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All Star Percussion Ens by All Star Percussion Ens / Farberman CD NEW ITS OPEN

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Instrument
Percussion
UPC
0884300009907
Artist
All Star Percussion Ens / Farberman
Format
CD
Release Year
2018
Record Label
Vox Box, VX
Release Title
All Star Percussion Ens
Genre
Classical Artists

關於產品

Product Identifiers

Record Label
Vox Box, VX
UPC
0884300009907
eBay Product ID (ePID)
2317105085

Product Key Features

Release Year
2018
Format
CD
Genre
Classical Artists
Artist
All Star Percussion Ens / Farberman
Release Title
All Star Percussion Ens

Dimensions

Item Height
0.39 in
Item Weight
0.19 lb
Item Length
5.58 in
Item Width
4.93 in

Additional Product Features

Number of Discs
1
Number of Tracks
4
Country/Region of Manufacture
United States
Tracks
1.1 Carmen Fantasy (Arr. H. Farberman for Percussion Ensemble) 1.2 Symphony No. 9 in D minor, Op. 125, "Choral": II. Scherzo: Molto Vivace (Arr. H. Farberman for Percussion Ensemble) 1.3 Canon and Gigue in D Major: Canon in D Major: (Arr. H. Farberman for Percussion Ensemble) 1.4 Symphonie Fantastique, Op. 14: IV. Marche Au Supplice: Allegretto Non Troppo (Arr. H. Faberman for Chamber Ensemble)
Notes
Percussion instruments have only recently become the last members of the symphonic family to be used fully and sensitively by composers, long after strings, woodwinds and brasses have been effectively exploited. Creative interest in the symphonic percussion section began in earnest in the late 1940s and has not yet abated, with rather impressive musical results thus far achieved. It is safe to say that the skillful use of a liberated percussion section has changed the very sound of contemporary symphonic music. One of the by-products of this welcome development has been the emergence of the percussion ensemble as an independent performing entity throughout the US and all over the world. These ensembles have programmed new works by some of our most gifted composers and they are responsible for adding a new dimension to America's listening experience. The four composers whose works have been adapted to create this program are all quite different from one another, yet, they have been approached as a single musical organism, with the hope that, even after transfer to the same sound source, they would coexist with one another without giving up or cancelling outany of their respective original characteristics of style, color, or content.

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