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Rosalind Galt Pretty (Paperback) Film and Culture Series
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- Book Title
- Pretty
- Title
- Pretty
- Subtitle
- Film and the Decorative Image
- ISBN-10
- 0231153473
- EAN
- 9780231153478
- ISBN
- 9780231153478
- Genre
- Society & Culture
- Subject
- Film / General, Media Studies, Women's Studies
- Release Date
- 05/31/2011
- Release Year
- 2011
- Country/Region of Manufacture
- US
- Subject Area
- Social Science, Performing Arts
- Publication Name
- Pretty : Film and the Decorative Image
- Item Length
- 0.9 in
- Publisher
- Columbia University Press
- Publication Year
- 2011
- Series
- Film and Culture Ser.
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.1 in
- Item Width
- 0.6 in
- Item Weight
- 21.7 Oz
- Number of Pages
- 408 Pages
關於產品
Product Information
Film culture often rejects visually rich images, treating simplicity, austerity, or even ugliness as the more provocative, political, and truly cinematic choice. Cinema may challenge traditional ideas of art, but its opposition to the decorative represents a long-standing Western aesthetic bias against feminine cosmetics, Oriental effeminacy, and primitive ornament. Inheriting this patriarchal, colonial perspective--which treats decorative style as foreign or sexually perverse--filmmakers, critics, and theorists have often denigrated colorful, picturesque, and richly patterned visions in cinema. Condemning the exclusion of the "pretty" from masculine film culture, Rosalind Galt reevaluates received ideas about the decorative impulse from early film criticism to classical and postclassical film theory. The pretty embodies lush visuality, dense mise-en-sc ne, painterly framing, and arabesque camera movements-styles increasingly central to world cinema. From European art cinema to the films of Wong Kar-wai and Santosh Sivan, from the experimental films of Derek Jarman to the popular pleasures of Moulin Rouge , the pretty is a vital element of contemporary cinema, communicating distinct sexual and political identities. Inverting the logic of anti-pretty thought, Galt firmly establishes the decorative image as a queer aesthetic, uniquely able to figure cinema's perverse pleasures and cross-cultural encounters. Creating her own critical tapestry from perspectives in art theory, film theory, and philosophy, Galt reclaims prettiness as a radically transgressive style, shimmering with threads of political agency.
Product Identifiers
Publisher
Columbia University Press
ISBN-10
0231153473
ISBN-13
9780231153478
eBay Product ID (ePID)
108230856
Product Key Features
Publication Name
Pretty : Film and the Decorative Image
Format
Trade Paperback
Language
English
Subject
Film / General, Media Studies, Women's Studies
Publication Year
2011
Series
Film and Culture Ser.
Type
Textbook
Subject Area
Social Science, Performing Arts
Number of Pages
408 Pages
Dimensions
Item Length
0.9 in
Item Height
0.1 in
Item Width
0.6 in
Item Weight
21.7 Oz
Additional Product Features
LCCN
2010-045025
Intended Audience
Scholarly & Professional
Lc Classification Number
Pn1995.G245 2011
Grade from
College Graduate Student
Reviews
...Brilliantly Engaging and Absolutely Knowledgeable. this Is a Key Work...Highly Recommended.Choice, One of the most attractive features of Galt's book is her ability to corral so many different iterations of art and film criticism and provide so many examples from world cinema, effecting in the end a general theory of world cinema, of a pretty world cinema., Remarkably wide-ranging and engagingly intricate. Rosalind Galt's argument is bold, its mode of argumentation sure and convincing. This very original take on culturally received and culturally determining ideas and emotions surrounding visual pleasure is long overdue. Galt's book is a necessary contribution to the study of the image in film and visuality studies.
Table of Content
List of Illustrations Acknowledgments Introduction: The Pretty as Troublesome Image 1. From Aesthetics to Film Aesthetics: Or, Beauty and Truth Redux 2. Colors: Derek Jarman and Queer Aesthetics 3. Ornament and Modernity: From Decorative Art to Cultural Criticism 4. Objects: Oriental Style and the Arabesques of Moulin Rouge! 5. At the Crossroads: Iconoclasm and the Anti-aesthetic in Postwar Film and Theory 6. Forms: Soy Cuba and Revolutionary Beauty 7. Perverse Prettiness: Sexuality, Gender, and Aesthetic Exclusion 8. Bodies: The Sumptuous Charms of Ulrike Ottinger Postscript: Toward a Worldly Image Notes Filmography Bibliography Index
Copyright Date
2011
Dewey Decimal
791.4301
Dewey Edition
22
Illustrated
Yes
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物品所在地：
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