beethoven's Opus 132 RevisitedIndistinct Formal Functions and Conflicting Temporal Processes in the Second Movement of Brahms's Third SymphonyThe Interaction of Structure and Design in the Opening Movements of Schubert's Piano Trios in B-flat Major (D. 898) and E-flat Major (D. 929)The Suspenseful Structure of Brahms's C-Major Capriccio, Op. 76, No. 8: A Schenkerian HearingList of ContributorsIndex
Synopsis
Presents current analytic views by established scholars of the traditional tonal repertoire, with essays on works by Bach, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, and Brahms.Bach to Brahms presents current analytic views on the traditional tonal repertoire, with essays on works by Bach, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, and Brahms. The fifteen essays, written by well-established scholars of this repertoire, are divided into three groups, two of which focus primarily on elements of musical design (formal, metric, and tonal organization) and voice leading at multiple levels of structure. The third groupof essays focuses on musical motives from different perspectives. The result is a volume of integrated studies on the music of the common-practice period, a body of music that remains at the core of modern concert and classroom repertoire. Contributors: Eytan Agmon, David Beach, Charles Burkhart, L. Poundie Burstein, Yosef Goldenberg, Timothy L. Jackson, William Kinderman, Joel Lester, Boyd Pomeroy, John Rink, Frank Samarotto, Lauri Suurpää, Naphtali Wagner, Eric Wen, Channan Willner. David Beach is professor emeritus and former dean of the Faculty of Music, University of Toronto. Yosef Goldenberg teaches at the Hebrew University of Jerusalem and at the Jerusalem Academy of Music and Dance, where he also serves as head librarian.er, Boyd Pomeroy, John Rink, Frank Samarotto, Lauri Suurpää, Naphtali Wagner, Eric Wen, Channan Willner. David Beach is professor emeritus and former dean of the Faculty of Music, University of Toronto. Yosef Goldenberg teaches at the Hebrew University of Jerusalem and at the Jerusalem Academy of Music and Dance, where he also serves as head librarian.er, Boyd Pomeroy, John Rink, Frank Samarotto, Lauri Suurpää, Naphtali Wagner, Eric Wen, Channan Willner. David Beach is professor emeritus and former dean of the Faculty of Music, University of Toronto. Yosef Goldenberg teaches at the Hebrew University of Jerusalem and at the Jerusalem Academy of Music and Dance, where he also serves as head librarian.er, Boyd Pomeroy, John Rink, Frank Samarotto, Lauri Suurpää, Naphtali Wagner, Eric Wen, Channan Willner. David Beach is professor emeritus and former dean of the Faculty of Music, University of Toronto. Yosef Goldenberg teaches at the Hebrew University of Jerusalem and at the Jerusalem Academy of Music and Dance, where he also serves as head librarian., Presents current analytic views by established scholars of the traditional tonal repertoire, with essays on works by Bach, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, and Brahms. Bach to Brahms presents current analytic views on the traditional tonal repertoire, with essays on works by Bach, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, and Brahms. The fifteen essays, written by well-established scholars of this repertoire, are divided into three groups, two of which focus primarily on elements of musical design (formal, metric, and tonal organization) and voice leading at multiple levels of structure. The third groupof essays focuses on musical motives from different perspectives. The result is a volume of integrated studies on the music of the common-practice period, a body of music that remains at the core of modern concert and classroom repertoire. Contributors: Eytan Agmon, David Beach, Charles Burkhart, L. Poundie Burstein, Yosef Goldenberg, Timothy L. Jackson, William Kinderman, Joel Lester, Boyd Pomeroy, John Rink, Frank Samarotto, Lauri Suurpää, Naphtali Wagner, Eric Wen, Channan Willner. David Beach is professor emeritus and former dean of the Faculty of Music, University of Toronto. Yosef Goldenberg teaches at the Hebrew University of Jerusalem and at the Jerusalem Academy of Music and Dance, where he also serves as head librarian., Presents current analytic views by established scholars of the traditional tonal repertoire, with essays on works by Bach, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, and Brahms., Bach to Brahms presents current analytic views on the traditional tonal repertoire, with essays on works by Bach, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, and Brahms. The fifteen essays, written by well-established scholars of this repertoire, are divided into three groups, two of which focus primarily on elements of musical design (formal, metric, and tonal organization) and voice leading at multiple levels of structure. The third group of essays focuses on musical motives from different perspectives. The result is a volume of integrated studies on the music of the common-practice period, a body of music that remains at the core of modern concert and classroom repertoire. Contributors: Eytan Agmon, David Beach, Charles Burkhart, L. Poundie Burstein, Yosef Goldenberg, Timothy L. Jackson, William Kinderman, Joel Lester, Boyd Pomeroy, John Rink, Frank Samarotto, Lauri Suurp , Naphtali Wagner, Eric Wen, Channan Willner. David Beach is professor emeritus and former dean of the Faculty of Music, University of Toronto. Yosef Goldenberg teaches at the Hebrew University of Jerusalem and at the Jerusalem Academy of Music and Dance, where he also serves as head librarian.
LC Classification Number
MT90.B2 2015
Copyright Date
2015
ebay_catalog_id
4
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